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Ever since the world ended, I don't go out as much - Mose Allison, Ever Since the World Ended

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41
I know this is a very old thread, but I was working on Big Road Blues and was a little curious about the notes and the tuning. I thought it was played in drop-D tuning, but he is also hitting some open strings on the downbeat, between the low octave strings. Most people I've seen play this leave out the chords completely. The open B string is fairly clear, but the other notes not so much. I tuned the G string up to A and it approximates the sound as close as I can get it, but that seems an odd tuning (DADABE). My version is on my Youtube channel @tommuck6226.

Thanks!
Tom
42
Country Blues Lyrics / Re: Robert Curtis Smith Lyrics
« Last post by Johnm on April 10, 2024, 07:37:58 AM »
Thanks for the help, Blues Vintage. I took the last two suggestions, but he does sing "said" in the first verse--you can hear the "d" at the end of it.
43
Country Blues Lyrics / Re: Robert Curtis Smith Lyrics
« Last post by Blues Vintage on April 09, 2024, 06:48:42 PM »
I thought he sang "over town" instead of "overtime" on first listen but it's probably "overtime"

1.3 Well now, if you said -say- you'll be there, they'll roll-'em- up your credit card overtime

3.2 Yeah, -now- the girls in Texas,

4.2 -Baby and I-/-Maybe I- make me some money
45
Country Blues Lyrics / Re: Robert Curtis Smith Lyrics
« Last post by Johnm on April 09, 2024, 11:51:22 AM »
Hi all,
Robert Curtis Smith accompanied himself out of E position in standard tuning for "Going Back To Texas". There are a couple of places I'm not at all sure I heard the lyrics correctly, and I'd appreciate corroboration or correction. Here is "Going Back To Texas":



INTRO SOLO

Well now, I'm goin' back to Texas, get all  of my womens in line
Well, I'm goin' back to Texas, get all of my womens in line
Well now, if you said you'll be there, they'll roll up your credit card overtime

When I first went to Texas, didn't have no shoes on my feet
When I first went to Texas, I didn't have no shoes on my feet
Yeah, little girl take me downtown, and I thought that was mighty sweet

SOLO

Girls in Texas, they really know their way around
Yeah, now the girls in Texas, they really know their way around
Well, if you say you'll be yours, she'll roll up your credit card overtime

Well now, if I make me some money, gonna make Texas be my home
Baby and I make me some money, I'm gon' make Texas be my home
I'm gon' make all these Mississippi women, make them leave me alone

CODA

Edited 4/10 to pick up corrections from Blues Vintage and Johnm

All best,
Johnm
46




47
Weenie Garage Sale / Big Country Blues CD Sale
« Last post by Johnm on April 08, 2024, 02:27:37 PM »
Hi all,
I am looking to sell a bunch of Country Blues CDs to purchasers in the United States, both anthology box sets and single CDs or 2-CD sets.

  * Single CDs sell for $3.00 with a minimum purchase of 5 CDs
  * Cost of postage and packaging is $5.00 per 5 CDs purchased, sent USPS Media Mail
  * JSP sets cost $5.00 apiece for either 4-disc sets or 5-disc sets
  * I will pay postage on single orders of 15 or more single CDs, or 4 or more JSP sets.

Send me a personal message at the Weenie site or send me an email at john@johnmillerguitar.com telling me what you’d like to purchase and we’ll settle on the availability of the CDs and the amount I am to be paid. I will edit the inventory list and remove any CDs as they are sold.
All best,
Johnm   


BLUES CD INVENTORY
Revenant Box Set--SOLD
1) Screaming’ and Hollerin’ the Blues by the Masked Marvel (Amazing out-of-print 7-disc re-issue set with Charlie Pattons sides plus many more early Delta Blues musicians, essays, all lyrics transcribed, a copy of john Fahey’s Charlie Patton book, etc. etc. The greatest re-issue set ever done.)

