Hi all, Thanks for the Johnie Lewis version, powerlinehorizon, I had never heard that before, and it is sure enough the tune. Here is an R. L. Burnside version. It's a real shame about his grooving isn't it? Whoo! Burnside identifies the title as "Poor Boy And I'm A Long Ways From Home". It's interesting that he says he got it "behind Howlin' Wolf". The version that I've heard by Wolf was a shuffle and didn't groove nearly as intensely as this version.
Poor boy and I'm a long way from home Poor boy and I'm a long ways from home Poor boy and I'm a long way from home World can't do me no --
SOLO
Babe, I can't stay here long No, Lord, Lord, Lord World can't do me no harm Poor boy and I'm a long way from home World can't do me no --
SOLO
My baby, she's dead and gone My baby, she's dead and gone World can't do me no --
Hi all, Buell Kazee's version of "Poor Boy Long Ways From Home" is very different from the other versions we've heard thus far, but still is clearly related in the way it is phrased. Buell is playing here in the "Reuben's Train" tuning, f#DF#AD. I sure like the way he could hold a tone vocally.
Poor boy, long ways from home Poor boy, long ways from home Long ways from, poor man, his Mama's house And he can't bum a freight back home
Nine hundred miles from home Nine hundred miles from home Not got no money, ain't got no friends Ain't got nowhere to go
Oh darling, side-track your man Oh darling, side-track your man Side-track your man and go with me Oh darling, I'll treat you right
Oh darling, you don't love me Oh darling, you don't love me You love some old rounder, but you don't love me Poor boy that works so hard
Oh darling, you told me a lie Oh darling, you told me a lie You told me more lies than the diamonds in the skies Oh darling, I'll never marry you
Oh darling, count the days I'm gone Oh darling, you count the days I'm gone Count the days I'm gone for it may be long Oh darling, count the days I'm gone
Always loved this version. The song sure seems to encourage all sorts of different arrangements when you start teasing them out in a thread like this. Great choice, Johnm!
Hi all, Brownie McGhee recorded his version of the song, "Poor Boy" on his 1959 Folkways album, "Brownie McGhee Sings The Blues". He accompanied himself out of E position in standard tuning for his rendition, which mostly treats the song as a 16-bar blues. Brownie occasionally uses a neat voicing for his B7 chord in the course of the song: X-6-4-4-4-5. I was unable to find a video of the performance but will attach an .mp3 of it for interested parties.
Poor old boy, long ways from home Poor old boy, long way from home Poor old boy, long ways from home Please don't mistreat me, please don't do me wrong
Broke and hungry, ragged and dirty, too Broke and hungry, ragged and dirty, too Broke and hungry, ragged and dirty, too Just want to know, can I go home with you?
SOLO
Good old boy, just been treated wrong, Lord, Good old boy, just been treated wrong Good old boy, ain't been treated right Freezing ground was my bed last night
Big bell ringin', little bells fairly tone Well, big bell ringin', little bells fairly tone Big bell ringin', little bells fairly tone I'm a lonely, lonely, long long ways from home
They say the graveyard is a mighty lonely place They say a graveyard is a mighty lonely place They say a graveyard is a mighty lonely place Six feet in the ground, throw dirt in your face
SOLO
Dig my grave with a silver spade, Lord Dig my grave with a silver spade Baby, see that my grave is dug with a silver spade And let me down with a golden chain
SOLO
Well, I ain't good-lookin', got no curly hair Well, I ain't good-lookin', got no curly hair Ain't good-lookin', I ain't got no curly hair Well, I mean my God will take me anywhere
What makes you, baby, hold your head so high? Tell me, baby, what makes you hold your head so high? Tell me, baby, why do you hold your head so high? Well, the way you hold it, that's the way you die
Hi all, Willie Trice does a really strong version of the song as "Poor Boy Long Ways From Home" on the recently released "Legendary Country Blues Guitarists" DVD put out by Stefan Grossman in his Vestapol series, Vestapol 13129. Willie Trice played his version out of E position in standard tuning, and his rendition showcases his distinctive phrasing. He works the song as a 16-bar form for the most part, but changes it quite a lot with regard to details as he works his way through the song. His playing is yet another reminder that a strong rhythmic pulse and letting phrase lengths call the shots count for much more in this music than does metric consistency. Among the Country Blues players, at least, players who play the same form from the beginning to the end of a rendition, maintaining a perfectly consistent meter throughout are very rare indeed. You may be able to find a clip of Willie Trice's performance at YouTube, but the DVD is worth owning in any event, with terrific performances from Bill Broonzy, Skip James, Son House, Booker White, Mance Lipscomb, Rev. Gary Davis, Connie Williams (!!!!!), Sam Chatmon, Henry Johnson (!!!), Willie Trice(!!!), Will Shade and Charlie Burse and others.
Poor boy ain't got nowhere to go Poor boy ain't got nowhere to go Poor boy ain't got nowhere to go Oh baby, meet me in your door
Make me a pallet on your floor Make me a pallet on your floor Make me a pallet on your floor Make it by, baby, by your door
Oh baby, let me hold you in my arms Baby, let me hold you in my arms Baby, let me hold you in my arms Honey, I sure can't treat you wrong
SOLO
Come by, your lovin' hand in mine Come by, your lovin' hand in mine Come by, your lovin' hand in mine Oh baby, babe, I'll change your mind
Poor boy ain't got nowhere to go Poor boy ain't got nowhere to go Poor boy ain't got nowhere to go Oh baby, I'm sleeping in the cold
Make me a pallet on your floor Make me a pallet on your floor Make me a pallet on your floor Make it down, honey, by your door
SOLO
Know you're gwonna miss me when I'm gone I know you're gwonna miss me when I'm gone I know you're gwonna miss me when I'm gone Gonna miss me, baby, to hold you in my arms
Hi all, John Jackson recorded a version of this song as "Poor Boy", on his very first album, on the Arhoolie label, "John Jackson-Blues and Country Dance Tunes From Virginia", Arhoolie F 1025. The version has not been included on any of the Arhoolie CDs of John's music that transitioned into the post-LP era. John accompanied himself out of "high Spanish" tuning with a slide, with his guitar tuned AC#EAC#E. John always used this version of Spanish when he played in that tuning and never used the more commonly encountered EAEAC#E tuning for playing in Spanish at A. I remember sitting next to John in one of his classes at Port Townsend when he went from standard tuning to this tuning, viewing with some trepidation as he cranked his sixth string from E up to A and his fifth string from A to C#. No problem! John's early Arhoolie version concludes with a fade, something I always view as unfortunate.
