[We played in] restaurants, taverns, and gangster hangouts. Played... Italian music, German music, we played polka music... we'd play blues, too... we played wherever the dancers was - Roosevelt Scott, on the life of a bluesman in Chicago in the 1940s. From an interview with Jim O'Neal in the notes to Document 5413
I'm looking for the lyrics for Blind Willie Johnson and You're Gonna need Somebody on your bond. I haven't been able to convert it to mp3, since my converter says something abour a codecs? Anyway, it's a classic, which Donovan Leitch did a version of, with a completely changed lyrics. This version I have tried to copy is from "Complete Recordings" disc 1. I think I more or less have it alle but, there are some blanks in the first verse.
Thanks for any help Peter
You gonna need somebody on your bond You gonna need somebody on your bond Cause it's way after midnight When death comes creeping in the room You'll gonna need somebody on your bond
I heard the voice of Jesus saying ------------------- Down the way with-------- Answer for my prayers
You gonna need somebody on your bond You gonna need somebody on your bond Cause it's way after midnight When death comes creeping in the room You'll gonna need somebody on your bond
When I were a gambler Nobody would go my bond Fell on my knees and begin to pray Cause Jesus will go your bond
You gonna need somebody on your bond You gonna need somebody on your bond Cause it's way after midnight When death comes creeping in the room You'll gonna need somebody on your bond
I came to Jesus like I'm weary wounded and sad Found in him a resting place Now he's made me glad
Now I got somebody on your bond Now I got somebody on your bond Cause it's way after midnight When death comes creeping in the room Now I got somebody on your bond
« Last Edit: July 15, 2020, 10:28:46 PM by Johnm »
I tend to agree with you. You could be right. I remember listen to When you was a gambler, so I guessed I just switched you with I. Sometimes the grammar, even to a dane, is very weak. But the general idea is still there. 1 verse is a mystery.
I was a little suprised that so few of his lyrics were posted on the web. The most published version is with Donovan (which I incidently grew up with, not knowing what I heard).
As I realized was, that Donovan used a of of the old blues songs, and made them clean, giving them new lyrics and a touch of 1968 :-). When I grew into this blues thing, I was very suprised to see king Donovan hippie all over. The lord works mysterious way. It was also Donovan who introduced me to Keep on Truckin'
I had some time on my hands today, so I've spent a couple of hours analyzing this.? There are actually two versions of You're Gonna Need Somebody On Your Bond on the Columbia Legacy version of Complete Vol 2 - track one is Matrix 149594-1 recorded Dec 1929, while track 16 is Matrix 150316-2 recorded April 1930.? Track 1 has bottleneck accompaniment, while track 16 has standard accompaniment.? And the words on track 16 seem a little clearer to me.
Anyway, in my analysis, I slowed down relevant sections of both recordings, while retaining the same pitch.? In addition to the following lyrics, I will also attach the four sound clips from each version so you and others can hear the same files I listened to.? Note that if I have lyrics in parentheses, separated by a slash, the first word / phrase is what I "heard", the one after the slash is what I think it really is [for example, (I hear this / and think it's really this) ].
Matrix 149594-1, December 11, 1929
Well, you're gonna need somebody on your bond You're gonna need somebody on your bond Lord it's a way past midnight When death comes slippin' in the room You're gonna need, ah, somebody on your bond
I heard the voice of Jesus saying God told me I'd rest Found the way with one light out Halo for my prayers
You're gonna need somebody on your bond You're gonna need somebody on your bond Lord it's a way past midnight When death comes slippin' in the room You're gonna need somebody on your bond
When you was a gambler Nobody would go your bond Fell on your knees and (begin/began) to pray Cause Jesus should go your bond
You're gonna need somebody on your bond You're gonna need somebody on your bond Lord it's a way past midnight When death comes slippin' in the room You're gonna need somebody on your bond
I came (the day that Babal was / that day to Babylon) Weary, wounded, sad Found that Hell made a resting place They have made me glad
If I've got somebody on my bond Lord I've got somebody on my bond Now it's a way past midnight When death comes slippin' in the room Now I've got somebody on my bond.