Shanachie CDs
1) Rev. Gary Davis—Demons and Angels, The Ultimate Collection (3 CDs, 36 page booklet with biography and photos)--SOLD 

JSP Box Sets
1) New York Blues, 1945-1956 (Brownie McGhee, Sonny Terry, Carolina Slim, Alec Seward, Leroy Dallas, et al 4 CDs, 113 tracks)
2) Memphis Shakedown—More Jug Band Classics (Jack Kelly, Charlie Burse, Noah Lewis, Memphis Minnie, et al, 4 CDs, 98 tracks)
3) I’ve Got The Blues, But I’m Too Damn Mean To Cry—Protest in Early Blues and Gospel, (Numerous artists, 4 CDs, 103 tracks)
4) Ain’t Times Hard—Political and Social Comment In the Blues (Numerous artists, 4 CDs, 100 tracks)
5) Mississippi Blues—Another Journey, 1926-1959 (Numerous artists, 4 CDs, 100 tracks)
6) Dr. Ross—The Memphis Cuts, 1953-1956 (2 CDs, 55 tracks)
7) Sleepy John Estes—also Yank Rachell, Brownsville Son Bonds, Charlie Pickett (4 CDs, 104 tracks)
8) Masters of Memphis Blues (Stokes & Sane, Furry Lewis, Allen Shaw, Robert Wilkins, Gus Cannon, Frank Stokes, Little Buddy Doyle, 4 CDs, 101 tracks)
9) Blind Willie McTell—The Classic Years, 1927-1940 (4 CDs, 84 tracks)--SOLD
10) The Paramount Masters (Numerous artists, 4 CDs, 100 tracks)
11) Big Joe Williams and the Stars of Mississippi Blues (Tommy McClennan, Robert Petway, Willie Lofton, Honeyboy Edwards, 5 CDs, 126 tracks)
12) Blind Lemon Jefferson—The Complete 94 Classic Sides Remastered (4 CDs)
13) Blind Blake—All the Published Sides (5 CDs, 110 tracks)
14) Detroit Blues—Blues From the Motor City, 1938-1954 (John Lee Hooker, Big Maceo, John Brim, Eddie Kirkland, et al, 4 CDs, 96 tracks)
15) Blind Boy Fuller--1935-1938 (Fuller, Gary Davis, Bull City Red, Charlie Austin, Floyd Council, Sonny Terry, 4 CDs, 100 tracks)   

Document CDs
1) Charley Jordan, Vol. 1
2) Charley Jordan, Vol. 2
3) Rev. Gary Davis—Manchester Free Trade Hall, 1964
4) Gene Campbell
5) Blind Teddy Darby
6) Texas Alexander, Vol. 1--SOLD
7) Texas Alexander, Vol. 2--SOLD
8) Texas Alexander, Vol. 3--SOLD
9) Blind Roosevelt Graves--SOLD
10) Clifford Gibson
11) Robert Nighthawk—Prowling With The Nighthawk
12) Papa Charlie Jackson, Vol. 1
13) Papa Charlie Jackson, Vol. 2
14) Ed Bell
15) Leecan & Cooksey, Vol. 1
16) Leecan & Cooksey, Vol. 2
17) Charlie Lincoln and Willie Baker
18) Buddy Moss, Vol. 1
19) Buddy Moss, Vol. 2
20) Buddy Moss, Vol. 3
21) Sylvester Weaver, Vol. 1
22) Bukka White—Aberdeen Blues, The Vintage Recordings 1930—1940
23) Robert Wilkins, Tom Dickson, Allen Shaw
24) The Two Poor Boys—Joe Evans & Arthur McClain
25) Walter Davis, Vol. 1
26) Walter Davis, Vol. 7
28) Kelly Harrell, Vol. 1--SOLD
29) Kelly Harrell, Vol. 2
30) Frank Hutchison, Vol. 1--SOLD
31) Frank Hutchison, Vol. 2, Williamson Brothers and Curry, Dick Justice--SOLD
32) Sam McGee, 1926—1934
33) Nashville, 1928
34) String Bands, 1926—1929 (Andrew and Jim Baxter, Nap Hayes and Matthew Prater)
35) Rare Country Blues (Seth Richard, Charlie Kyle, Freezone, Willie Harris)
36) Texas Field Recordings (Pete Harris, Smith Casey!, others)--SOLD
37) The Songster Tradition (Papa Harvey Hull, Luke Jordan, Louie Lasky, Eli Framer)
38) Kansas City Blues (Lottie Beamon w/Pruitt Twins, Winston Holmes, Charlie Turner)
39) St. Louis Country Blues (Henry Spaulding, Henry Townsend, Jaydee Short)
40) Rare Country Blues (John Byrd, Washboard Walter, Skoodle Dum Doo & Sheffield, Bob Campbell)

