Hi all, "Dad" Nelson accompanied himself out of E position in standard tuning for his oddly titled "Michigan Shoe Blues", using the same melody as he used for his "Cotton Field Blues", and once again utilized his kazoo to great advantage, giving it more or less equal space to his sung verses. "Michigan Shoe Blues" is a bit more up-tempo than "Cotton Field Blues". He really was a fine guitar player, with beautiful tone on his 12-string guitar and nice touches in his bass runs. Here is the song:
Trains in Michigan is always on time Trains in Michigan is always on time That's the reason Michigan waters drinks like cherry wine
KAZOO SOLO
Says, I walked up on Hastings, turned all around and 'round Walked up on Hastings, turned all around and 'round High-brown mama said, "Baby, don't look so low-down."
KAZOO SOLO
She said, "When you go in Black Bottom, be sure and to put your money in your shoes. When you go in Black Bottom, put your money in your shoes. If you don't, Black Bottom women take it away from you."
Hi all, "Dad" Nelson accompanied himself out of G position in standard tuning for his rendition of "Traveling Daddy", and once again exhibits a nifty set of moves, and features his kazoo playing prominently. He had a really nice voice and a relaxed singing style that wears really well. He was such a good guitar player; it would have been nice to hear him feature the guitar in a solo. Here is his performance of the song:
Says, I got a mighty good feeling, something on my mind Mighty good feeling, something on my mind Wondering and thinking 'bout the girl I left behind
KAZOO SOLO
Says, I had the blues last night, blues in the day I had the blues at night, blues in the day I think the sunshine will drive my blues away
KAZOO SOLO
Says, I'm goin' away, I just don't know when Says, I'm goin' away, baby, I just don't know when Says, I don't mind traveling, want to go where I've never been
Hi all, For "Cleveland Stomp", Dad Nelson accompanied himself out of C position in standard tuning, playing one of the liveliest and cleanest rags ever on a 12-string guitar. He really outdoes himself on the kazoo on this one for zippiness and accurate pitch, but for those of you who find the kazoo charmless, however well played, the melody would translate equally well to mandolin or fiddle. I love this tune! Here it is:
KAZOO SOLO
Hello Central, give me ninety-nine, I got a letter that my baby was dyin', May be my last chance, I don't know Hello Central, give me ninety-nine, I got a letter that my baby was dyin', May be my last chance, I don't know
KAZOO SOLO X 2
Just right 'round the corner, quick as you can, bring me a taxi, want it to take me in My last chance, I don't know Right 'round the corner, just as quick as you can, bring me a taxi, want it to take me in Might be my last chance, I don't know
Nelson seems to have liked making geographically titled recordings! In the case of "Michigan Shoe Blues," at least, it would seem he had some real familiarity with the area: "Black Bottom" was the traditionally black part of Detroit, and Hastings St. was that district's main thoroughfare.
Thanks for that additional information, Jeff. Perhaps you'll know the location of Scoville Avenue, which appears in the title of the next song. All best, Johnm
Hi all, Dad Nelson was in E position in standard tuning again for "Scoville Ave. Blues", using his favorite melody and accompaniment in that key. Here is his performance:
Says, I been to South Carolina and West Virginia, too Been to South Carolina and West Virginia, too Ain't found no woman, do like my baby do
Scoville Avenue women, some of 'em very neat Scoville Avenue women, some is very neat But I don't see none that's got my baby beat
KAZOO SOLO
Say, they're standin' on the corner, standin' all down the line Say, they're standin' on the corner, standin' all down the line Some ask for a nickel, and some askin' for a dime
KAZOO SOLO
Says, don't come 'fore noon, baby, don't come cryin' Says, don't come 'fore noon, baby, don't come cryin' I would give you something, but, baby, you ain't none of mine
Well, Scovill Avenue (no "e") is a main thoroughfare in Central, the predominantly immigrant and African American neighborhood in east Cleveland, Ohio. This would also seem to tie into Nelson's "Cleveland Stomp," which mentions the oft-seen line: "Hello, Central, give me ninety-nine." (Interestingly, "Cleveland Stomp" has no other lyric tying it to the city of Cleveland, so perhaps this is in fact where the "Hello Central" lyric -- as later heard in Lightnin' Hopkins, etc. -- originally came from: the city of Cleveland, as sung about by "Dad" Nelson in "Cleveland Stomp" and "Scoville Ave. Blues.")
« Last Edit: August 01, 2015, 05:17:13 AM by jpeters609 »
I always thought the same thing, regarding telephone operators. But it was interesting to see the line in a song called "Cleveland Stomp," knowing that Cleveland's black district was called Central, and knowing that the same singer also had a song about that district's prominent thoroughfare. Interesting is all. I guess I never looked into whether a main telephone switchboard was called the "central" switchboard, but I can see how one might make that assumption.
Hi all, "Dad" Nelson accompanied himself out of E position in standard tuning for "Coon Can Blues". He varies the form he plays quite a lot over the course of the rendition, and his voice sounds heavier, with a more covered tone than on his other songs. The song is also notable for its not having any kazoo on it. Here is his performance:
Ramblin' and gamblin', Lord, that's what I crave Ramblin' and gamblin', Lord, that's what I crave If I don't quit, they carry me to my grave
SOLO
My baby give me some money just to play coon can My baby give me some money just to play coon can I didn't win no money, but I sure, Lord, played my hand
SOLO
I'm gonna tell my Mama, when I go back home I'm gonna tell my Mama, when I go back home Say, "They win all my money, won't leave my girl alone."
I was standing at the station when the train passed on the fly Standing at the station when the train passed on the fly Brakeman said, "Hobo, good-bye."
Lord, left here all alone Lord, Lord, Lord, Lord, left here all alone Had to take a hollow log, and make it my home