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Preserving Country Blues through Education, Performance and Technology
November 17, 2011, 06:24:03 PM by Slack
Views: 2029 | Comments: 9

Babe Stovall-The Old Ace
Written by John Miller

Babe Stovall-The Old Ace Arcola Records A CD 1005

This CD offers 13 songs by, and three brief interviews with, Babe Stovall, a Mississippi-born New Orleans street musician, recorded by Arcola Records founder Bob West in July of 1968. nbsp David Evans'#039s informative liner notes tell us that nbsp Babe was born on October 4, 1907 near Tylertown, Mississippi, approximately 100 miles North of New Orleans, in a part of the state that the blues had not really reached at that time. nbsp Partially as a result of his birthplace, Babe'#039s repertoire tended toward a lot of cut-time pre-Blues material of a type one would not normally associate with a Mississippi player, with a predilection for playing in C and G in standard tuning rather than the Spanish and E standard tunings that you might expect from a delta musician of that era. nbsp
 nbsp Babe was also certainly not averse to picking up songs from recordings or wherever else he might hear them. nbsp In the three or four years prior to these recordings being made, Babe had done a bit of touring in the U.S., playing in Boston, New York, Southern California and San Francisco, being taken on his tours by a young musician, Mark Ryan, who had discovered Babe playing in New Orleans and had been impressed by his music. nbsp Babe passed away on September 21, 1974.

 nbsp What of Babe'#039s music, then? nbsp ...
November 17, 2011, 06:23:05 PM by Slack
Views: 1926 | Comments: 0

Angola Prisoners'#039 Blues
Written by John Miller

Angola Prisoners'#039 Blues--Arhoolie CD 419       

This CD was recorded by Dr. Harry Oster at Angola Penitentiary in Louisiana in the 1950s. nbsp Arhoolie has released two other CDs of material recorded by Dr. Oster at Angola in the same period, one focusing on work songs and the other on spirituals. nbsp

 nbsp The program starts with Robert Pete Williams performing his "quotPrisoner'#039s Talking Blues"quot, a free-associated recitation over riffing in D on Dr. Oster'#039s twelve-string guitar. nbsp Robert Pete expressed himself so poetically in the normal course of affairs that it is hard to believe he didn'#039t plan out lines like: nbsp "quotI don'#039t keep well no more. nbsp I keeps sickly.I takes a lot of medicine, but it looks like it don'#039t do no good. nbsp All I have to do is pray; that'#039s the only thing'#039ll help me here. nbsp One foot in the grave, look like, and the other'#039un out. nbsp Sometime looks like my best day gotta be my last day."quot

Matthew "quotHogman"quot Maxey follows with a version of "quotStagolee"quot, likewise played on Dr. Oster'#039s twelve-string. nbsp Hogman'#039s monicker derived apparently from his mistaken notion as a child that he was a hog doctor. nbsp His version of "quotStagolee"quot is terrific. nbsp Played in E standard, it shares much of the same vocal phrasing as Lloyd Price'#039s popular version from the '#03950s, but Hogman'#039s time is so driving, fierc...
November 17, 2011, 06:22:21 PM by Slack
Views: 2682 | Comments: 0

This Old Hammer - John Miller       
Written by Andrew Mullins

This Old Hammer - John Miller
Orb Discs Orb-1010

This Old Hammer is John Miller'#039s first solo blues outing in over three decades, so one can understand how some people may have been getting a little impatient waiting for this record to appear. His LPs made for Blue Goose in the 1970s are highly regarded -- and nearly impossible to find. Shortly after those albums, John was off exploring different musical directions, with projects over the years ranging from jazz to bluegrass to world music. While those who have had the opportunity to see him perform live in recent years have been able to catch tantalizing snippets of this new blues album at a gig or workshop, finally that music is gathered in one place.

(I should say in the interest of full disclosure that I know John and have studied with him at the Port Townsend Country Blues Workshop for years. Like a lot of people, a great number of them his fellow musicians, I admire his talent and the depth of his knowledge of country blues styles. But given the strength of this album, any possible bias I might have seems irrelevant to me.)

The overall creative approach taken on This Old Hammer is to reinvent country blues originals that have caught John'#039s ear over the years. As he explains in his notes for the CD, "quotI wanted to retain parti...
November 17, 2011, 06:21:15 PM by Slack
Views: 2865 | Comments: 8

Ari Eisinger - That Will Never Happen No More - Guitar Blues and Ragtime from the 1920s and 1930s       
Written by Andrew Mullins

Ari Eisinger - That Will Never Happen No More - Guitar Blues and Ragtime from the 1920s and 1930s, Independent    nbsp  

For the uninitiated, hearing Ari Eisinger the first time can be a shock. The authenticity with which he recreates some of the best and instrumentally complex country blues is downright spooky. It can be fun to watch professionals? reaction as well. A little jaded by years of experience and road-weariness, they might smirk when this small, thin man who looks more like an accountant than a blues musician walks out on stage with his Gibson guitar. Those faces change quickly when he starts to play. It?s a look that says, ?I?ve never heard anyone do that.? And it?s true. There is no one I?ve encountered who plays Blind Blake with such authority and who remains so faithful to the spirit and style of the original music. Hearing the Philadelphia-based guitarist is a rare event though -- he performs infrequently and records even less often, with this, his second CD, coming far too many years after his first release, You Don?t Understand.
As with his first record, there are a number of Blake tunes on this collection, and this time round Eisinger adds the blues of another one of his heroes to the mix, with three tracks from Texas legend Blind L...
November 17, 2011, 06:20:11 PM by Slack
Views: 1804 | Comments: 2

Roy Book Binder - LIVE at the Fur Peace Station
Written by Andrew Mullins

Roy Book Binder - LIVE at the Fur Peace Station, PL CD 7005-5
Roy Book Binder has been on the road and playing country blues for audiences since the blues revival of the 60s, when he was a student of Rev. Gary Davis. With all of that traveling and performing, he'#039s had a lot of time to perfect his stage routine. Listeners to Live at Fur Peace Station, his latest release, are the beneficiaries of this long experience and polish. Recorded in performances from 2002 to 2004 at the concert hall of Jorma Kaukonen'#039s Fur Peace Ranch, Book Binder is in fine form, playing his brand of raggy, east coast country blues and deadpanning his way hilariously through the stories and one-liners for which he'#039s become well-known. "quotThe Book"quot is a modern country blues character if ever there was one, and for those not yet familiar with his style, this record is probably as good an introduction as you can get, short of catching him live.

Book Binder'#039s last live album was the 1994 Rounder release, Don'#039t Start Me Talkin'#039. That'#039s a good record, but this one is even better, with a more interesting set of songs, in my opinion -- and Book Binder seems very much at home at the Fur Peace Ranch. There are actually a few echoes of the earlier CD in the stage repartee here, working essentially as in-jokes. I...
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