Yazoo CDs
1) Crying Sam Collins—Jailhouse Blues
2) Casey Bill Weldon, Kokomo Arnold—Bottleneck Guitar Trendsetters of the 1930s
3) Before the Blues, Vol. 1
4) Barbecue Bob, Chocolate to the Bone
5) Masters of the Delta Blues (Kid Bailey, Son House, Willie Brown, Tommy Johnson, et al)
6) Mississippi Sheiks—Stop And Listen
7) Ma Rainey’s Black Bottom
8) Harmonica Blues
9) Dreaming The Blues—The Blues of Charlie Spand
10) The Way I Feel—The Blues of Roosevelt Sykes and Lee Green
11) Shake Your Wicked Knees—Classic Piano Rags, Blues & Stomps 1928—43

Prestige CDs
1) Pink Anderson, Vol. 1—Carolina Blues Man--SOLD
2) Pink Anderson, Vol. 2—Medicine Show Man--SOLD
3) Pink Anderson, Vol. 3—Ballads and Folk Songs--SOLD
4) Sidney Maiden (Harmonica Player with K. C. Douglas)
5) Scrapper Blackwell—Mr. Scrapper’s Blues
6) Rev. Gary Davis—Say No To The Devil
7) Rev. Gary Davis—Have A Little Faith
8) K. C. Douglas—Big Road Blues--SOLD
9) K. C. Douglas—K. C.’s Blues--SOLD
10) The Blues of Baby Tate—See What You Done Done
11) Curtis Jones—Trouble Blues
12) Blind Willie McTell—Last Session
13) Introducing Memphis Willie B.
14) Memphis Willie B.—Hard Working Man Blues
15) Tampa Red—Don’t Tampa With The Blues
16) Tampa Red—Don’t Jive Me
17) The Bluesville Years—Country Roads, Country Days (Anthology)
18) The Bluesville Years—Down the Country Way (Anthology) 

Arhoolie CDs:
1) I Have To Paint My Face—Mississippi Blues 1960
2) The Best of Lightning Hopkins
3) Lil’ Son Jackson—Blues Come To Texas--SOLD
4) Mance Lipscomb—Captain, Captain
5) Mance Lipscomb—Texas Country Blues--SOLD
6) 15 Down Home Gospel Classics
7) The Best of Fred McDowell
8) Dr. Ross—Boogie Disease
9) Angola Prison—Spirituals
10) Angola Prison Blues--SOLD
11) Big Joe Williams and Friends—Going Back to Crawford
12) Texas Blues—Bill Quinn’s Gold Star Recordings--SOLD
13) Snooks Eaglin—Country Boy In New Orleans
14) Guitar Slim and Jelly Belly—Carolina Blues—New York City—1944
15) Jesse Fuller—‘Frisco Bound--SOLD
16) Country Negro Jam Session--SOLD
17) Johnny Lewis—Alabama Slide Guitar


