First thing you got to remember, there ain't no money above the fifth fret - Larry Barnwell, a regional sales rep for the Martin Guitar Company and a good flatpicker, when asked by a potential customer, a fingerpicker, whether he should buy a 12- or 14-fret guitar
can anyone offer any hints to these lyrics? its one of my favorite blues songs ever, but i can't decipher anything past "woke up this morning.." and the chorus.. thank you micah
« Last Edit: December 09, 2011, 03:53:16 PM by Johnm »
Giving it a quick listen through, it seems to me that there's a counting motif in here. I hear two, three, four and five in there as the rhyming words, so...
Woke up this morning just about two [Got] Another woman and I can't use you
chorus
Woke up this morning just about three Got another woman that can't use me
chorus
Woke up this morning just about four I found [her] knocking on my back door
chorus
Woke up this morning just around five Can't use the one that tells [so] many lies
chorus
Woke up this morning 'bout the break of day [...] me my pillow where my fair brown lay
chorus
Mama told me, Daddy told me too [They] grin in your face, ain't no friend to you
Woke up this morning just about four I found [her] knocking on my back door
i think i hear 'brown' in this line...either 'high' or 'my' 'brown knocking on my back door' anyway, i'm astounded you could understand all these words!! thank you! micah
You might be right about that - I can hear "My brown knocking" if I listen at it squinty-eared. Also I now think that the start of the 5th verse is "hugged me a pillow", but I'm still not very sure. Anyway, glad I could help.
I finally got around to listening to this tune seriously and I think it's great. I gather (from the "Adventure in Spanish" thread) that its in Spanish (capoed to B).
Does any one know the I, IV and V chord position fingerings that he uses? I've worked out a neat (I think) version of the tune in G standard, but would like to try the tune in Spanish.
Hi Alex, For the most part, when Marshall Owens is playing in G, he is just playing the open strings, but he does play melody notes simultaneously on the first and fourth strings at the second and third frets, much as Charley Patton did on "Pea Vine" and Skip James did on "Special Rider". For C, he plays X02010, and he resolves the C to a G7 that is especially pretty--X03000. For his D7 chord, he uses 0X0210, but also goes to 0X4210. This is one of my very favorite tunes in Spanish. All best, Johnm
Hi all, I am looking for the lyrics to "Try Me One More Time", by Marshall Owens. It's a wonderful 16 bar blues in open G tuning. I've been concentrating on open G tuning for the past few weeks. Thanks to everyone. Charlie R.
Thanks for the link. Why am I surprised that its already done. How did you find the link? Is there somewhere I can search for the lyrics before I make a request. Did you use the "search" function on the left navbar? Cheers, Charlie R.
Ended up playing this this afternoon. No one ever transcribed the chorus in this thread, and while it may seem obvious enough (or wrong), I hear most of the occurrences of the first two lines starting with some variation of "Cryin'". Anyway, here's my attempt at an updated transcription, adding my own variations to the several in this thread already. Here is "Try Me One More Time":
Try Me One More Time - Marshall Owens Spanish tuning, capoed up
Woke up this morning, just about two Got another woman and I can't use you
Cryin', try me one more time Cryin', try me one more time She said take me back, try me one more time
Woke up this morning, just about three She's got another [one/woman] now she can't use me
She's cryin', try me one more time She cryin', try me one more time She said take me back, try me one more time
Up this morning, just about four I found her knockin' on my back door
She was cryin', try me one more time Cryin', try me one more time She said take me back, try me one more time
Woke up this morning, just about five Can't use you woman, tell too many lies
She was cryin', try me one more time Cryin', try me one more time She said take me back, try me one more time
Woke up this morning, 'bout the break of day Huggin' that pillow where my fair brown lay
She was cryin', try me one more time Cryin', try me one more time She said take me back, try me one more time
Cryin', try me one more time Cryin', try me one more time She said take me back, try me one more time
Mama told me, Daddy told me too Girls that grin in your face ain't no friend to you
If they're cryin', try me one more time Cryin', try me one more time Take me back, try me one more time
« Last Edit: July 03, 2020, 05:14:22 PM by Johnm »
Thanks, uncle bud, for going back to the lyrics to this song. I've played it a very long time, and have never had the lyrics remotely right. Starting the refrain with "cryin'" is a big step in the right direction. Going from there, I think I've heard some other refinements. I feel like a key is that she didn't say the same thing in every refrain. All best, Johnm
REFRAIN 1.2 SHE SAID, "TRY, try me one more time" REFRAIN 1.3 She said, "Take me back AND try me one more time"
VERSE 2.2 She's got another woman, now she can't use me
REFRAIN 2.1 SHE SAID, "TRY, try me one more time" 2.2 SHE SAID, "TRY, try me one more time"
VERSE 3.2 I found her knockin' onTO my back door
REFRAIN 3.1 SHE WAS, "TRY, try me one more time" REFRAIN 3.2 SHE SAID, "TRY, try me one more time"
VERSE 4.2 Can't use you woman, YOU tell too many lies
REFRAIN 4.2 CRIED, "Try me one more time"
REFRAIN 5.2 SHE CRIED, "JUST try me one more time"
REFRAIN 6.2 CRIED, "Try me one more time"
REFRAIN 7.1 BUT SHE CRIED, "Try me one more time" REFRAIN 7.2 CRIED, "Try me one more time"
Hi uncle bud, I was wondering if you'd had a chance to re-listen to "Try Me One More Time" to see if you thought any of the changes I suggested are on the money. All best, Johnm
Hi John, gave a listen and I think all suggestions are on the money, with the possible exception of REFRAIN 3.1, where I am still hearing "She was CRYIN',..." for the time being, but will listen some more.
