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It can be argued that Chess is the Robert Johnson of record labels: over-emphasized and sometimes over-hyped, endlessly recycled, barnacled with legends and namechecked by ignorati anxious to establish their cred. And yet - also like Robert Johnson - in an active life that was fairly short, Chess produced music of vast artistic and historical importance - Chris Smith, review of Chess Blues various artist compilations in the 2006 Penguin Guide To Blues Recordings p. 780
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