Testament CDs
1) Carl Martin—Crow Jane Blues--SOLD
2) Fred McDowell—Levee Camp Blues
3) Doug Quattlebaum—If You’ve Ever Been Mistreated
4) Big Joe Williams—Back To The Country
5) Arthur Weston—Pea Vine Whistle--SOLD
6) Jack Owens & Bud Spires—It Must Have Been The Devil
7) Bill Jackson—Long Steel Rail--SOLD
8) Dr. Isaiah Ross— Call The Doctor
9) Mandolin Blues
10) Can’t Keep From Crying—Topical Blues on the Death of President Kennedy

Fat Possum CDs
1) Robert Belfour—What’s Wrong With You
2) Robert Belfour—Pushin’ My Luck
3) R. L. Burnside—Mississippi Hill Country Blues--SOLD
4) R. L. Burnsides’ First Recordings--SOLD
5) J. W. Warren—Life Ain’t Worth Livin’
6) Furry Lewis—Good Morning Judge
7) Scott Dunbar—From Lake Mary
8) Fred McDowell & Johnny Woods—Mama Says I’m Crazy
9) Robert Pete Williams--SOLD
10) Alec Seward—Late One Saturday Evening

Trix CDs
1) Big Chief Ellis—including Tarheel Slim and Brownie McGhee
2) Willie Trice—Blue & Rag’d--SOLD
3) Pernell Charity—The Virginian--SOLD
4) Tarheel Slim—No Time At All
5) Henry Johnson—The Union County Flash--SOLD
6) Roy Dunn—Know’d Them All

Arcola CDs
1) Sunnyland Slim—Long Tall Daddy
2) Babe Stovall—The Old Ace
3) Son House in Seattle—1968 (2 discs)

Rounder CDs
1) Etta Baker—One Dime Blues
2) Leadbelly—Midnight Special
3) Leadbelly—Gwine Dig A Hole to Put the Devil In
4) Rev. Pearly Brown—It’s A Mean Old World To Try To Live In
5) Mississippi John Hurt—Legend
6) Mississippi John Hurt —Avalon Blues 1963
7) Mississippi John Hurt—Worried Blues

Smithsonian Folkways CDs
1) Cat Iron Sings Blues and Hymns--SOLD
2) Elizabeth Cotten—Shake Sugaree
3) Elizabeth Cotten—Freight Train and Other North Carolina Folk Songs and Tunes
4) Classic Blues
5) Cephas & Wiggins—Richmond Blues
6) Big Bill Broonzy—Trouble In Mind
7) Roscoe Holcomb—The High Lonesome Sound
8) Reverend Gary Davis—Pure Religion And Bad Company--SOLD
9) Pink Anderson—Carolina Medicine Show Hokum and Blues--SOLD
10) Memphis Slim—The Folkways Years, 1959—1973

Delmark CDs
1) Big Joe Williams—Piney Woods Blues
2) “Guitar Slim” Seward & “Jelly Belly” Hayes—The Back Porch Boys

Fuel CDs
1) Robert Pete Williams—Long Ol’ Way From Home
2) Mississippi John Hurt—D. C. Blues-the Library of Congress Recordings, Vol. 1 (2 CDs)
3) Mississippi John Hurt—D. C. Blues-the Library of Congress Recordings, Vol. 2 (2 CDs)

Sonet CDs
1) Robert Pete Williams—The Sonet Blues Story
2) J. D. Short—The Sonet Blues Story

Revenant CDs
1) Dock Boggs—Country Blues--SOLD
2) American Primitive, Volume 1—Raw Pre-War Gospel--SOLD
3) American Primitive, Volume 2—Pre-War Revenants--SOLD

Vanguard CDs
1) Skip James—Rare and Unreleased

Columbia Legacy CDs
1) Mississippi John Hurt—Avalon Blues—the Complete 1928 Okeh Recordings
2) White Country Blues--1926-1938, A Lighter Shade Of Blue (2 CDs, 48 tracks)

Takoma CDs
1) Robert Pete Williams—Louisiana Blues

Old Hat CDs
1) Good For What Ails You—Music of the Medicine Shows 1926-1937 (2 CDs)

HMG CDs
1) Dorsey Dixon—Babies in the Mill, Carolina Traditional, Industrial, Sacred Songs

Alligator CDs
1) John Jackson—Front Porch Blues

Sirens CDs
1) Erwin Helfer Trio
2) Erwin Helfer—“I’m Not Hungry But I Like To Eat—BLUES!

