Thanks very much for transcribing these lyrics, Harriet. My computer has been in the shop the past several days, but I finally got a chance to re-listen, and I think the only place where I hear something different than what you had was in the second verse, where after the fourth line I'm hearing: SOUL GOT HAPPY, child, I STAYED down there all day with the words in caps being the ones I heard differently. This is such a great song, and I think I'll probably teach it at a couple of music camps this season. Thanks for doing the heavy lifting in terms of getting the lyrics transcribed. All best, John
It's being a great song to work on, thank you for the lesson, and for the opportunity to put my hands where McDowell played the song thanks to your note for note transcription, demonstration and talk through.
I love the delicate and beautiful runs in this piece, the elegant simplicity in which he handles the melody, his bending to the change in lyric and working as part of team with Annie, even down to the bass note at the end of each line which ties it together as a stand alone instrumental, one line flowing into the other. I hope others will enjoy studying it...
The lyrics were a surprise because I studied their "Get Right Church" and she's very understandable in it, as to how difficult she was to understand in this piece, so I'm glad that it was only one line that was flubbed.
Best, Harriet
« Last Edit: July 18, 2017, 07:08:34 PM by harriet »
For those who are curious, here is the obscure Joe Townsend's version, recorded live in a north Mississippi church in 1973. (Joe is on vocals, with the mysterious Johnnie Mays on guitar. This recording caused quite a stir when it was first heard in the 70's, with its Son House-style vocals and Delta guitar. Also -- whoever was running the tape machine apparently thought the song had ended at about 2:00!)...
« Last Edit: July 18, 2017, 07:31:58 AM by jpeters609 »
Hi all, I merged the recent thread on "Letter From Hot Springs" into this Fred McDowell Lyrics thread, so if anyone wants to re-visit the lyrics to that song, this thread is the place to do that. All best, Johnm
Here's Letter From Hot Springs, great groove but it's late and I have to get up early. I will get on to it tomorrow but feel free to have a stab at it:
« Last Edit: September 12, 2018, 07:27:00 PM by Rivers »
Hi all, "Jim, Steam Killed Lula" is on the Fred McDowell Testament recording, "Levee Camp Blues". It is a beautiful, trancey piece that Fred McDowell played out of cross-note tuning. His heavy time here is very reminiscent of that of Robert Wilkins' time on "Nashville Stonewall Blues", which Wilkins similarly played in cross-note tuning. Here is Fred McDowell's performance:
INTRO
Oh, Jim killed Lula, on a Friday night Oh, Jim killed Lula, on a Friday, on a Friday night, Lord
Oh, Jim got ninety, Steam got ninety-nine Oh, Jim got ninety, Steam got ninety, Steam got ninety-nine, Lord
Ten thousand people, at one buryin' ground Ten thousand people, at one buryin', at one buryin' ground, Lord
Just to see undertaker, let poor Lula down Just to see the undertaker, Lord, let poor Lula, let poor Lula down
Well the church bell ringin', hearseman drivin' slow Well the church bell ringin', hearseman drivin', hearseman drivin' slow
I hate so bad, Lord, see poor Lula go I hate it so bad, see poor Lula, see poor Lula, Lord
Edited to catch title correction by Harriet, 9/19
All best, Johnm
« Last Edit: September 19, 2019, 01:07:26 PM by Johnm »
Hi all, "My Baby Has Eyes Like An Eagle, Take 2" comes from Fred McDowell's album "Levee Camp Blues", on Testament Records. It is very trance-inducing, with a great signature lick answering every vocal phrase from beginning to end. It sounds improvised, or at least, very loosely organized, with two-line stanzas at the beginning of the rendition eventually switching to three-line verses as the song goes along. Here is Fred McDowell's rendition:
INTRO
I believe, darlin', I believe I'll go back home Lord, I believe, baby, I believe I'll go back home
Lord, I'm gonna acknowledge, tell my Daddy I done wrong I'm gon' tell my Daddy, Lord, I know I done wrong
Lord, my baby's eye like an eagle, she watches me all the time My baby's eye like an eagle, she watches me all the time
Lord, it was late at night, baby, when I first lay down I ain't gwine no higher, darlin', baby, it's no lower down I ain't gwine no higher, baby, it's no lower down
I ain't gonna bear no quittin', baby, either no jumpin' down I ain't gonna bear no quittin', darlin', honey, it's no jumpin' down I'm gon' stand right here, my whiskers drag the ground
Lord, I ain't gon' marry, baby, either settle down Lord, I ain't gon' marry, either settle down I'm gon' drink good whiskey, run the women down
All best, Johnm
« Last Edit: October 19, 2019, 04:35:30 PM by Johnm »
Hi all, It has been pointed out to me by Harriet that the correct title for the Fred McDowell song two posts back in this thread is, in fact, "Jim, Steam Killed Lula", since Jim and Steam were two different people, which makes sense out of the verse two lyrics. There is another version of the song on youtube, where Fred McDowell makes this information clear via a spoken introduction. Thanks, Harriet, for the correction. All best, Johnm
Hi all, Also included in the program of "Levee Camp Blues" is "Will Me Your Gold Watch And Chain", which Fred McDowell played out of Spanish tuning, without a slide. Fred employs a four-bar signature lick for the song, making for very long verses; verse one is thirty-four bars long! This is one of those songs, like several of Booker White's and other songs by Fred McDowell, in which all of the singing is done over the IV chord. The instrumental response is the signature lick, which is played a variable number of times, as Fred felt it to be right. Here is Fred McDowell's rendition of the song:
INTRO
Should happen to go to the Army, baby, won't you will me your watch and chain? Should happen to go to the Army, will me your watch and chain You have to promise to me, baby, you won't fool around with no other man
Just like a soldier, babe, out on the battlefield Just like a soldier, darlin', honey, out on that battlefield You know by that, honey, you know just how I feel
I've got my questionnaire, baby, they need me in the war Got my questionnaire, darlin', they need me, baby, in the war Got a questionnaire, darlin', need me in the war
Yeah, darlin', baby, don't you weep and moan Yeah, darlin', honey, don't you weep and moan When that war is over, your daddy'll be back home
Hey, baby, don't you crowd your mind Hey, little girl, don't you crowd your mind Hey, little girl, please don't you crowd your mind
Hi all, Fred McDowell recorded "Won't Be Worried Long", accompanying himself in Vestapol with a slide, on "Levee Camp Blues". The song seems to be modeled on Frank Hutchison's "Worried Blues", and uses the same melody and many of the same licks. After the first verse, Fred gave up on going to the V chord, and after that just sang the first line of each of the remaining verses. Fred's version of the song from "Levee Camp Blues" is not available on youtube.
INTRO SOLO
I'm worried, mama, I won't be worried long Worried, mama, and I won't be worried (slide finishes line) I'm wo- (slide finishes line)