Matrix 150316-2, April 20 1930
Well, you're gonna need somebody on your bond You're gonna need somebody on your bond Now (there's a way and / dead away at) midnight When death comes slippin' in the room You're gonna need somebody on your bond
I heard the voice of Jesus saying God told me (had/ I'd) rest Found the way with one light (out/on) Halo for my prayers
You're gonna need somebody on your bond You're gonna need somebody on your bond Now (there's a way and / dead away at) midnight When death comes slippin' in the room You're gonna need somebody on your bond
When you was a gambler 'Body would go your bond Fell on your knees and began to pray Cause Jesus should go your bond
You're gonna need somebody on your bond You're gonna need somebody on your bond Now (there's a way and / dead away at) midnight When death comes slippin' in the room You're gonna need somebody on your bond
I came the day that Babylon Weary, wounded, sad Found that Hell made a resting place They have made me glad
Lord I've got somebody on my bond Lord I've got somebody on my bond Now (there's a way and / dead away at) midnight When death comes slippin' in the room Yes I've got somebody on my bond.
Hope this helps.
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« Last Edit: April 20, 2005, 02:46:36 PM by Johnm »
Forgot to mention that Buffy Sainte-Marie also did a nice version of this song on her first album, Many A Mile. Also a nice version of Bukka White's Fixin' To Die on the same album.
Anyway, I've got Buffy's songbook, which shows her translation of two sections as:
"Now dead away at midnight when the death come slippin' in the room" in the chorus, and " 'Cause Jesus gonna go your bond" in the last line of the 3rd verse. Buffy only sang 2 verses, and the first really isn't in Blind Willie's version, although it has some similarity to Blind Willie's third verse:
I Thought my friends were better than God, Foolish Mary said. Now I'm bound in Hell for a resting place. They have made me bad.
Also, I noticed you said you couldn't create an mp3 file -- if you need one for some reason other than posting here, I can certainly e-mail you one. Also, if you need an mp3 copy posted here, let me know and I'll be happy to do that, too.
I came to Jesus as I was, Weary, cold and sad Found in Him a resting place It have made me glad.
Hi, Chris.? That's very similar to Peter's original interpretation of:
? ?I came to Jesus ? ?like I'm weary wounded and sad ? ?Found in him a resting place ? ?Now he's made me glad
particularly if you move "like I'm" from the start of the second line to the end of the first:
? ?I came to Jesus like I'm ? ?weary wounded and sad ? ?Found in him a resting place ? ?Now he's made me glad
So I suspect that you're both closer than I am on this verse.? Unfortunately, even trying to hear "Jesus ... I am", "cold and" and "in him", I just don't hear those words.? I still here "day" and "Babylon", "wounded" and "Hell".? That's why its great to have multiple sets of ears listening to these songs.
Of course, the problem is that everyone is making best guesses.? Blind Willie hasn't been around to confirm.
I remember hearing a story in the 60s about one of the re-discovered artists who shook his head and laughed softly at the consensus lyrics for one of his pre-war songs, then proceeded to correct about every other word.? Never knew if the story was true, and haven't remember the artist or song in question for years, but it makes me think every time I try to understand lyrics.
Just for fun, I searched the internet, and here is a totaly different interpretation of the same verse (found at http://www.guitarseminars.com/ubb/Forum1/HTML/003483.html) -- it appears twice on that page -- once with this song alone, and once with a number of other Blind Willie lyrics:
? ?It came the day that sad was ? ?Wearied, wounded side, ? ?Bounds that held me left this place. ? ?They have made me glad.
Having listened to this today -- here's the two verses that seem to be the most trouble, with words BWJ doesn't sing in parentheses:
I heard the voice of Jesus say (Come) Unto me and rest Found me weary, (I) want to lie down Head upon my breast.