Hin-Tone CDs
1) Algia Mae Hinton—Honey Babe: Blues, Folk Tunes and Gospel

Flyright CDs
1) Sam Chatmon—1970—1974--SOLD

Mbirafon CDs
1) Sam Chatmon—Blues at Home, Vol. 2, 1976—1982--SOLD

Stax CDs
1) Gus Cannon—Walk Right In

Cello CDs
1) Algia Mae Hinton—Honey Babe

Music Maker CDs
1) Precious Bryant—My Name Is Precious

Nighthawk CDs
1) Henry Townsend—Mule

Patuxent CDs
1) Flora Molton—I Want To Be Ready To Hear God When He Calls

Classic Blues CDs
1) Johnny Temple—The Essential (2 CDs)
2) Bill Gaither—The Essential (2 CDs)

Capitol Clues Collections CDs
1) Lil’ Son Jackson—The Complete Imperial Recordings (2 CDs)--SOLD

County CDs
1) Old-Time Mountain Blues—Rural Classics 1927-1939--SOLD
2) The Music of Clarence “Tom” Ashley—Greenback Dollar--SOLD
3) Hard Times In The Country—Down and Out in the Rural South, 1927-1938--SOLD

Stefan Grossman’s Guitar Workshop CDs
1) Rev. Gary Davis—Live at Gerde’s Folk City, February, 1962 (3 CDs)
2) Rev. Gary Davis—At Home And Church, 1962-1967 (3 CDs)

Third Man Records CDs
1) Ann Arbor Blues Festival 1969, Vols. 1 and 2 (2 CDs)

Not Now CDs
1) Essential Detroit Blues (2 CDs)

Ace CDs
1) Sylvester Cotton/Andrew Dunham—Detroit Downhome Recordings, 1948-49

48
Hope y'all can join us in Laurens SC for the Piedmont Blues and Roots Festival! Laurens County was the birthplace and home of Rev. Gary Davis, Pink Anderson, Willie Walker, Lil McClintock, and Arthur Guitar Boogie Smith. Our goal is to preserve and celebrate that heritage with the Piedmont Blues and Roots Festival. The festival will take place in downtown Laurens and feature performances by Jerron Blind Boy Paxton, Veronika Jackson, Sparky and Rhonda Rucker, the Holler Floppers ft. Ali Kafka and Hunter Holmes, all of whom preserve and perform traditional music. Click the link to the website for updates.
https://www.laurensbluesandroots.com/
49
Country Blues Lyrics / Re: Buddy Boy Hawkins lyrics
« Last post by waxwing on April 08, 2024, 01:32:49 PM »
I really like Buddy Boy Hawkins playing and singing. It's unique and instantly recognizable when you hear him. Good tone and a cool signature turnaround.

To my ear BBH played with the old-fashioned non-opposing right hand style, similar to Patton, Henry Thomas, Richard "Rabbit" Brown, Jim Jackson, William Harris and pretty much anyone else who covered Kansas City Blues. This would include Brownie McGhee and there is a YouTube video of him demonstrating how he originally played KCB as his first song on guitar, clearly in the non-opposing style, and then how he changed it to a new modern two finger style with pinching. He slips back into it as he continues the song.  Hard to get that driving syncopated rhythm while limited to pinching, or only upstrokes with the finger.