Hi all, Since Marshall Owens was one of those fine musicians who only ended up recording two titles, I thought it would be nice to transcribe his other title, "Texas Blues". Like "Try Me One More Time", it was accompanied by Owens in Spanish tuning, and it's a real beauty. Owens employs a lot of the interior linear movement on the fourth string that Buddy Boy Hawkins utilized in Spanish tuning. Marshall Owens sounds like he may have been an older man when he recorded, based on his vocal tone. I have most of these lyrics right, I think, but I'm missing part of the tagline of the first verse, and I'm not certain of a couple of other places. I would very much appreciate some help. Here is "Texas Blues":
I'm going back to Texas, hear that wild ox moan I'm going back to Texas, hear that wild ox moan Aw, that is why, baby's left this mornin'
Someday you're gonna be sorry, honey, you done me wrong Someday, baby, honey, you done me wrong 'Cause you'll miss your old Daddy, honey, and I'll be gone
Baby, baby, you don't know my mind Oh baby, baby, you don't know my mind When you think I'm lovin' you, I'm a-leavin' all the time
Lord, I woke up this mornin', just about the break of day I woke up this mornin', just about the break of day I was huggin' that pillow where my fair brownie lay
What's the best CD to get for Marshall Owens? I have nothing at present. On the iTunes preview of Shanachie's Alabama Blues the audio quality of the source material doesn't sound so hot, lots of noise, even for me.
« Last Edit: December 09, 2011, 05:42:04 PM by Rivers »
Alabama Blues is the out-of-print (I believe) Yazoo CD. Rich Nevins had another go at the record on the Blues Images Calendar Vol. 4, which is still probably available through the website. It is probably the best version, but this is just one of those records that's in bad shape to start with. Paramount furniture in the shellac. Still great music.
BTW, just checking B&GR, Marshall Owens had two more titles listed, Texas Blues Part II and Seventh St. Alley Strut. On the latter, the credits list him playing mandolin banjo and Ben Curry playing guitar. Surely the reverse? And boy, wouldn't I like to hear that record, which I assume is untraced.
I have Owens' two songs both on the Blues Images disc and on Document 5165 - Alabama: Black Secular & Religious Music. To me, the Blues Images version is a bit more pleasing to the ear, while the Document version is a bit thinner but clearer (easier to hear the words and instruments). I believe there's only one Owens record known to be in existence, and that's in bad shape. So the differences are all in the mastering, not in the source.
Thanks very much for the help with the lyrics, dj. I was really having a tough time hearing that tagline on the first verse, and after listening with your suggested fix in my mind it was as clear as day. I've made the changes. I hadn't really thought about it that much, but that record is kind of whupped. All best, Johnm
Marshall Owens sounds like he may have been an older man when he recorded, based on his vocal tone.
Good guess. According to family, Owens was born around 1880. So he would have been in his early 50s when he recorded in 1932. He died in 1974 at the age of (around) 94.
Marshall Owens sounds like he may have been an older man when he recorded, based on his vocal tone.
Good guess. According to family, Owens was born around 1880. So he would have been in his early 50s when he recorded in 1932. He died in 1974 at the age of (around) 94.
According to Ken Romanowsky's notes to the Document CD, Don Kent "stumbled upon" information concerning Owens' whereabouts shortly after his death. Surviving family was interviewed, but it was too late to interview Marshall Owens himself.
Hi all, One of the interesting things about Marshall Owens' vocal/instrumental phrasing on "Texas Blues" is that while it looks like a straight 12-bar blues when you look at the lyrics, he didn't play it that way. Marshall Owens shortened up the instrumental response time at the end of each vocal phrase by two beats, much as Booker White did for his blues that were recorded in his great sessions for Lester Melrose. So it is that Marshall Owens' form for "Texas Blues" looks like this, assuming four-beat measures except where otherwise indicated.
| I | I | I +2 beats |
| IV | IVm | I +2 beats(V7) |
| V7 | I | I + 2 beats |
Owens gets a distinctive effect, too, by anticipating the V7 chord on the sixth beat of the last measure in the second phrase, very straight-up-and-down, square on the beat. He varies his phrasing for the hummed verses, in which he plays the first phrase as a conventional four measures of four beats each.
Marshall Owens utilized a beautiful voicing for his IVminor chord that I don't think even Buddy Boy Hawkins used. He (Owens) goes from his IV chord, fingered X-0-2-0-1-X to a IVm Major 7, fingered X-0-1-0-0-X, and boy, is it pretty. It gives the song a really special cast there. It's interesting, I've heard a lot of people cover "Try Me One More Time", and I've never heard anybody cover "Texas Blues". It's a beauty. All best, Johnm
Well there you go, it has been covered, and very nicely by Prof. Scratchy. I agree with uncle bud, a very nice job, Allan, and you got all that timing stuff like rolling off a log. Well done! All best, Johnm
Sorry to come into this thread so late, boys, but I just finally discovered this great tune. It seems to work pretty well on the banjo too in a C tuning gCGCE (one Uncle Dave seemed to use alot). Great key to sing it in too since the G tuning is capoed up to B by Marshall. F chord is 0-2-0-1. C7 is 0-3-00 and G7 2-0-2-1. Not as pretty as the guitar accompaniment but effective and fun nonetheless.