The artist that you're listening to or are in love with, they were usually listening to three or four people within the framework of the style they were in. What you're essentially tryin' to do is play every giant of country blues's music as well as them, every song, in every style. Impossible! Give it up! - Jerry Ricks, Port Townsend 97
Hi all, Here is a place to list players who specialized and were notably accomplished and original in their approach to playing in Spanish tuning, whether conventionally fretting or using a slide. Once again, I'll start with two such players, and if you limit yourself to two players per post, more people can contribute:
Here are some guitar stylists in Spanish tuning: * Blind Roosevelt Graves * Peg Leg Howell
Tommy Johnson. he recorded only one song in spanish (but he recorded it twice) but maggie campbell featutred in the repertoires of many admirers. Or Willie Brown
I know what you mean about the ending, Chris--not that many of these songs end on a II7 chord!
Does anyone think this could have been a mistake? Like maybe the red light came on unexpectedly and he just ended abruptly? Although I don't have everything Skip recorded in the '60s, I don't think I have ever heard him end Special Rider this way in later years.
No, I'm sure it was intentional, both because all of his '30s recordings on guitar were set pieces, but also because the song doesn't go to that chord anywhere else, and if he was intending to start the form again and got the "end it" sign from the engineer/a&r person, he would have had no reason to be there at that time.
I am always impressed by Bo Weavil Jackson's 'You can't keep no brown' - the slide guitar song on the Yazoo record Country Blues Bottleneck Guitar Classics 1926-1937. My vinyl player is not currently working, so I don't know if he does other songs in Open G.