The Mississippi Sheiks, Frank Stokes and Big Bill Broonzy in the category of names not mentioned yet.
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It was sad music. But it waved that sadness like a battle-flag. It said the universe had done all it could, but you were still alive - Terry Pratchett, Soul Music
0 Members and 1 Guest are viewing this topic. The Mississippi Sheiks, Frank Stokes and Big Bill Broonzy in the category of names not mentioned yet.
I have to agree with John regarding Sleepy John Estes. Songs like "Lawyer Clark" and "Little Laura" make me feel like I actually know these people--or wish I had. And after listening to "Floating Bridge," I feel like I was lucky to have survived, like Old Man Ned says. "Clean Up At Home" comes across as sage advice. (Tell me more, Sleepy John--I have to know.) With Rev. Robert Wilkins, "New Stockyard" is a personal recommendation about where to do your trading. And "Old Jim Canaan's" makes me feel that I was born way too late to get in on the real action.
Yeah, but I'm with you on Charley Patton, Stuart. You rarely get the feeling that Charley is just being clever, but his use of metaphor can be sublime. And he's also right up there with personal experience (High Water Everywhere) and mentioning local folks (Tom Rushen/High Sheriff Blues). Thinking about it made me wanna transcribe one of my favs:
Jersey Bull Blues V1 If you gotta good bull cow y?oughta feed your bull good at home If you gotta good bull cow y?oughta feed your bull good at home (Boy, feed ?im good at home) It may come along a young heifer and just tow your bull from home V2 Oh, my bull?s in a pasture, babe, lord, where there?s no grass And, my bull?s in a pasture, lord, where there?s no grass (Boy, ain?t no grass in this pasture) I swear, every minute it seems like it?s gon? be my last V3 And my bull gotta horn long as my arm And my bull gotta horn, baby, long as my arm (Boy, long as my arm) Ah, bull gotta horn long as my arm V4 Oh, five pound ax, now babe, cut two diff?rent ways I throw a five pound ax and I cut two diff?rent ways (Boy, cut for the women both night an??) And I cut for the women both night an? day V5 I throw a five pound ax and I just dropped in your town I throw a five pound ax and I just dropped in your town (Boy, got weight enough behind me) I got weight enough behind me to drive that ol? ax on down V6 And I remember one morning, ?tween midnight and day And I remember one morning, ?tween midnight and day (Boy, way upstairs that time) I were way upstairs throwin? myself away Wax The problem with this is posting just a few off the top of your head, then having time to think a bit and read other's posts. There are just so many good ones, it is hard to just nail down a few "favorites." The whole genre is good, which is why we are here in the first place.
You make a good point, Ross. I keep thinking of ones that I didn't name, either because they'd already been mentioned, like Robert Wilkins or Clifford Gibson, or I just hadn't thought of them. A couple that occurred to me like that since I first posted who are among my very favorites are Booker White ("When Can I Change My Clothes", "Sic 'Em Dogs On Me", "District Attorney", "Fixin' to Die", et al, wow!) and Peg Leg Howell, who had tons of great lyrics. Lil' Son Jackson had some terrific lyrics, too, as did Frankie Lee Sims.
Henry Townsend, late in his life, was an amazing lyricist who had the knack for improvising lyrics, including ones that were narratives. You can hear some of these songs on his Arcola CD. All best, Johnm dj
Among those not yet mentioned, Teddy Darby would be on my list of favorite lyricists.
blueshome already mentioned Leroy Carr, but I'll bring him up again just because he was one of the greats and does not get the recognition he deserves these days. Depends what kind of lyrics I supose. He is an awesome songwriter Hi all,David McCarn, now there's a guy I have never heard and never heard of, thanks John, you are a wealth of great blues information, I must check him out. I am sure also that many of us have many favourites in common, that's why we are all Weenies. eric
This thread got me thinking about Lightning Hopkins and John Lee Hooker. I think of Lightning in particular as having a repertoire of guitar tunes, licks and stock blues lyrics that he uses to fill in the metric framework of his extemporaneous poetry and comment on current events and what's happening around him. Like a classical bard. It's brilliant really.
Bukka White, to me, has written the most poignant and original Blues lyrics I know of. His ability to have them scan interestingly against the melody is highly original and sophisticated, and the sounds the words make as he sang them, contributed significantly to the whole piece.
Big Bill is also a contender and seeing his development from Mr. Conductor Man to It was just a dream is pretty amazing, I would agree that Leroy Carr has to be considered, and add Robert Wilkins for his unique lyric structure.Blind Willie McTell was no slouch in the lyric department either, and there are dozens more one offs even from people who generally employ traditional lyric usage. Elizabeth Cotten has to be one of the great lyric imagists. Not surprisingly if we veer into religious Blues, Gary Davis' songs like Sun Goin' Down, Crucifixion, Children of Zion and many others are superb, and even though many have their origins in the Bible, the use of images like "The Moon is Bleeding, the seas are boiling" in a ten minute long song, surely was the inspiration for later Blues like lyrics like in A Hard Rain's Gonna Fall. Bukka White, to me, has written the most poignant and original Blues lyrics I know of. His ability to have them scan interestingly against the melody is highly original and sophisticated, and the sounds the words make as he sang them, contributed significantly to the whole piece. I wish in the '60s and '70s that Booker would have taken some of his longer pieces and condensed the best of them into shorter pieces. His 1940 session is so strong and each number is so focused. I don't think he ever quite captured that again. Chris I don't really know his late recordings so i can't say, but perhaps the three minute side was a good thing for him.
I would have a harder time coming up with a list of lousy lyricists in our genre, frankly. In fact I can't really think of any. This topic did make me think about it but the resulting list was too long, with too many deserving top positions. So I learned something about my own appreciation of it all, and of what I listen for in the greater country blues.
Leadbelly versus Lemon? Who wins that battle of the titans? Rhetorical question, don't answer. Robert Pete Williams,superb at long extemporised off the cuff stuff and concise pithy
songs like"Grown So Ugly".Genius. I would have a harder time coming up with a list of lousy lyricists in our genre, frankly. In fact I can't really think of any. This topic did make me think about it but the resulting list was too long, with too many deserving top positions. So I learned something about my own appreciation of it all, and of what I listen for in the greater country blues.Leadbelly and Lemon were incredible, from what I have read about Huddie Leadbetter he had an amazing memory library of tunes where he could remember more that a hundred songs, I think that's incredible especially as I forget verses and B lines often even of tunes I do on a regular basis (maybe too wrapped up in the guitar playing). As for bad lyricists in country blues I never heard anyone in that category either. The comment above about Lightnin' Hopkins is so true, the man was a modern day bard, a troubador and probably the biggest advertisement for the Key of E in the history of the world and I never get tired of hearing him. Bukka White was still a dynamic guitarist late in life but I agree his 40's stuff was very potent, lyrically and musically. J.T. Funny Paper Smith was a great lyricist and storyteller too, Bo Carter is the funniest blues lyricist for mine but Blind Blake is hilarious too, both had great delivery and as we all know they were guitar masters of a very high order. Thanks for all the great replies here guys, this thread has been tremendous.
Tags: songwriting
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