I came to Jesus as I was Weary-boned and sad Found in Him a resting place, He have made me glad.
The first verse's first line is parodied in the Jim Jackson minstrel show song "I Heard the Voice of a Pork Chop" -- I heard the voice of a pork chop say, come unto me and rest. Johnson doesn't enunciate very well, but I'm pretty sure of these. Chris
Can someone decipher all the words in BWJ's, "When the War was On"? Really. My hearing has faded and I really like this song a lot. It could/should be considered a root of Rock 'n Roll, IMHO.
aTdHvAaNnKcSe
/\/\arshall
« Last Edit: July 15, 2020, 10:30:13 PM by Johnm »
Hi all, I won't say that I have all the lyrics, but here goes. I've been listening to Blind Willie a lot lately. I really like the way he has Uncle Sam talking in these lyrics. Follow the thread to see how the transcription of this version was put together
CHORUS: Willie: Everybody, well. Angeline: when the war was on (3) Together: Well, they register everybody when the war was on
Well, in just about a few years, some months ago The 'nited States gov'ment voted for war Sam, he called the men from the East and the West "Get ready, boys, we got to do our best."
CHORUS
Well, umm, President Wilson, sitting on his throne Making laws for-a everyone Didn't call the black man, lay by the white GUITAR FINISHES VERSE
CHORUS
Price on the letter, begin to raise Gettin' no better, 'bout the same old thing 8 cents on the dollar, ride the train Rates gettin' cheaper, take a ride again
CHORUS
Yes, you measure your boiler, measure your wheat Half a pound of sugar for a person a week Folks didn't like it, they blamed Uncle Sam "I've got to save the sugar for the boys in France."
CHORUS
Well, the boys whupped the Germans, home at last Would have brought the Kaiser but he run too fast Couldn't blame the Kaiser for a-leavin' the land Uncle Sam, he had the play to scare almost any man
CHORUS
Tax gettin' heavy, have to pay Hep {sic} the boys over across the sea Mud and water up to their knees Faced the Kaiser for-a you and me.
CHORUS
Edited 9/5 to pick up correction from a2tom Edited 9/6 to pick up corrections from a2tom and rpg51 Edited 9/7 to pick up corrections from banjo chris Edited 9/7 to pick up corrections from Alexei McDonald and banjo chris
All best, Johnm
« Last Edit: September 07, 2006, 02:54:44 PM by Johnm »
Wow, great job John. "they wonder why" doesn't seem right to me. I hear "the white" at the end of the line (in contrast to "black man"). Can't quite get the whole phrase - "label the white?" "labor the white?" Those don't make sense but are phonetically closer to what I hear.
Minor point, but I'd wager its "the Kaiser but HE run too fast" (surely you aren't suggesting our boys ran back home prematurely!). Actually, later in that verse I am not sure "to pay" makes sense. I'm hearing "Sam he had the play to scare almost any man". (maybe not "play", but he had something scary... planes?)
Thanks so much for the help, Tom. I agree that "they wonder why" is not right. What I had written down after that, that makes no sense, but is very close to your phonetic suggestions for the line is "lay by the wine". I also agree that it should be "he" rather than "they" who "run too fast". I will make that change and keep trying to peck away at those couple of hard to hear places. All best, Johnm
It doesn't make much sense, but I hear "leave out the white" for the last part of the third line, second verse. [I thought it might be "then he called the black man, leave out the white" (so preferential treatment for whites), but it does sound like "didn't call the black man" for the first part....]
For the tough line in the fifth verse, could it be something like "Sammy had to stay to scare almost any man" (so contrasting the Kaiser, who fled, to Uncle Sam who stayed)?
Also, is everybody quite sure about the last line in the chorus... "They register everybody when the war was on?" I was thinking it might be "They ravished everybody..." (although it sounds like they sing ravished with a 'd' sound instead of a 'v' sound...)