Gulf Coast Bay - Walter Vincson Actual pitch: F Main guitar position: F Fiddle position: n/a Mandolin position: n/a Second guitar position: n/a
Lyrics: My little girl she left me, gone out on the Gulf Coast Bay, hey, hey mama My little girl she have left me, gone out on the Gulf Coast Bay Oh, but that's alright mama, I like you just straight the old way
Can you remember when we were children and used to play? Hey, hey mama Can you remember when we were children and used to play? Oh, but that's alright mama, I like you just straight the old way
I'm sorry I met you, hate I known your name today, hey, hey mama Sorry I met you, hate I known your name today Oh, but that's alright mama, I like you just straight the old way
Think I'll make my home way out on the Gulf Coast Bay, hey, hey mama Think I'll make my home way out on the Gulf Coast Bay Oh, but that's alright mama, I like you just straight the old way
Have you ever been playing, boy and wanted to stay, hey, hey mama Have you ever been playing, boy and wanted to stay Oh, but that's alright mama, I like you just straight the old way
« Last Edit: July 15, 2020, 06:20:44 PM by Johnm »
Rosa Lee Blues - Walter Vincson Actual pitch: G (f) Main guitar position: G Fiddle position: n/a Mandolin position: n/a Second guitar position: n/a
Lyrics: I heard you was a roller and I come to chock your wheels I heard you was a roller, come to chock your wheels No, a roller never knowed just how a kid man feels
I got something to tell you make the hair rise on your head I got something to tell you make the hair rise on your head Now this mellow meat I got'll make the springs cry on your bed
Rosa Lee, Rosa Lee, now, baby please don't stall Rosa Lee, Rosa Lee, baby please don't stall I'm playing policy in your name and I hope them numbers fall
spoken: Sure did, man, sure did
The numbers in your name is seven, fourteen, forty-three Oh, the numbers in your name is seven, fourteen, forty-three I'm goin' tell all rounders to please let these numbers be
Can't Get A Word In Edgeways - Walter Vincson Actual pitch: G (f) Main guitar position: G Fiddle position: n/a Mandolin position: n/a Second guitar position: n/a
Lyrics: She won't talk for crying, you know that's driving me blind Her love is so strong it's taken both of my [wrong] You know your loving ways, causes me around here today Her mouth is so full of kisses, I can't get a word in edgeways
She got a look in her eyes that makes me feel surprised She ain't been the best, but [it] reminds me of Mae West You know your loving ways, causes me around here today Her mouth is so full of kisses, I can't get a word in edgeways
She got a feelings in her hands that appeal to most any man Smile on her face will make a mule break his trace You know your loving ways, causes me around here today Her mouth is so full of kisses, I can't get a word in edgeways
Her hair is very well curly, eyes is all but blue The good part about it, she wears a number four shoe You know your loving ways, causes me around here today Her mouth is so full of kisses, I can't get a word in edgeways
At times she lies, her face up to the side of mine Pats me on the shoulder and says "Daddy, please take your time." You know your loving ways, causes me around here today Her mouth is so full of kisses, I can't get a word in edgeways
« Last Edit: July 15, 2020, 06:21:30 PM by Johnm »
Hi all, I have another personnel question re Walter Vinson's recordings, in this case, "Every Dog Must Have His Day", which he recorded as Leroy Carter. I was wondering if there is information as to the identity of the harmonica player on the track--he sounds like Robert Lee McCoy to me. Thanks for any information on this. You can listen to the track towards the end of the first page of this thread. I was quite surprised to hear Walter Vinson playing with a harmonica player, but he and the harp player both sound great and it's a strong track. Give it a listen, if you wish. All best, Johnm
Hi all, I just re-listened and noticed there is also bass on "Every Dog Must Have His Day" and "You Know What You Promised Me", along with Walter Vinson and Robert Lee McCoy. Does anyone know the identity of the bass player? Thanks for any information. All best, Johnm
In that year, 1941, Elkins played behind Jazz Gillum (w/ Broonzy and Washboard Sam), Robert Petway, Willie "61" Blackwell, Big Joe (McCoy) and his Rhythm (Charley and Robert Lee McCoy), Gillum again, Robert Lockwood, Walter Vincson, Washboard Sam, Doctor Clayton, St Louis Jimmy, Roosevelt Sykes, Peter Chatman, Gillum again, Sonny Boy Williamson, Yank Rachel, Joe Williams, Memphis Minnie w/ Little Son Joe (and then vice versa), and then finished the year behind Big Maceo w/ Tampa Red. All for Bluebird except the Memphis Minnie/ Little Son Joe for OK. Whew!
Wax
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"People who say it cannot be done should not interrupt those who are doing it." George Bernard Shaw
“Just because you're paranoid doesn't mean they aren't after you.” Joseph Heller, Catch-22
Thanks for the information, Jeff, and also thanks, Wax, for your research a few years back on bass and imitation bass players. I will make the attributions to Alfred Elkins on the Walter Vinson tunes in Weeniepedia. All best, Johnm
« Last Edit: August 17, 2020, 10:01:38 AM by Johnm »