Hi all,
"Big Road" Webster Taylor had only two titles released, I believe. On both of them, he accompanies himself out of Vestapol with a bit of slide. He phrased very freely in a way that was all his own, interspersing falsetto at the end of each of his sung lines. For "Sunny Southern Blues", he sings two line stanzas (with one exception), with a relatively plain (for him) falsetto leap at the end of the first line of each verse and a much more florid falsetto passage at the end of the second line of each verse. Both his vocal tone and his tone on the guitar were really beautiful. In a way, he sounds as though he might have been a bit simple, or intoxicated, but he had a beautiful sound. Here is "Sunny Southern Blues":
I wonder who's got my sweetie-ie-ie
I wonder who's got my sweetie-ie, hee-ee-ee
Well, she's got her Alabama jelly-ee
Well, she's got her Alabama jelly-ee, hee-ee-ee
Now, gonna buy me a pistoo-ool
And, gonna buy me a pistoo-ool, whee-oo-oo
Ah, just as long as i am tall, whoo-oo
Hey, just as long as I am tall, oo-oo, whoo-oo-oo
And, don't get the woman I love, oo-oo-oo
If I don't get the woman I love, oo-oo, whoo-oo-oo-oo
Then I don't want no woman at all, oo-oo, whoo, oo-oo-oo
Then, I'm gonna write her a lett-oo-oo
I'm gonna write her a lett-oo-oo, whoo-oo-oo-oo
Then, gonna mail it in the air, oo-oo
Then, gonna mail it in the air, oo-oo, wheeoo-oo-oo-oo
When this North wind blow-oo-oos
Sayin' when this North wind blow, oo-oo, wheeoo-oo-oo-oo
Then, it's gonna blow this news everywhere, oo-oo
Oh, it's gonna blow this news everywhere, hoo, heeoo-oo-oo
I'm goin' to Lou'sianoo-oo
I"m goin' to Lou'siana-oo, whoo-oo-oo-oo
I'm goin' to get me a new girl, hee-ee
I"m goin' to get me a new girl, hee-ee, hee-hee-oo-ee
I'm gonna call her Suzy Annoo-oo-oo
I"m gonna call her Suzy Annoo-oo, hee-ooo-ooo-eee
All best,
Johnm
"Big Road" Webster Taylor had only two titles released, I believe. On both of them, he accompanies himself out of Vestapol with a bit of slide. He phrased very freely in a way that was all his own, interspersing falsetto at the end of each of his sung lines. For "Sunny Southern Blues", he sings two line stanzas (with one exception), with a relatively plain (for him) falsetto leap at the end of the first line of each verse and a much more florid falsetto passage at the end of the second line of each verse. Both his vocal tone and his tone on the guitar were really beautiful. In a way, he sounds as though he might have been a bit simple, or intoxicated, but he had a beautiful sound. Here is "Sunny Southern Blues":
I wonder who's got my sweetie-ie-ie
I wonder who's got my sweetie-ie, hee-ee-ee
Well, she's got her Alabama jelly-ee
Well, she's got her Alabama jelly-ee, hee-ee-ee
Now, gonna buy me a pistoo-ool
And, gonna buy me a pistoo-ool, whee-oo-oo
Ah, just as long as i am tall, whoo-oo
Hey, just as long as I am tall, oo-oo, whoo-oo-oo
And, don't get the woman I love, oo-oo-oo
If I don't get the woman I love, oo-oo, whoo-oo-oo-oo
Then I don't want no woman at all, oo-oo, whoo, oo-oo-oo
Then, I'm gonna write her a lett-oo-oo
I'm gonna write her a lett-oo-oo, whoo-oo-oo-oo
Then, gonna mail it in the air, oo-oo
Then, gonna mail it in the air, oo-oo, wheeoo-oo-oo-oo
When this North wind blow-oo-oos
Sayin' when this North wind blow, oo-oo, wheeoo-oo-oo-oo
Then, it's gonna blow this news everywhere, oo-oo
Oh, it's gonna blow this news everywhere, hoo, heeoo-oo-oo
I'm goin' to Lou'sianoo-oo
I"m goin' to Lou'siana-oo, whoo-oo-oo-oo
I'm goin' to get me a new girl, hee-ee
I"m goin' to get me a new girl, hee-ee, hee-hee-oo-ee
I'm gonna call her Suzy Annoo-oo-oo
I"m gonna call her Suzy Annoo-oo, hee-ooo-ooo-eee
All best,
Johnm