Topic: The Blues' Sharpest Dresser

[Johnm]

Hi all,
I've been thinking about a topic for a while, only peripherally music-related, but that some of you might find fun.  Who would you nominate as the Blues' sharpest dresser?  In the '60s, it became commonplace for musicians to affect a more down-home, relaxed look in their performance attire, but historically, blues players and musicians in general were as natty in their attire as they could afford to be.
I'll start the ball rolling by nominating Yank Rachell, who even in the '60s and '70s, performing in the heat of outdoor summer festivals, usually dressed really sharp, though casually, with a great hat and even spiffy glasses, which is really going some.  In earlier photos, he is almost invariably seen in a swell suit and hat.  On the female side, Bessie Jackson is wearing a great outfit with a kind of a turban and feather boa in the one picture I've seen of her.  Any other nominees?
All best,
Johnm 

[Rivers]

Barbecue Bob's pinstripe suit and chef's outfit...

Actually I've never seen a picture of Mance Lipscombe looking anything less than way cool so I nominate Mance in the 'smart casual' category. Great line in sweaters, shirts and hats, if he were still with us he could have his own designer label.

[daddystovepipe]

Wit sophistication and class, that's how Lonnie Johnson always dressed and played...
 

[Bunker Hill]

Here's a pretty sharp dude 1931 style.  Click image to zoom for full effect.

[Mr.OMuck]

Coolest looking & best dressed may be two categories in the former its...Lightin' Hopkins  hands down the defining image of cool no matter when you catch him. Best dressed could be Leroy Carr or Big Bill.
Junior Wells gets my nod for most adventurous fashion attempts.

[Cooljack]

yeah Im with you on Leroy Carr, those shoes don't polish themselves

[waxwing]

Pretty funny that shined shoes are something that seem odd today. Why when I was a kid..... well, yeah, we shined our shoes. Didn't make anyone a snappy dresser.

I think we should make a distinction between the urban players and the guys who actually spent most of their time in rural communities. Like I always thought Son House's tie was spiffy, but those Chicago city slickers, like Big Bill and Washboard Sam, woulda laughed him outa the  room for it.

Hmmm, notice Scrapper has the capo on the 4th fret? Wonder what key Leroy was playing in before the shot?

All for now.
John C.

[Rivers]

Another vote for Lightnin' in the relaxed but tasteful designer weekend wear category. Man the creases on Washboard Sam's (assuming that's who it is) pants are preternatural. Who's his tailor? Not that I ever wear a suit or anything.

Here's Bob making an effort to sell product to the city slickers:

[doctorpep]

I'd go with Lightnin' Hopkins for the cool, bad-ass look, and Lonnie Johnson for the suave, urbane gentleman look.

[unezrider]

not to sound like a band wagoner, but yeah, lightnin' is the epitome of cool!

[Mr.OMuck]

[/quote]

Just look at the drape on that lapel! Thats some expensive suit I'm tellin' yuz!

[banjochris]

Charlie Patton -- for wearing spats, if nothing else
Gus Cannon for 19th-century style
and Booker White should get an honorable mention for being tuned in to the times in the late '60s early '70s -- serapes and this little ensemble:

[Parlor Picker]

I understand that when Fred McDowell first came to the UK he was wearing dungarees and carrying an acoustic guitar.  When I saw him perform in 1968 (I think) he had a shiny red electric guitar and was wearing sparkly clothing plus patent leather shoes.

In the early 70s I met Professor Longhair in the street in London (actually in the famous Carnaby Street, just around the corner from where I was working) with Parker Dinkins (of Ahura Mazda label fame).  Fess had on a sparkly turban, plus non-matching suit and shirt - I forget the colours now, but it was reported in Blues Unlimited at the time. (Bunker Hill can probably access the report in seconds with his amazing system... My copy must be somewhere amongst all those old copies of blues magazines).

[Bunker Hill]

I understand that when Fred McDowell first came to the UK he was wearing dungarees and carrying an acoustic guitar.  When I saw him perform in 1968 (I think) he had a shiny red electric guitar and was wearing sparkly clothing plus patent leather shoes.

In the early 70s I met Professor Longhair in the street in London (actually in the famous Carnaby Street, just around the corner from where I was working) with Parker Dinkins (of Ahura Mazda label fame).  Fess had on a sparkly turban, plus non-matching suit and shirt - I forget the colours now, but it was reported in Blues Unlimited at the time. (Bunker Hill can probably access the report in seconds with his amazing system... My copy must be somewhere amongst all those old copies of blues magazines).

I can see in my mind's eye a photo of Fess leaning against a lamp post just outside the 100 club in Oxford Street but can't for the life of me visualise what apparel he was wearing.

I'm not too sure of FMcD in dungarees in 1965 but when I saw him that year he was wearing the obligatory suit!

[Mr.OMuck]

This here dude is hard to beat! Even his goddamn socks are neat!