Wax

https://youtu.be/gkv0VdmieqA?si=GFZVhubvT0QrRVoG
50
Weenie Campbell Main Forum / Re: We all have work to do
« Last post by jed on April 08, 2024, 10:19:28 AM »
Thanks, Lindy.  The picture gallery is pretty harrowing, and includes all the pix in the article.  I think I viewed 3 articles in the month before it locked me out.  It also may care how often someone visits, as I've visited many times over the past few years.  It may pop a $1/month six-month subscription ask onto your screen.  I use those for several publications I visit rarely but enough to get pinged.  I've sometimes found success opening an article in a private window, but papers appears to be catching up to that.  In any case, here's the winding tale update:


The winding tale of the missing marker honoring Delta bluesman Mississippi John Hurt
Pam Dankins
Mississippi Clarion Ledger
March 31, 2024

AVALON, Miss. — The mystery surrounding the missing blues trail marker honoring legendary bluesman Mississippi John Hurt and the cause of the Mississippi John Hurt Museum fire is as winding as the maze of narrow roads that crisscross the Eastern edge of the Delta.

Unraveling the winding mysteries is a complicated task.

The two incidents occurred just over a week apart from one another, forming a plausible thought that the alleged stolen marker and the destroyed museum were connected.

As authorities continued their investigation, police statements issued via press release conflicted with the accounts and claims made by one of John Hurt’s family members.

Questions arose. Where is the marker? Was it ever stolen? What was the cause of the fire that destroyed a building with such cultural and historical value?

Initial reports from the Carroll County Sheriff's Office stated the marker was "stolen" during a March 4 break-in> at the Valley Store in Carroll County. The break-in happened over a week after the Mississippi John Hurt Museum was destroyed by a fire.

Floyd Bailey, curator of the Mississippi John Hurt landmarks, walks through the charred and melted remains of the John Hurt Museum in Carroll County on Friday. Bailey describes what the building looked like before the Feb. 21 fire burned the museum to the ground. In the background is St. James Missionary Baptist Church, where John Hurt's funeral was held.

The day after the marker was allegedly stolen, the sheriff's office released another statement notifying the public that the iconic blues musician's historical marker was "confirmed to be in the possession" of the Hurt family.

But a family member who talked to the Clarion Ledger stated otherwise.

Mary Hurt, granddaughter of John Hurt and the founder of Mississippi John Hurt Museum, told the Clarion Ledger on March 7 that no one in her family had possession of the marker. Mary also leads the charitable foundation that supports the museum.

"(Carroll County Sheriff Clint Walker) did not call me about the marker. He talked to someone to find out where it was, but we do not have that marker," Hurt told the Clarion Ledger.

Allan Hammons, manager of the Mississippi Blues Markers project, describes the work needed to restore the John Hurt Blues Marker while at his Greenwood office on Friday. Time and weather have taken a toll. The vinyl on the back of the marker needs to be replaced and the whole marker cleaned.

Here's what we know about the travel of the marker:
  • Walker confirmed to the Clarion Ledger that the marker was never stolen.
  • Mary Hurt confirmed to the Clarion Ledger that members of the foundation are the ones who moved the marker from the Valley Store. There are only six members of the foundation listed on the most recent federal 990 form available to the public. Mary Hurt is one of those six. The foundation's website lists five members. She did not specify which foundation member took the marker.
  • Allan Hammons of Hammons and Associates of Greenwood, the company that oversees the design and placement the markers at a site, confirmed to the Clarion Ledger on March 14 that the company received possession of the marker the evening of March 7. While at the company, it will undergo routine cleaning and maintenance.
  • Afterward, it will be placed at a new site per the direction of Visit Mississippi, a division of the Mississippi Development Authority, director Rochelle Hicks said.
  • Hicks told the Clarion Ledger on March 21 a new site has yet to be determined since the John Hurt Museum, which was burned down, was slated to be the new site for the marker. Hicks said Visit Mississippi and the Mississippi Blues Commission are in discussion about other potential sites for the marker.
Sheriff Walker told the Clarion Ledger the report of the "stolen" marker came about because no one, to his knowledge, notified the Valley Store landowners that the marker would be moved.

"The lack of communication between those two parties — Mary Hurt and the landowners — that the marker would be moved led to a report being filed as it being stolen," Walker said. "The owners of the Valley Store reported the crime, and we reported it to the public."

