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Singing is where the rubber really hits the road. How invested are you? What do you have to bring to the song? How much are you capable of letting yourself feel? How much of that are you willing to show? Are you willing to step out of your set identity to engage a song? Unless singing is embarrassing, it ain't no damn good at all - Mr. O'Muck

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Author Topic: How to treat a National guitar  (Read 1320 times)

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Offline Parlor Picker

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How to treat a National guitar
« on: October 13, 2011, 02:03:10 AM »
This one's for Marshcat and all those National fans out there.


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"I ain't good looking, teeth don't shine like pearls,
So glad good looks don't take you through this world."
Barbecue Bob

Offline Richard

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    • weekendblues
Re: How to treat a National guitar
« Reply #1 on: October 14, 2011, 12:17:31 PM »
I think it looks like a properly engineered device and the guitar is not in that grave a danger, I wonder if he makes similar things to play ukes..
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(That's enough of that. Ed)

Offline Richard

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    • weekendblues
Re: How to treat a National guitar
« Reply #2 on: October 15, 2011, 12:16:02 PM »
Bath eh? I'll be going back there in eighteen months maybe we can have jam!
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Offline jed

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Re: How to treat a National guitar
« Reply #3 on: October 15, 2011, 03:46:26 PM »
Wondering whether something similar could be fashioned for harmonica...
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ok then:  http://jed.net

Offline banjochris

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Re: How to treat a National guitar
« Reply #4 on: October 15, 2011, 06:05:50 PM »
I mentioned to a friend that on this video (there are two more tracks on YouTube-- "Billy in the Low Ground" and "Ragtime Annie"), the quality of the guitar strumming plus the rhythmic clicks make him sound like a one-man Hoyt Ming and His Pep Steppers.
Chris
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