collapse

* Member Info

 
 
Welcome, Guest. Please login or register.
Did you miss your activation email?
Dock Boggs and John Hurt collaborated on one piece for their New York audience: the evening's final tune, "Banjo Clog," featured banjo by Boggs and clog dancing by Hurt. The two then parted ways and pursued their new recording a performing careers - Peter K. Siegel, The Friends of Old Time Music

Author Topic: "Jazz Information" record reviews  (Read 1431 times)

0 Members and 1 Guest are viewing this topic.

Offline dj

  • Global Moderator
  • Member
  • Posts: 2833
  • Howdy!
"Jazz Information" record reviews
« on: May 02, 2007, 02:59:59 PM »
I just stumbled across a website here http://home.att.net/~joeshepherd/main.html which contains scans of a magazine called Jazz Information that was published from mid 1939 through late 1941.  It was apparently put out by a bunch of recent college grads who were interested in "hot jazz".  For most of its life, Jazz Information was a four page weekly.

What might interest the more historically-minded Weenies are the record reviews that Jazz Illustrated published.  Real jazz artists got a short paragraph or two, but each issue reviewed a few (the average seems to be about three) records by what we'd call blues artists today.  These blues artists tended to be from the Chicago mainstream - Big Bill Broonzy, Georgia White, Jimmie Gordon, Walter Davis, Ollie Shepard, Sonny Boy Williamson and the like - and they generally get one or two sentence reviews.  Here's a typical one:

Quote
SONNY BOY WILLIAMSON (BB 8333)
Good Gravy -- T. B. Blues.

This blues singer, accompanying himself on harmonica and with guitar and piano, sings the T. B. Blues - "Oh, T. B. killin' me; I want my body buried way down in Jackson, Tennessee" -- as if he meant it. He seems to get as much pleasure out of the coupling, which is a bit of jive done to the tune of "Mama Don't Allow"; but we can't follow him.

I think these reviews are interesting for several reasons.  It's interesting to see what contemporary listeners thought of the music.  And the late 1930s/early 1940s Chicago sound was so maligned by various writers in the 1960s and 1970s that it's interesting to see a bunch of young hipsters, into the hottest music of the day, devoting some of their attention to these artists.
         

 


SimplePortal 2.3.7 © 2008-2024, SimplePortal