Had all that cork on our face... made us look even blacker... shit, painted our mouths white... made 'em look big... I had to have a shot of liquor before the show. If I didn't it seemed like I couldn't be funny in front of all them people. When I had one it seemed like them people was one and I would throw up the banjo in the air and really put on a show. - Gus Cannon, on performing with Dr. Stokey's Medicine Show in Clarksdale, Mississippi
If it helps, here are a couple of video recordings of my Fraulini Erma, which has white oak back and sides. Not great recordings but you get the idea. Of course, most of the tone is in the bracing and top imo, the back and sides being a lesser factor.
« Last Edit: October 15, 2014, 12:27:04 AM by Norfolk Slim »
There is nothing wrong with oak as back and sides for a guitar.It is not widely used,because it's not fashionable.I was at a seminar held by a luthier,big name,you will all know,who laughed when asked about oak,It was beneath him to use it. I wanted to ask him if he'd heard of the Larson brothers,but showed unusual restraint and bit my tongue.Lot's of grain filling,but you can black or sunburst ,if you don't like the light colour.Would think it could be great for a slide guitar or the loudest 12 string ever.
One of my favorite tone woods. I've own 3 very different oak guitars, all stellar. Todd does great things with oak! (and great things in general). I love the look as well. Can't go wrong in my opinion. The Bentrup's simply look great!...but I've never played or heard one. Gary
Love Oak! What a beautiful PLENTIFUL wood! It has a unique sound kind of a cross between Maple and Rosewood to my ears. Here's me playing Frank's Oak Fraulini Angelina. Notice the last Bell like note with the multitude of hanging overtones at the end.