Upstroke is the way I learned it though. That's the way you're supposed to go with a mandolin. After I got my hands stiff I have to play it down. I can't play that quiver like I used to. You can play that quiver better with an upstroke. Upstroke is a better sound to me. Sure is. - Yank Rachell, Blues Mandolin Man
Great find, Mike! One of the things I was sad to see in Doc's performances as the years went by was the progressive de-emphasis on his harmonica playing in his sets. Early on, he'd always have some ripping tunes with harmonica on the rack, like "Muskrat". He was certainly a wonderful guitar player, but I loved to hear him play harmonica, banjo and sing unaccompanied hymns and ballads, too. All best, Johnm
Morning all. great thread, great forum-maybe you've seen my first post, on aboriginal songster Youngie Doug, over in the other musical interests section. I'd like to add Kyle Wooten's Loving Henry, which I don't believe has been reissued (though, I wouldn't be surprised if it's buried somewhere in the JSP catalogue); here it is, thanks to honking duck: http://www.honkingduck.com/mc/content/loving-henry
once again, some great playing from Wooten, here riffin on "I got mine" (I think I here other tunes in here, but I cannot decide whether I'm hearing a medley here, or some stream of conscious jam - wanderin round, sometimes returning...some high level pedantry on my part, to be sure. Great tune!
Kyle Wooten recorded six tracks -- all harmonica solos -- at his only session, for OKeh in Atlanta on December 1, 1930 (a Monday for the true pedants among us). I've got four of them on a Juneberry private issue (no longer available, unfortunately), but the only more widely available one I can track down is Choking Blues on Yazoo's Harmonica Masters (CD 2019). Red Pig was on County's vinyl A Day In the Mountains anthology, and I have a feeling that Loving Henry has also been reissued.
Almost "perfect" in my understanding is Noah Lewis? solo performance of "Like I Want To Be":
Hehe, I always hear a full band around it but this is just my head. It has what I love in music: a simply structure, yet much variety and many nuances in it, something new to be found every time, lovely bent blue notes, a full organ-like sound, and it sounds like a dialogue of a weeping woman and a shouting couple who shout about the all too human things, it?s rocking along slowly and steadily like a slow long train, all very powerful and yet very subtle. i cannot really put this in words - it is what I wish I could play like
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Noah Lewis is my favorite harp player hands down! He's pretty good in the singing department too. His phrasing and the full sound that he gets is wonderful. I agree with you, Blind Arthur, certainly someone to aspire to. Best Regards, Denise
Hey everyone. Just noticed this thread. As a harmonica player, I seek out a lot of these early harmonic solos too. I noticed that alyoung mentioned Red Pig by Kyle Wooten. The only place I know that it is available on the internet is on the Juneberr78s site. Here it is: http://www.juneberry78s.com/sounds/cy4953-10.mp3
DeFord Bailey's Muscle Shoals Blues is also there: http://www.juneberry78s.com/sounds/cy4953-05.mp3 I like this version with the cracks and hisses of the 78 better than the version available on youtube.
Hi all, Here is one from Booker T. Sapps. On his duo pieces with Roger Matthews, whichever of them played the guitar was in Vestapol on every tune of theirs that I've heard guitar on, and it is really expert playing by both of them. I think they're one of the strongest harmonica/guitar duos I've heard and I think the only time they were recorded was by Alan Lomax in Florida in 1935.