Yeah, [Willie Brown] could make up verses pretty good. Yeah, 'cause he'd start on one thing he'd let near about every word be pertaining to what he pronounced what he was going to play about. That's the difference in him and Charley [Patton]... Charley, he could start singing of the shoe there and wind up singing about that banana - Son House, interview with Stefan Grossman
Trying my best here on Yellow Woman Blues...recorded right after Working On The Railroad. Several parts I cannot make out though....help much appreciated!
Yellow Woman Blues
Ah, yellow woman, you have poison like a rattlesnake, [they?] I?m talkin? ?bout a yellow woman, boy, they?ve poison like a rattlesnake, [goin?? you?] And when they get started, boys, there?s no quizzlin? and no playin?. [? on the plate?]
Spoken: Ah, listen here, boys! [I wanna see you, boys! ?] Some people crave for trouble, ain?t now satisfied with these, [and now?] Some people crave this trouble, ain?t now satisfied with these, [and now?] Spoken: I know that?s right! Just listen to a high yellow and trouble won?t never cease. (kick in...trouble [y?]won?t never see)
Spoken: Listen here, boys! Trouble and worries have killed more people than an?thin? else, Spoken: I know that?s right! I?m talking ?bout trouble and worries, partner, will kill more people than anything else, [?] Spoken: How come I know? ?Cause they killed my mom. And if they kill all to you, don?t blame nobody else but yourself. [kill the whole? keyhole to you?]
Now listen here!
Boys, If you hear the song again and don?t take my advice, Spoken: How come my Anne don?t take my advice! You better take my advice, too! If you hear this song, boys, and don?t take my advice, Spoken: What I want to do? How come? ?Cause it might cause you, partner, to lose your life.
« Last Edit: September 03, 2013, 07:35:30 AM by Blind Arthur »
Logged
You canīt trust your baby when the ice man comes hanging around
I think it's probably "High yellow evil, brown evil too"
Probably so, Chris. It would be unusual for the n-word to be in this song, though not so rare. And thanks, John. Hobble skirt! who would've guessed? There's another riddle to "Snatch it and Grab it". I was hearing a word that sounded like "dude" in the line,
"Cause now you know gal that I'm your pal, A hands-off kind of a " "
Well, I was listening to Walter Vinson today, and I heard the same distinct word in, "Every Dog Must Have His Day",
"It used to give me misery, boy, that was a "dolt/dolch"?
This must be one of those words that phased out of usage quite some time ago. Any ideas on what it is would be appreciated.
My best guess meanwhile is that it seems to be some kind of slang word from "dolch", german for "dagger". Some of the words we cuss with today like, "dolt/dork/dick" all come from the same family.
« Last Edit: September 06, 2013, 04:10:00 AM by cru423 »
Hi cru423, I'm hearing a number of things pretty differently in "Snatch It and Grab It". I'll quote what you posted, and put what I'm hearing in bent brackets: I bought my gal a hobble skirt Boy she dressed up like a blitheful bud Now everytime me and her starts out Boy she would slide down in the mud I said look here black gal now don't go too far [I said, "Look-a here, black gal, now don't you get smart"] She better start walking around and drift away Cause there ain't but the one thing I'm gonna do: I'm gonna keep my hobble skirt!
I'm gonna snatch it, grab it, anyway I can get it I'm gonna carry it back unto it's home [I'm gonna carry it back, uh, to that store] Cause now you know, gal, that I'm your pal A hands-off kind of a "dolt" [I ain't some kind of a joke]
Now all you women dressing up and looking neat Now you ain't got a pair of shoes on your feet [Now, you ain't got a pair of shoes at your feet] I'm gonna snatch it, grab it, anyway I can get it I'm gonna carry it back to it's home [I'm gonna carry it back-a to the store, I mean] I'm gonna take it back to it's home [I'm gonna take it back to the store]
I think in the later refrains of the song, he enunciates "back to that store" more cleanly than he does in the first refrain.
All best, Johnm
« Last Edit: September 06, 2013, 01:25:39 PM by Johnm »
Trying my best here on Yellow Woman Blues...recorded right after Working On The Railroad. Several parts I cannot make out though....help much appreciated!
Yellow Woman Blues
Ah, yellow woman, you have poison like a rattlesnake, [they?] I?m talkin? ?bout a yellow woman, boy, they?ve poison like a rattlesnake, [goin?? you?] And when they get started, boys, there?s no quizzlin? and no playin?. [? on the plate?]
