Blues is a natural fact, is something that a fellow lives. If you don't live it you don't have it. Young people have forgotten to cry the blues. Now they talk and get lawyers and things - Big Bill Broonzy
Hi all, I think if you've listened to this music over an extended period of time you end up with a handful of recorded performances (at least!) that seem unjustifiably obscure, even among Country Blues aficionados. I thought it might be interesting to see what single recorded performance different people would choose as one that deserves to be heard, acknowledged and celebrated more than it has been. If we limit our choices to one apiece, it will be harder to choose, but more folks can participate. Here's my one choice for right now: * Dennis McMillon-"Woke Up This Morning" Any other unjustifiably obscure favorites out there? All best, Johnm
A quick, offhand one would be Freddie Spruell's 'Let's Go Riding'
As far as I know, Johnm has the only commercially released cover of this and I think it's got a great tune, rhythm, pace and clever cheeky lyrics that can still be performed today without the kind of work that has to be done to some outdated blues innuendos.
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Confident that I'm probably almost definitely the youngest record label owner in my street
Now, whatcha gonna do when they cut this good road down? Now, whatcha gonna do when they cut those good road down? Gonna get somewhere, I'm goin' to Huntsville all around
When that Katy gets to Memphis gonna look around town for me When that Katy gets to Memphis, look around town for me If I don't be on the Katy, I'll be in on the Santa Fe
SOLO (Spoken during solo: Cut your good road. . . Cut it down!)
Got a girl crosstown that works in a grocery store Got a girl crosstown that works in a grocery store I got one on the North Side, she ain't got change in clothes
SOLO (Spoken: Play it down!)
« Last Edit: February 05, 2016, 03:19:56 PM by Johnm »
Little Son Jackson isn't really obscure, I guess, at least to this crowd... but he's kind of overshadowed by Lightnin'. Anyway, Gambling Blues is a great, driving tune:
And if you don't have it already, buy this record:
So much of Rooster Crowing Blues is really what early blues is all about for me. And the interesting lyric style of having the third stanza from one verse create the basis for a "chorus" verse, sung over the same blues form. There's a reason not many try to sing this song, thanks to Hosea Woods' ethereal vocal. Cannon and his bands never recorded more than about 4-5 songs in a session, then took a few days, a week or two, couple months, a year, to work up another handful. It really shows in how subtly they work together, thanks to the fact that Victor was recording in Memphis.
(Link created on a mac with Safari using "share" minus the "s")
Wax
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