I have recently been watching the Ken Burns 10-part story of Jazz. I found it exceptionally well done. He features a lot of Louis Armstrong in the earlier parts.
That's a good one, eric. I have it on Volume 3 of "The Complete Hot Five And Hot Seven Recordings." I picked it up when the CD set was issued in the early-mid 2000s, IIRC. I did a quick search and the CD is also on YT as a playlist if you're interested. (I haven't checked for the other CDs):
Regarding the Ken Burns Jazz series. "There's been some criticism of it from the Jazz community.." Thanks Eric. I'd be interested in hearing their take on the series. Technically, I think the series is amazing. Content-wise, I stand to be educated I suppose.
Ornette Coleman once said, "The human being receives the pleasure from music, not from the argument over what it is."
But how we love to argue and criticize.
*In my personal experience*--yours may be different--most of the criticisms I've heard about "Jazz" or about any of the other Ken Burns documentaries have been aimed at specific lines in the script, calling them something equivalent to "inane."
OK, good luck producing a 20-hour mini-series about something as big as Jazz, or Baseball, or the Vietnam War without a few of those.
I respect the Jazz series for placing the development of this great art form in the context of race relations in America. We therefore get access to two history lessons, one about the music, and one about 20th century American society.
I encourage anyone who's interested to find a copy of the companion book to the series, written by Geoffrey Ward. It fills in some of the gaps that the film didn't cover. Stands up as a strong history of the music on its own.