We started out from our parents - it's just a gift that we had in the family. Our mother and father they could both play. And see he was an old musicianer in slavery time. He played for the white folks at square dances and so it was handed down to us - Sam Chatmon
He kind of specialized in playing in E position in standard tuning, and played a bunch of songs in that position that absolutely nobody else did, like "Diddy Wa Diddy".
I don't know if Robert Curtis Smith belongs on this list for his rendition of "I'm Going Away," which I recently played at a zoom open mike to some friends who all immediately wanted to cop the song. It always gets a strong positive reaction.
I cheated and looked at Weeniepedia, and it looks like 3 of the 5 R.C. Smith songs we've transcribed lyrics for were in dropped-D or Vestapol, so it may not fit the guidelines.
Lindy
« Last Edit: March 20, 2021, 03:02:35 PM by lindy »
I think he's a good choice, Lindy, both because that particular song is so strong, and also because he did have other really good renditions in E position in standard tuning that just don't happen to have been transcribed yet. And that isn't his fault (or anybody's). All best, Johnm
Luke Jordan - Church Bell Blues and My Gal's Don Quit me
Carl Martin - Crow Jane - Goodmorning Judge (with those unique tremolo brushes)
Josh White - he had to change his fingerpicking style in the late 30ies to a more strumming style after a handinjury. His "Number 12 train" is a good example.
Rev Gary Davis who I seem to be adding to most of the stylist playing positions, but I'm thinking 'Cross & Evil Woman Blues' and 'Slippin' Till My Girl Comes in Partner' for being played out of E standard
Hi all, Emmett Murray, who can be found on the set "Drop Down In Florida" was a really original stylist in his playing in E position in standard tuning. He used a lot of chord voicings and ways of getting around that I haven't heard anyone else use. All best, Johnm