Cool! I like the verse about the cat, that sounds right. The others of course are pretty much the same as how I had it. Although I'm sticking to the "picking plants." Cheers and thanks for the help, Chezz
I've only got the track on an old Folkways compilation LP and that line is pretty indistict on there. Leib probably listened to the version on the Milestone double LP of the mid-70s or, maybe, the 78. But given the theme picking plants fits.
Never mind, I ended up finding enough sources to figure it out. I'm loving this Ma Rainey stuff.
Document Ma Rainey Vol. 1 Those Dogs of Mine (Famous Cornfield Blues) 3-1924
Looka here people, listen to me Believe me I'm telling the truth If your corns hurt you, just like mine do You'd say these same words too
Out for a walk I started to talk Oh how my corns did hurt I had to keep on the shady side of the street To keep out the light of the sun
Oh Lord these dogs of mine They gone to worry me all the time The reason why, I don't know Sometimes I soak em in Sapolio Lord I beg to be excused I can't wear these old sharp toed shoes Oh Lord how the sun do shine Down on all these hounds of mine
Oh Lord these dogs of mine They gone to worry me all the time The reason why, I don't know Sometimes I soak em in Sapolio Lord I beg to be excused I can't wear these old sharp toed shoes Oh Lord how the sun do shine Down on all these hounds of mine
« Last Edit: July 11, 2020, 08:15:56 AM by Johnm »
If your corns hurt you, just like mine (i.e. no DO)
Out for a walk, I STOPPED to talk Oh how my corns did BURN (pronounced "BOIN")
Oh Lord these dogs of mine They GOIN' to worry me all the time (See note below)
Oh LORDY how the sun do shine
Oh LORDY these dogs of mine They GOIN' to worry me all the time (Yes, it's pronounced "gone", but it's clearly "goin") The reason why, BOYS, I don't know
Oh LORDY how the sun do shine
Nice catch on Sapolio! There's one for the Brand Names In The Blues list.
I actually gleaned most of the help from the google books Sandra Lieb Ma Rainey stuff I could find online.
It's a very good, well researched book and lives up to the sub title "A Study of Ma Rainey". It was published thirty years ago and doesn't show its age. It certainly kicked Derrick Stewart-Baxter's laudable "standard work" of 1970 well and truly into touch.
So, nearly 40 years after first trying to decipher this, I STILL can't get the whole thing!! Here's what I've got, any suggestions are appreciated! Her singing still thrills me.
You can hear it here:
Oh My Babe Blues ? Ma Rainey
One of these days I?m going to leave my home, oh my babe Now I know I?m going and it won?t be long If I go, let me go If I stay, let me stay Maybe I?ll , ask, let me come back home.
Tell my dad I won?t be home tonight, oh my babe My heart aches and I?m not treated right. My heart?s down???, it?s a shame And I just can?t call his name Then I?d ask to let me come back home.
Lawdy lawd have mercy on poor me, oh my babe Tell somebody to let My heart go free When I go, keave me alone And I ?ll stay from my home Tell my dad I want to come back home.
I?m leavin now, I?m sorry we have to part, oh my babe Cause you tried To break my aching heart But someday you will say Come back home babe someday Then I?ll know my dad wants me back home.
Hi all, I've been listening to Ma Rainey a lot lately--what a singer! I found a recently posted video at youtube that has a complete version of the truncated song that was included with the post two back from here. Here it is:
I really think Ma was one of the very greatest blues singers. What a shame that she stopped recording in 1928. Her recordings from that year, like "Black Eye Blues" and "Sleep Talking Blues", still sounded sensational.
In listening to this song a few more times, Suzy, I think Ma sings, 3.2 SEND somebody to let my heart go free in that third verse.
Her singing is killing me.
All best, Johnm
« Last Edit: March 12, 2014, 05:30:18 PM by Johnm »
Hi all, Ma Rainey's "Stack O'Lee Blues" can be found on the Yazoo CD "Ma Rainey's Black Bottom", Yazoo 1071. It is a unique treatment of the Stackerlee story, I think, because it borrows its melody and phrasing from "Frankie and Johnny", and even keeps the "He was my man, but he done me wrong" refrain. It makes no mention of Stackerlee and Billy De Lyons' set-to. I find I tend to forget about all of that when Ma starts to sing. If I can find it on youtube, I'll post it here. I'd appreciate help with the one line in bent brackets.
Stack O'Lee was a bad man, everybody know And when they seed Stack O'Lee comin', they'd give him the road He was my man, but he done me wrong
Stack O'Lee Stack O'Lee, was so desperate and bad He'd take everything his women would bring and everything they had He was my man, but he's done me wrong
Stack O'Lee's on the warpath, and you'd better run 'Cause Stack O'Lee holds a bad man and he'll kill you just for fun He was my man, but he's done you wrong
Stack O'Lee's in jail now, with his face turned to the wall Thirty women and old corn whiskey was the cause of it all He was my man, but he's done you wrong
A hundred-dollar coffin and a eighty-dollar hack Carried him to the cemetery but it did not bring him back He was my man, but he's done me wrong
All best, Johnm
« Last Edit: March 14, 2014, 11:36:39 PM by Johnm »
I really think Ma was one of the very greatest blues singers. What a shame that she stopped recording in 1928. Her recordings from that year, like "Black Eye Blues" and "Sleep Talking Blues", still sounded sensational.
It really is a shame, especially since she apparently kept touring and performing until 1935. So it really was the record company's fault - foiled by Paramount yet again. 1928 was too early to shut her down. Papa Charlie Jackson, with whom Ma Rainey made her last two recordings in '28, recorded a fair amount in 1929, then a few more things in the 30s, including three unissued sides with Bill Broonzy and Teddy Edwards I didn't know about till looking up his later discography just now.
« Last Edit: March 12, 2014, 09:22:52 PM by uncle bud »
Bruce, that's what I thought I was hearing at first, but it does sound like it ends in "bad man" with that B standing out for me. I wonder if it is just an exclamation, something like "ho! 's a bad man". e.g "whoa, is a bad man". Or an ungrammatical moment: "who's a bad man".