But why was the marker removed in the first place?

In an interview with Mary Hurt, she told the Clarion Ledger she fought "for years" to relocate the marker from the Valley Store, which was erected by the Mississippi Blues Commission on Feb. 25, 2008.

Floyd Bailey, curator of the Mississippi John Hurt landmarks, walks through St. James Missionary Baptist Church in Carroll County on Friday. The funeral for blues singer, songwriter and guitarist John Hurt was held at St. James. On the pulpit sits a Bible, a Baptist hymnal and tokens of a man playing guitar.

Hurt said she wanted the marker moved because it should be placed where John Hurt had "deeper connections." Not at a location, where Hurt said, it would have been "impossible for him to play at because of the Jim Crow Era."

The Clarion Ledger reached out to the Mississippi Blues Commission researchers to clarify John Hurt's connection to the Valley Store, considering the department's records say John Hurt used to play his guitar while sitting on the steps of the Valley Store.

"The decision was made to put it at the Valley Store because it seemed to be a good location in between the gravesite and spot where his house had been moved. It was already a known location for die-hard blues fans around the world," Wanda Clark, creative director under the Mississippi Blues Trail, told the Clarion Ledger via email.

Clark provided the Clarion Ledger links to pages from a book detailing John Hurt's connection to the Valley Store. The book titled “Mississippi John Hurt: His Life, His Times, His Blues," was written by Philip Ratcliffe and published in 2011 by the University Press of Mississippi.

Clark said the book appeared to have been "well researched and documented with footnotes." Mary Hurt wrote the foreword — a piece of writing that normally endorses or adds credibility to the author and their work.

One excerpt on page 17 reads, "... (John) would sit and play his guitar outside the Valley Store and listen to the local gossip."

"... John spent much of his early teens hanging out with these white children around the Valley area, apparently with little racial complication," another excerpt on page 32 states.

And on page 39, the book states John had a "close relationship" with the succession of owners of the Valley Store. There was also a picture of John Hurt centered at the top of page 133 "with friends on the front porch of the Valley Store" dated March 1963, around three years before Hurt passed away.

Part of Mary Hurt's foreword reads as: "I am so grateful to Phil for all the hard work, travel, resources, and in-depth research, that have been applied in order to write this wonderful biography of Daddy John's life. It will be a prized resource for my family generations to come."

Museum curator Floyd Bailey concurred with the book, and said that Mississippi John Hurt performed at the Valley Store on Saturday nights.

Even though conflicting narratives exist regarding the marker's placement at the Valley Store, one thing is certain: Mary Hurt was approved to relocate the marker. This approval by the blues trial commission was granted almost a year ago.

"It was June 2023, when I petitioned to the blues commission for the marker to be relocated to my grandfather's house or the community church. The blues trail marker sitting in front of the store, which has been abandoned for many decades, had no connection to my grandfather's life at all," Hurt said. "I presented my case to the Mississippi blues commission, and they agreed the marker should be relocated."

After authorization was given to Hurt, Hurt said she went to the Carroll County Board of Supervisors in October 2023 and December 2023, but no progress in moving the marker was ever made.

Hurt provided the Clarion Ledger with the letter of confirmation she received from the blues commission on or around June 15, 2023. The letter states the site change was voted on and approved by the Mississippi Blues Commission.

Hicks confirmed to the Clarion Ledger this information was true by providing the Clarion Ledger a copy of the letter as well.
Mary Hurt and Rochelle Hicks both provided the Clarion Ledger with the letter of confirmation Hurt received from the blues commission on or around June 15, 2023, which stated the site change was voted on and approved by the Mississippi Blues Trail Commission.

Hurt told the Clarion Ledger she sees the store break-in as a way to "cover up of the real tragedy" that occurred on Feb. 21: the fire at the Mississippi John Hurt Museum.

