We had about as many people in there as we possibly could - 20 - it's a small space. It sounded just great in there. Pat did his thing with fiddle, banjo, mandola and guitar, but what instruments...
- the fiddle was a homemade brass fiddle from about the turn of the century - not particularly loud, but best described as the way a fiddle sounds in your dreams
- the banjo was a one-off from just around the minstrel era... fretted, huge dobson-style neck with a slotted headstock and the fifth string at the sixth fret... metal clad rim about 14 in diameter and 4 or more inches deep. You know Thalos from Jason and the Argonauts? If he had a banjo, this would be it. Everything played on it sounds like it was transmitted across time to your ears
- the mandola - 1918 H model - deep and sonorous...
- the guitars - my goofy Kay roundhole archtop and what's probably a wartime L-00 sized Gibson prototype with some archtop characteristics and some flattop... best slide guitar I've ever heard... what a voice.
Pat's set
fiddle:
Snowbird (Manco Snead)
Primrose Hill
Brown Skin Girl
banjo:
Old Joe
Jawbone/Alberta
Delia's Gone
Bible's True
Liza Jane
Been All Around This World
guitar:
No Special Rider (Booker)
Cumberland Gap
mandola:
Jet Black Woman
Shine Like A Star In The Morning
guitar:
Mourning Blues
Dark Was The Night
Ari was his usual brilliant self, playing the Stella and the Delphi all night. Ari's set:
One Dime Blues
Bad Feeling Blues
No Dough Blues
Chump Man Blues
Hunkie Tunkie Blues
Blind Arthur's Breakdown
Rope Stretchin' Blues
Depression Is Gone From Me
They Got It Fixed Right On
If You See My Savior
Up The Country
I'm Throwing Up My Hand
Jesus Gonna Make Up My Dying Bed
Nobody Knows You When You're Down And Out
Drunken Barrelhouse Blues
His playing was flawless - hardly any surprise, there, but he did unflappingly survive an exploding capo during Hunkie Tunkie Blues. Never missed a beat and finished out the song to boot.
From my perspective, it was a great success - good music and good company all around.
edited: song titles and instrument details
- the fiddle was a homemade brass fiddle from about the turn of the century - not particularly loud, but best described as the way a fiddle sounds in your dreams
- the banjo was a one-off from just around the minstrel era... fretted, huge dobson-style neck with a slotted headstock and the fifth string at the sixth fret... metal clad rim about 14 in diameter and 4 or more inches deep. You know Thalos from Jason and the Argonauts? If he had a banjo, this would be it. Everything played on it sounds like it was transmitted across time to your ears
- the mandola - 1918 H model - deep and sonorous...
- the guitars - my goofy Kay roundhole archtop and what's probably a wartime L-00 sized Gibson prototype with some archtop characteristics and some flattop... best slide guitar I've ever heard... what a voice.
Pat's set
fiddle:
Snowbird (Manco Snead)
Primrose Hill
Brown Skin Girl
banjo:
Old Joe
Jawbone/Alberta
Delia's Gone
Bible's True
Liza Jane
Been All Around This World
guitar:
No Special Rider (Booker)
Cumberland Gap
mandola:
Jet Black Woman
Shine Like A Star In The Morning
guitar:
Mourning Blues
Dark Was The Night
Ari was his usual brilliant self, playing the Stella and the Delphi all night. Ari's set:
One Dime Blues
Bad Feeling Blues
No Dough Blues
Chump Man Blues
Hunkie Tunkie Blues
Blind Arthur's Breakdown
Rope Stretchin' Blues
Depression Is Gone From Me
They Got It Fixed Right On
If You See My Savior
Up The Country
I'm Throwing Up My Hand
Jesus Gonna Make Up My Dying Bed
Nobody Knows You When You're Down And Out
Drunken Barrelhouse Blues
His playing was flawless - hardly any surprise, there, but he did unflappingly survive an exploding capo during Hunkie Tunkie Blues. Never missed a beat and finished out the song to boot.
From my perspective, it was a great success - good music and good company all around.
edited: song titles and instrument details