Says I'm a poor boy, sit on the road and cry Says I'm a poor boy, sit on the road and cry Ain't got nobody to tell my troubles by
SOLO
Says, "Hey, hey Central, give me six-oh-nine." Says, "Hey, hey Central, give me six-oh-nine. Ain't heard from that black-haired woman of mine."
SOLO
Says I'm a poor boy, stood on the road and cry Says I'm a poor boy, stood on the road and cry Ain't got nobody to tell my troubles by
Hi all, Here's a really nice version, "Poor Boy", by Peg Leg Sam and Louisiana Red. Sam sings it and plays harmonica and Red accompanies him with a slide in Vestapol in E.
I'm a poor boy, stood on the road and cried I'm a poor boy, stood on the road and cried
That's your woman, pin her to your side That's your woman, pin her to your side 'Cause she flag my train I'm sure gon' let her ride
I'm a poor boy, don't know right from wrong I'm a poor boy, don't know right from wrong Turn your head, I have your woman and gone
My Mama told me, when I was quite a child My Mama told me, when I was quite a child "Have a good time now, son, but trouble after awhile."
Can't you hear that lonesome whistle blow? Can't you hear the lonesome whistle blow? It blow just like it ain't gonna blow no more
That is a pretty interesting connection between Powell and Gus, Johnm. I suppose there could have been a common antecedent to both? Could have been a common medicine show song. But they are certainly closely related.
Yup, that's certainly a possibility, Shovel. People started copping things from each other's records as soon as records started to be put out. All best, Johnm
I've made a YouTube playlist of the vidoes posted in this thread (for my personal blues education, but its its there for all) check it out if you wanna...
Hi all, I found this version of "Poor Boy, Long Ways From Home" played by Gabriel Brown. Despite the attribution on the link, the performance is a solo one by Gabriel Brown. He does it primarily as a slide instrumental in Vestapol with occasional spoken or sung passages. All passages not indicated as spoken are sung.
Spoken: Yes, you know I'm a poor boy, I'm a long ways from home! I'm going to cut some wood.
Says, I'm a poor boy, mama, and I'm drivin' at your door
I'm a poor boy and I'm a long ways from home Will you give me something, baby, to help me 'long
Spoken: Carry it on, boy. Got to tell you something right here in a few minutes. A boy met me, done said he was a poor boy and I wasn't, so I didn't have nothin' to gain, I's just a poor boy, long ways from home.
Hi all, Sonny Chestain's "Po' Boy, Long Way From Home" was recorded at the Fort Valley Folk Festival, in 1942. I believe it was the only tune he ever recorded under his own name. Like the Gabriel Brown version, it is played with a slide in Vestapol, and also like the Gabriel Brown version it focuses on the instrumental side of the tune (though Chestain does sing more verses than did Gabriel Brown). Sonny Chestain delivers a very strong and original version of the song. His singing is pretty diffident, and is hard to hear.
You call me dog, baby, when I'm gone You call me dog, baby, when I'm gone But I'll be your baby, honey, when I'm gone
Hey, hey, hey, gettin' out of here
Well, the blues from Texas, lopin' like a mule --From Texas, lopin' like a mule Blues from Texas, lopin' like a mule Don't start talkin', stop brayin' like a doggone mule
Easy rider, don't deny your name Easy rider, don't deny your name See here, don't you 'ny your name
Well, mama, you don't know my mind Hey-oh, sure don't know my mind See me laughin', laughin' to keep from cryin'
I've worked on Henry Thomas's Red River Blues on and off over the years and decided recently to really make a go of playing the quills off a rack and put this piece together. I sat down tonight to transcribe the lyrics and realized this is really his version of Poor Boy. Found it on YT:
Little tough to hear the first word of the 1st and 2nd lines of verse 3. Any help appreciated.
Red River Blues Henry Thomas
Quills intro
V1 - Look where the sun done gone Look where the sun done gone Look where the sun done gone, poor girl Look where the sun done gone
Quills solo
V2 - Yes, it?s gone God knows where It?s gone God knows where Look where the sun done gone, darlin? Look where the sun done gone
Quills solo
V3 - Lov'n' babe, I?m all out and down Lovin' baby, I?m all out and down I?m all out and down, I?m laid to the ground Look where the sun done gone
Quills solo
V4 - I?m a poor boy an? a long way from home Poor boy an? a long way from home I?m a poor boy a long way from home, darlin? Look where the sun done gone
Quills solo
V5 - Which way do the Red River run Which way do the Red River run Which a way do the Red River run, poor boy Which way do the Red River run
Quills solo
V6 - Yes, it run north and south It run north and south Which a way do the Red River run, boy Well, it run north and south
Quills outro
And a beautiful version it is. I think this is one of his nicest quills parts, particularly the lilting descent to the last phrase.
Wax
[Edited to pick up my own correction]
« Last Edit: August 20, 2014, 04:35:47 PM by waxwing »
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