It was reported in the afternoon of Feb. 21 by the Carroll County Sheriff’s Department that a Delta Electric service technician was dispatched to the museum's location. Upon arrival, the technician found the museum "fully engulfed in flames."

Walker stated the cause stemmed from an electrical fire with no foul play suspected at this time. Hurt claimed arson.

"Sheriff Walker is talking about a marker that is still here. And if someone does destroy that marker, it could be made again," Mary said. "But this 200-year-old house, that was burned down for racial reasons, cannot."
Memorabilia and antiques on display inside the former home of blues legend Mississippi John Hurt are seen Dec. 10, 2002 near Avalon, Miss.

Hurt said the day before the fire, the museum received recognition on the National Register of Historic Places. And hours later, the building went up in flames and down in ashes.

"My grandfather and his mother owned that house since 1837. That house was all of my relatives, all of them. It's like I'm burying generations of my family all over again. Seeing that place — that empty field — where the house sat for so many years is now nothing but cinders," Hurt said.

Hurt told the Clarion Ledger on March 27 the Mississippi State Fire Marshal chief confirmed to her that the cause of fire was not an electrical one, as indicated in February reports by Carroll County police. Hurt did add that no official report has been released.

State Fire Marshal officials also confirmed to the Clarion Ledger on March 27 that no official report has been issued.

"We have not released a cause of the fire because we are still waiting on official test results, and we will not rule out anything until the official test results are in," officials with the state office told the Clarion Ledger.

The Fire Marshal’s Office responded to the Feb. 21 scene with other departments such as the Bureau of Alcohol Tobacco and Firearms, the Federal Bureau of Investigation and the Mississippi Bureau of Investigation.

The office said it is unknown at this time when those findings will be solidified.

According to Hurt, racial factors are the underlying cause behind the burning of the museum. Hurt accused the Carroll County police department of "race baiting" — using statements about race to often intentionally influence racism or anger toward a specific group of people.

In response to Hurt's claims, Walker told the Clarion Ledger he found Mary statements to be "totally false." Walker said the department has never been accused of "race baiting" to his knowledge.

"Like I stated before, if she would have notified the owners of the property that she removed the marker. We wouldn't even have had a phone call out there for an investigation. But due to her lack of inability to relay information to the owners about the marker, it led to a lot of man hours and investigation hours that could have been used somewhere else," Walker stated via phone call.

To Mary, the investigation hours should have been placed "somewhere else" — the fire at the museum.

"The fire was 100 percent investigated by every federal, state and local agency. So, every effort exhausted was exhausted to investigate it. And like I'll say again, if she wouldn't have gone and removed the marker, I wouldn't have had to waste time and county taxpayer money to investigate a crime that didn't even happen," Walker told the Clarion Ledger.

"So, as you can probably tell in my voice, I do not appreciate Ms. Hurt making accusations against the Sheriff's Department of racially motivating the investigation. There's no evidence of a crime. From the federal level to the state level to the local level, it appears at this time it was an electrical fire," Walker stated. "No evidence supports any criminal act."

Walker told the Clarion Ledger he did not want to answer any more questions regarding any comments or accusations made by Hurt.

"I really appreciate the help from all the state and federal agencies quick response into investigating this historic landmark in our county," Walker said. "And again, I do not appreciate Ms. Hurt making accusations that something we've done was racially motivated. There's no evidence to support that or substantiate it, and I strongly object to any comments she makes about that toward this department."

With the loss of the museum, Hurt said an old church in Avalon is the only material remnant of John's history. Avalon is an all-Black town in the eastern Mississippi Delta. All she has now are memories. Hurt was 9 years old when her grandfather died in 1966.

"My grandfather was the kindest, gentlest and most humane human being that I have ever met in my life. He would smile and reach out to people and try to help anybody regardless of race. Yes, he was a musician. Yes, he was a self-taught musician. But for me, he was the motivator behind me as a human being," Mary stated.

https://www.youtube.com/embed/85BvT5X6WSo?si=pFmSTtEwCc5ARdDN
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