Thanks Chris.
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When I asked Son House to listen to a particular line from a song by Charley Patton that I could not make out, House laughed. He said "You could sit at Charley's feet and not understand a word he sang." - Jeff Todd Titon, Early Downhome Blues
0 Members and 1 Guest are viewing this topic. Farmboy Williams
Don see how to put in a suggestion on the lyrics already here on Bo Carter "Baby How Can it Be"
I hear after "Baby I'm doubtful in mind "I dont believe your sighin' Is to be all mine" ( sounds like sign but makes sense referring to her sighing) Think the other word was a "grafanola" another name for a gramaphone early record player "I'll get you a grafanola, a radio too" I just wrote em all down from an original Bo Carter recording and could not find em anywhere to thought to put em here. Hi all,
Bo Carter accompanied himself out of DGDGBE tuning for "Trouble, Oh Trouble". Formally speaking, the song is a one-off, an 8-bar blues with a unique (at least in my experience) progression. The first two bars move in a fairly conventional way, going from I to V7, like "Key To The Highway" and many other 8-bar blues, but then in the third bar, Bo returns to the I chord, resolving back to the V7 in the fourth bar. In fact, Bo ends up just bouncing back and forth between the I and the V7 chord and ends up with the following form: | I | V7 | I | V7 | | I | V7 | I | I V7 | Lyrically, the song starts from a pretty thin premise and keeps returning to the same verse ending. Altogether, it really seems an odd man out in Bo's recorded repertoire. I'd appreciate help with or corroboration of the bent bracketed phrase. Here is "Trouble, Oh Trouble": INTRO I mean it's trouble, man, it's old trouble, I never had so much trouble before Because I b'lieve somebody's bad trouble are right up under my front door I'm gonna buy, me a frizzley rooster, I'm gonna take him 'round my house, you know Because I know this frizzley rooster will dig trouble from under my front door Says, my baby, she ain't good and kind to me, she don't treat me like she used to do Because I know there's old trouble, it's buried under my front door SOLO X 2 (Spoken: Yeah, boy, it's trouble!) Says, I'm going, to the fortune-teller, I'm gonna explain it to him, just so So he can tell me if old trouble, is buried under my front door I'm gonna stop, up by the gypsy's, and I'm gonna tell the gypsy, just so So he can tell me if there's trouble, buried under my front door I got my baby, bed by my side, a-still I'm never satisfied, you know Because I know there's old trouble, it's buried under my front door OUTRO All best, Johnm Hi all,
Bo Carter accompanied himself in dropped-D tuning in D position for "Don't Cross Lay Your Daddy". This is spectacular playing, even by Bo's elevated standards, so splashy and exciting--he was really going for it! For whatever reason, he seemed to reserve a lot of his most intense playing for dropped-D. I'd very much appreciate help with the bent bracketed section of the transcription. Here is "Don't Cross Lay Your Daddy": INTRO I'm tellin' you, baby, what I'd really hate to do, hate to get another woman in the place of you REFRAIN: I'm cryin', please, don't cross-lay your daddy now Oh, the way you're treatin' your daddy, don't want your daddy no more nohow You know I's good, baby, and does all I can, don't wanna be cross-laid by no other man REFRAIN: So I'm beggin', please, don't cross-lay your daddy now Oh, the way you're treatin' your daddy, don't love your daddy no more nohow I catch you cross-layin' I tell you what I'm gonna do, spend the balance of my life just for killin' you REFRAIN: I'm beggin', please, don't cross-lay your daddy now Oh, the way you're treatin' your daddy, don't love your daddy no more nohow SOLO When you's down, baby, I pick you up again, give you your clothes and a few dimes to spend REFRAIN: So I'm beggin', please, don't cross-lay your daddy now Oh, the way you're treatin' your daddy, don't love your daddy no more nohow Listen to me now, people, if you would, she's a backbitin' baby, don't mean me no more good REFRAIN: So I'm beggin', please, don't cross-lay your daddy now Oh, the way you're treatin' your daddy, don't love your daddy no more nohow CODA All best, Johnm "I catch you cross-layin' I tell you what I'm gonna do, spend about my last just for killin' you" ?
Wax Thanks for the suggestion, wax. In the course of re-listening to check your suggestion, I finally heard what Bo sang, which is: "spend the balance of my life just for killin' you". I've made that change.
All best, Johnm Playing “Boot It” out of drop D following JM’s post
Now listen here boys gonna tell you this fact Want to tell you something to get your good gal back You’ve got to boot it, you’ve got to boot sure Really got to boot it every morning before I go Oh the women these days getting funny minds They don’t love you ‘less you take your time Then boot it, you got to boot it sure You really got to boot it every morning before you go Say when I gets to bootin’ I got to boot it right Boots for these women both day and night I’m gonna boot it, I’m gonna boot it sure I’m really going to boot it every morning before I go Some say high yeller, some likes brown But jet black girl 'll be with you when they all put you down. And you can boot it, you can boot it sure And you really going to boot it every morning before you go I left home last night, the night before I boot it every morning just before I go I’m going to boot, I’m going to boot it sure Lord, I’mreally going to boot it every morning before I go Thanks for posting that one, Phil. I reckon Bo played it in dropped-D tuning, though.
All best, Johnm And Phil, that missing bit is
But jet black girl 'll be with you when they all put you down. Chris
Tags: Bo Carter Michael Taft
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