Here's "Ninety-Nine Years and One Dark Day". The ninety-nine years is when you got a lifetime, the dark day is when you're dead. That's too bad for you. - Jesse Fuller
There aren`t many Blues songs that get in the `Pop` charts here (in the UK) but I think `Smoke Stack lightning` did (I only use 1 chord if I play it ) and a couple of years later Canned Heat with `On the Road Again` ( the format is a 12bar but stays on 1 chord ) These may be too new to get onto Weenie but this was the sort of stuff that turned many young British kids onto Blues. I also always think of Come on in My Kitchen as a single chord song but other chords are implyed
I had one of those experiences just a week ago where I woke up and the first thought I had was this song and that I had to learn it. Didn't even know the name of it when I awoke, had to go listen through all my Mance CDs to find it -- a tough job, but I was up to it.
Weeniepedia has it as "E (maybe Vestapol)", sure is easier in Vestapol.
Lightnin' Hopkin's brother, Joel, has some songs on Document's Rural Blues vol. 2 compilation that fit the bill: "Good Times Here, Better Down the Road," and "I Ain't Gonna Roll For the Big Hat Man No More," are both versions of a pretty free-form tune hanging on one chord for the duration-very cool stuff.
dunno if its in the spirit of the thread, but Narmour & Smith's Sweet Milk and Peaches Breakdown is pretty dynamic for a single chord and not too many phrases, either,but it cooks!
« Last Edit: September 03, 2014, 09:15:19 AM by Shovel »
I may get attacked on this but I've never been a big fan of one-chord songs. There often repetitive and seem to drag a little. Especially J L Hookers boogies.
Pretty much anything by Junior Kimbrough, especially with all that reverb he has going on, both in his vocals and the guitar. "You Better Run" may be the most disturbing blues song ever written, both for the lyrics and the atmospheric groove, not to mention Junior's matter-of-fact delivery of just plain psychopathic material.