I'm goin' to show you Cormorant women how I feel. Gonna get me a Hernando woman 'fore I leave.
Quote
4.1/2 'Cormorant' (i.e., Lake Cormorant) has a 't' at the end, ruling out 'common', and 'Hernando' has a reasonable 'ando'. A main point is that the verse makes sense: these are places in Northern Mississippi about a dozen miles apart, Hernando's population being around 1200 (1950), with Lake Cormorant having little more than double figures (with a Post Office.).
According to Gayle Dean Wardlow ("Can't Tell My Future: The Mystery of Willie Brown"), the locals around Lake Cormorant pronounce it "Carmen." And if you speak a non-rhotic variety of English, as Patton did, "Carmen" and "common" sound the same.
For what it's worth.
[Side note: Son House and Willie Brown hung out together at Lake Cormorant; Garfield Akers and Joe Callicott were from Hernando. Wardlow's informant, Willie Moore, says that he and Willie Brown enlisted for World War I in Hernando.]
I am preparing some songs for a halloween gig and would like to do Mean Black Cat Blues by Charley Patton. Could I ask you assistance with the lyrics? Below is what I've transcribed. I'm at a loss for the last line of the first verse. The last lines of the 2nd & 3rd verse are what I hear although neither makes much sense. Your suggestions/corrections would be appreciated.
Mean Black Cat Blues By Charley Patton
It?s the mean black cat, lordy, clawing at my door It?s the mean black cat, lordy, clawing at my door I?m going down to Louisana where I .. no more
It?s the mean black cat, lordy, all around my bed It?s the mean black cat, lordy, all around my bed I?m gonna get up in the morning till that black cat dead
He?s a mean black cat, lordy, lordy he?s wearing my clothes He?s the mean black cat, lordy, I mean he?s wearing my clothes If you want him on my levee let that black cat go
First time I met you I said you was a crook First time I met you said you was a crook You got a new way of loving well it ain?t in the book
Next time I met you, you know I made a hit Next time I met you, you know I made a hit But you got a new way of loving well it did not quit
Thanks Papa John
« Last Edit: July 17, 2020, 02:45:30 PM by Johnm »
Here's my take. I'm not quite certain of a couple things like "you was a crook" and "made a hit". In the "want anymore of my lovin'" line in the 3rd verse, it's sort of "wan'y'mo' my lovin'" -- rushed with a couple swallowed syllables. Also, in the first verse, it sounds like he's saying "crawling" more than "clawing", though either would work.
It?s the mean black cat, lordy, clawing/crawling? on my door It?s the mean black cat, lordy, clawing/crawling? on my door I?m goin' down to Louisana where I won't hear it whine no more
It?s the mean black cat, lordy, all around my bed It?s the mean black cat, lordy, all around my bed I?m gonna get up some morning, kill that black cat dead
He?s a mean black cat, lordy, lord he?s wearin' my clothes He?s the mean black cat, lordy, I mean he?s wearin' my clothes If you want anymore o' my lovin', let that black cat go
First time I met you I said you was a crook First time I met you said you was a crook You got a new way of loving, swear it ain't in no book
Next time I met you, you know I made a hit Next time I met you, you know I made a hit But you got a new way of loving, swear it just won't quit
I'm using the JSP box set to transcribe what I hear Patton singing. Try as I might, I can't figure out the first verse due to all the surface noise, but the rest of the lyrics are not so hard for me to hear. Perhaps I listen to too much Blues Please let me know what you think, everyone. It's interesting how this song, or at least the "red river" verse, is normally considered to be closely associated with Buddy Moss and Josh White, and not with the more "pure" Delta Blues. Perhaps the early Delta guys learned the "red river" verses from the Piedmont players.
First verse?
Which a-way, which a-way, do the red river run? Which a-way do the red river run?
Which a-way, which a-way, do the red river run? Which a-way do the red river run?
I was sittin'-in' down, playin' some coon can, I lose all my money but the one little lousy dime
Talking about my woman, could (couldn't?) hardly cool my head Talking about my woman, could (couldn't?) hardly cool my head
The big Jim Lee, done shine your (her?) light on me and if I be lucky, Lord, I've been redeemed
I went way up the river, looked it up and down, and if I win your money, Lord, I'm water bound
If you didn't want me, don't dog me so, I can get me a woman before you leave my door
Which a-way, which a-way, do the red river run? Which a-way, which a-way, do the red river run?
Some morning, some morning, Lord, it won't be long, you're gonna call for me, baby, and I'll be gone
Where were you, oh mama, when that big boat left the shed? I was way upstairs in my cold old iron bed
« Last Edit: July 17, 2020, 02:46:15 PM by Johnm »
Logged
"There ain't no Heaven, ain't no burning Hell. Where I go when I die, can't nobody tell."
