As far as singing goes, I wanted to do something new and have a style that wasn't too common. I was inspired by the records of Jimmie Rodgers, a white singer of that time. He was called the 'yodeling singer' because he would sing some parts in a head voice, like the Swiss yodelers. I took that idea and adapted it to my own abilities. I couln't do no yodelin' so I turned to howlin'. And it's done me just fine - Howlin' Wolf
Sorry to drift, but that seems to be the nature of threads around here.
I don't have this turntable, but the reviews are positive, for the most part. At $205, it's not a fortune and you can always trade up later on if you want. You're going to need quality cartridges for you records, but that goes with the turf.
The hifi nuts went for either a Goldring Lenco or a Thorens back in the 60s - if you could afford them.
Thorens, now there's quality and reliability. Mine has been going strong since 1970 (TD something or another, only half the label remains) when it cost me a relative fortune. I'm probably tempting fate by saying all this and the motor will go up in a puff of smoke the next time it's used....
Given the visual similarities between the Rek-O-Kut CVS-14 & CVS-16 at Esoteric Sound and Naucks, and the Audio Technica ATLP120, I did a search--I didn't find anything specific, but the chatter at a couple of sites seemed to be of the opinion that they had the same OEM--but that doesn't mean that they are the same turntable. FWIW, a couple of more links:
But the proof is in the listening, and nothing short of a side-by-side comparison is going to give you first hand experience re: how they (as well as all the others) sound to your ears.
« Last Edit: August 09, 2011, 11:59:39 PM by Stuart »
BH nice to know that we have both been labeled as hi-fi nuts
The reason I bought the Goldring was that I was able to get it trade and it did 78s which I didn't think the Thorens did at the time or am I wrong?
Correct and for that reason I kept the Garrard SP25, when the 78s went (1989) so did that. Just for you Richard I hunted out the receipt for my Thorens TD125. Price 70GBP purchased from Audio Supplies in Stamford Hill, North London. The cost of an SP25 at the time was probably around the 20GBP mark so after 40 years I think I've got my money's worth with the Thorens.
I'm not a hi-fi nut, just an all round nut.
« Last Edit: August 09, 2011, 10:17:52 PM by Bunker Hill »
I think I inquired about this before, but I cannot find the discussion. So many pardons if I'm asking anyone to repeat himself or herself.
I would like to buy a decent turntable that will play LPs and 78s but won't cost more than about $300 Any suggestions and/or issues I should be concerned about in making a purchase?
I just started my vinyl collection with the original Yazoo Patton double LP. (Not the reissue, but not the first Yazoo 1020 either.) I'm hoping it will provide a listening experience that is better (or at least different) that CDs.
I've had it for decades, and it's still working perfectly. Mind you, it is not automatic, so you'll have to get up and remove the tonearm when a record is finished. On the plus side it also has the speed of 16rpm, which came handy when I was transcribing ultra fast licks from a 33 rpm, at half speed.
I just started my vinyl collection with the original Yazoo Patton double LP. (Not the reissue, but not the first Yazoo 1020 either.) I'm hoping it will provide a listening experience that is better (or at least different) that CDs.
I think "different" is the word. Like many other forum members, I got my LPs back in the 60s and 70s. I still listen to them, albeit after they have been copied to CDs or on the cassette tapes that I mentioned in the other thread.
Since the reissue LPs were released, better copies of the original 78s have been found in some cases and remastering technology and techniques have vastly improved. Naturally, comparisons have to be made on a case by case basis, but I think the general implications are obvious.
78s are another matter. I'll venture to guess that all of the best copies are owned by the major collectors. And top of the line equipment doesn't go for entry level prices. Glenn Jones told me that several years ago he and the late Jack Rose spent a day with Joe Bussard at Joe's place listening to various records. Glenn said that it was the best audio reproduction that he had ever heard--close your eyes and you were right there. But how many of us are in the position to duplicate even a small fraction of his collection and equipment? "Not for the faint of wallet," as John Tefteller puts it. Here's a link:
But that doesn't mean that you can't enjoy yourself immensely with a $300 turntable and the LPs and 78s that your budget allows. It's just that you want to go into this with both eyes open.
In line with the above advice, my goal - hopefully in addition to my own to enjoyment, which remains to be seen (or heard) - is to provide an assessment of 78 vs vinyl vs CD for someone on a John Q. Public budget. I would never asume I could even approach the quality of the big boys.
I'll also be comparing jazz and rock vinyl to CDs, but that likely is an entirely different endeavor.