Spoken: Ah, listen here, boys! [I wanna see you, boys! ?] Some people crave for trouble, ain?t now satisfied with these, [and now?] Some people crave this trouble, ain?t now satisfied with these, [and now?] Spoken: I know that?s right! Just listen to a high yellow and trouble won?t never cease. (kick in...trouble [y?]won?t never see)
Spoken: Listen here, boys! Trouble and worries have killed more people than an?thin? else, Spoken: I know that?s right! I?m talking ?bout trouble and worries, partner, will kill more people than anything else, [?] Spoken: How come I know? ?Cause they killed my mom. And if they kill all to you, don?t blame nobody else but yourself. [kill the whole? keyhole to you?]
Now listen here!
Boys, If you hear the song again and don?t take my advice, Spoken: How come my Anne don?t take my advice! You better take my advice, too! If you hear this song, boys, and don?t take my advice, Spoken: What I want to do? How come? ?Cause it might cause you, partner, to lose your life.
See what you think of these:
1.1 THEY ALL poison 1.2 THEY ARE poison 1.3 there's no PUTTIN' ON NO BRAKE.
can't make out that next spoken aside 2.1 and 2.2 crave FOR trouble AND NOT satisifed with EASE (I think, hard to hear that last word) 2.3 Just GET YOU a high yellow
3.2 will kill YOU QUICKER than anything else 3.3 And if they GET OVER TO YOU,
4 (first aside) I'M TALKIN' ABOUT AND don't take my advice
I've been listening to Jail House Fire Blues. I think I have most of it pretty solidly, but theres a bit in the last verse which seems to me to be just a noise rather than real words. Any educated guesses?
(spoken) Hey Mr Jailer, Jailhouse burned down.
Mr Jailer don't sleep so sound Mr Jailer I said don't sleep so sound Jailhouse on fire and its all burning down
You got that woman I love in that jailhouse now I said the woman I love, in the jailhouse now please mr jailer got get her outta there somehow
Ooo my woman's in trouble now I said ooo mama my broads in trouble now I said well one of these cold mornings, Gonna get her out of jail
When I get my little { } Up country bound I said when I get my { } I'm going up the country bound Mr Jailer I hope the jailhouse burns down
When I get my little FAIR BROWNIE NOW, up the country bound I said when I get my FAIR BROWN, BUDDY BOY, I'm going up the country bound AND THEN Mr Jailer {AH/I} I hope the jailhouse burns down
« Last Edit: October 14, 2013, 04:42:34 PM by dj »
Hi all, Buddy Boy Hawkins' "Shaggy Dog Blues" was the first transcription in this thread, but there were a number of unincorporated suggestions and so much water has been passed since then (in the words of Sam Goldwyn) that I thought I'd just start over on it. I'd very much appreciate help with the last word of the first line of the third verse, which I believe Buddy Boy Hawkins may have mis-spoke, saying "stall" when he meant to say "dog", as he does in the second line. Here is the song, and did Buddy Boy Hawkins ever have a beautiful sound on the guitar in Spanish tuning! He and Peg Leg Howell always sounded so great.
INTRO
Going up on the mountain, I'm gonna root just like a hog I say, I'm going up on the mountain, trying' to root like a hog Because the women around here, they treat a good man like a dog
Hey, dicky-dicky-dee, dee-dee-dee-dah-dah-dah-dah-dee-dee-dah-dee-dah I say, hey, dee-dee-dee, dee-dee-dee, dee-dee-dee, dah-dee-dah I say, hey, dee-dee-dee-dee-dee-dee-dee
I say, I'd rather be shaggy, mama, like a dog I say, I'd rather be shaggy, mama, just like a dog Then to hear my little jet black woman say, Buddy Boy, she don't need me no more
When you see two old jet black women, standin' off, talkin' so long When you see two old women, standin' off, talkin' so long (Spoken: How come I say that?) Bet your life there's something goin' on wrong
My Mama told me, my Papa told me, too I say, my Mama told me, my Daddy told me, too (Spoken: What she told me?) "Son, these women 'round here, just simply won't do."
Edited 4/30 to pick up correction from Prof Scratchy
All best, Johnm
« Last Edit: April 30, 2018, 08:10:39 AM by Johnm »