Here are some suggestions, doctorpep. Verse 1, very difficult, could be totally wrong, but maybe somebody could develop from that. The Revenant album notes have 'I DONE HEARD MIGHTY RUMBLIN' (DEEP DOWN IN THE GROUND)', and ?? for line 2. 'MIGHTY RUMBLIN' sounds fine, but not the rest, but again, it could be a starting point for anyone having a go. In verse 5, 'COON MY HAND' I took from Revenant, assuming it to be a coon can phrase in playing, but I don't really know if this is so.
1.1 WELL, I LOVE A HIGH YELLOW WOMAN, SHE DON'T [SKIPS 1.2 GROOVES] SO I'M GONNA TRY THIS BROWNSKIN GAL FOR A WHILE 4.1 I was KITTYING, KNEELIN' down, playin' some coon can 5.1/2 STUDYIN' about my woman, COULDN'T hardly COON my HAND 6.1 The big Jim Lee, COME shine your ARC-LIGHT(??) on me 6.2 And THE SIDE WHEEL KNOCKIN', Lord, I've been redeemed 7.1 BIG JIM LEE up the river, BACKIN' up and down 7.2 And THE SIDE WHEEL KNOCKIN', Lord, I'm water bound 8.1 If you didn't want me, YOU OUGHTA BEEN TOLD me so 8.2 FOR I'LL get me a woman before you CAN leave my door 10.1 Some MORNIN', some MORNIN', LORDY, it won't be long 11.1 Where were you, oh mama, when that 'FRISCO left the shed? 11.2 I was LAYIN' upstairs in my cold old iron bed
Almost two years since this has been discussed. One of these days, I'll stop bumping these ancient threads
To back up the possibility of the line in "Elder Green Blues" being (as I've actually come to hear it):
"I like to get sloppy drunk on a bottle and ball and walk the streets all night"
In B.B. King's tune "Lucille", when he is telling the story of how Lucille was named he says:
"....two guys started a ball, y'know? They was brawlin'...."
I've since taken that to be what Patton was saying (or trying to say) in the line in question. Basically that he likes to get drunk on whiskey and start a brawl. Might explain how he got his throat slashed in '32, huh?
Whaddya think, fellow Patton enthusiasts?
Lefty
« Last Edit: February 07, 2009, 01:12:11 AM by LeftyStrat »
I've always heard 'bottle & ball/bawl & walk the streets all night.' I've been there. So drunk you're yelling into the night, waking up the citizenry. Everytime I hear this line I smile.
I went home the other night, I'd swore I wouldn't drink no more Until saloons come back with bottled in bond as in the days of long ago -Jim Jackson, Bootlegging Blues
Give me one more drink, drink of that bottle in bond Give me one more drink, drink of that bottle in bond And I will tell everything just as soon as I get back home - Memphis Minnie, Drunken Barrelhouse Blues
I'm sure there's many more examples. And someone will correct me if I'm wrong but "bottled in bond" in blues lyrics like these would distinguish the hooch as a higher class than corn liquor/moonshine etc.
« Last Edit: February 07, 2009, 08:57:11 AM by uncle bud »
Correct. See the Wardlow/Calt Patton bio for a detailed, and to me anyway, convincing discussion. I loaned mine to someone and it never came back, otherwise I'd scan and post the excerpt.
Has anyone deciphered Patton's Prayer of Death? My copy is pretty static laden. I'd really appreciate it if anyone has them. I wouldn't turn my nose up at a tab either, for that matter, if someone wanted to post one. Thanks.
« Last Edit: July 17, 2020, 02:47:23 PM by Johnm »
Take a stand, take a stand, take a stand If I never, never see you any more Take a stand, take a stand, take a stand I'll meet you on that other shore
I got his word, etc.
I'm satisfied, etc.
I have a right, etc.
I done left over here, etc I'll meet you on that kingdom shore
I got his word, etc.
Now here my hand, etc.
Here where I hear old reverend (?) that stopped and went in prayer. Now hear him calling the Lord : "Oh Lord, oh Lordy."
Part 2:
Oh, the prayer of death. Oh Lord, oh, oh, oh, Lordy. I know you been calling him. Yes, the wages of sin are death, The gift of God, eternal life. Mmm, Lordy. He said : "You're a rock in a weary land, a shelter in the time of storm" Mmmm, okay, amen, Then all of them (?) get to moaning : "Lord have mercy"
Oh, won't you save me, Lord
Ever since my mother been dead (x3) (he sings this as "every") Trouble been rolling all over my head
I've been 'buked and I've been scorned (x2) I've been 'buked and I've been scorned, good Lord, I've been talked about, sure as you born
I've been 'buked and I've been scorned (x3) I've been talked about, sure as you born
Oh, hold to God's unchanging hand Hold to God's unchanging hand Build your hopes on things eternal Hold to God's unchanging hand
Wont you hold to God's unchanging hand Hold to God's unchanging hand Build your hopes on things eternal Hold to God's unchanging hand
The last word of a line is often not sung, but played with the slide instead.
If you're interested, New Roanoke Jug Band did a version of Prayer of Death I, as Jug Band Prayer of Death. We coupled it with Rev. Clayborn's "This Time Another Year".