Negroes all be in there gamblin', you know and they shoot a Negro down... And some of them short guys be standin' around the crap table, the crap table is high, he can't get up there... Pull that dead man up there and stand on him and still keep shootin' dice - Big Bill Broonzy, Blues In the Mississippi Night
Big Bill Broonzy – Vocals, Guitar Black Bob – Piano
July 3, 1935 Chicago, Illinois
Piano in C
Now some of these mornings it won’t be long You gon’ and look for me baby Lord and I’ll be gone Because I’m gon’ leave here in the morning I’m going way out west Lord I’m going up in the mountain where the eagle builds his nest
Lord my home ain’t here and I ain’t gon’ stay My woman done got so that she treats me any old way You know I’m gon’ leave here in the morning I’m going way out west Up in the mountain where the eagle builds his nest
Now listen here woman let me tell you a thing or two You gon’ find you another man cause I’m through with you Because I’m gon’ leave here in the morning I’m going way out west Lord I’m going up in the mountain where the eagle builds his nest
Now let me tell you woman what you must do You go find you someone else ‘cause I’m through with you Because I’m gon’ leave here in the morning I’m going way out west Lord I’m going up in the mountain where the eagle builds his nest
Lord if I could holler like a mountain jack When I get up in the mountains I would call my baby back Because I’m gon’ leave here in the morning I’m going way out west Lord I’m going up in the mountain where the eagle builds his nest
Big Bill Broonzy – Vocals, Guitar Black Bob – Piano Bill Settles - Bass
February 12, 1936 Chicago, Illinois
Piano in F
Standin’ here wonderin’ will a match box hold my clothes Lord mama don’t you know your daddy cryin’ baby Standin’ here wonderin’ will a match box hold my clothes When I leave this town I don’t need no suitcase I know
Hey pretty mama tell me what’s the matter now Lord mama don’t you know your daddy cryin’ baby Hey pretty mama tell me what’s the matter now Cause’ you tryin’ quit your daddy but good gal you don’t know how
I’m gonna cross Red River I’m sure gonna leave this town Lord mama don’t you know your daddy worry I’m gon’ cross Red River I’m sure gonna leave this town Because the gal that I’m lovin’ she done tore my featherbed down
There's a bull dog in the alley jumpin’ up against the chain Lord mama ain’t that a cryin’ shame baby Bull dog in the alley jumpin’ up against the chain And I have got a brownskin woman that’s doin’ me just the same
If my train don’t run baby I’ve got a doggone mule to ride Lord mama goodbye fare-thee-well baby My train don’t run I’ve got a doggone mule to ride Lord I don’t have to catch him cause he’s already tied
« Last Edit: February 05, 2021, 09:58:29 AM by Harry »
Hi Harry, I've got a couple of suggestions for "Matchbox Blues": 3.1, 3.2, Red River should be capitalized since it is the proper name of a river 3.3 BECAUSE THE gal that I'm lovin' . . . 4.1 THERE'S A bulldog in the alley 4.3 . . . 'cause he's already TIED All best, Johnm
Big Bill Broonzy – Vocals, Guitar Black Bob – Piano Bill Settles - Bass
May 27, 1936 Chicago, Illinois
Piano in G
Everybody working in this town and it's worryin’ me night and day Everybody working in this town and it's worryin’ me night and day That’s that mean housewrecking crew hey that work for the W.P.A.
The landlord come this morning he knocked upon my door Asked me was I going to pay my rent no more He said you'll have to move if you can't pay Then he turned and he walked slowly away Then I know I have to try to find me some place to stay Cause they gon’ tear my house down hey that crew from the W.P.A.
So I went to the relief station I didn't have a cent They say stay on where you stayin’ you don't have to pay no rent Then when I got back home they was tacking a sign on my door Say this old house is condemned and you can't live here no more Then a notion struck me I’d better be on my way Cause they gon’ tear my house down hey that crew from the W.P.A.
Well I started out the next morning I put a lock on my door So I wouldn’t move but I haven’t got no place to go The real estate people they done got so They don't rent to no relief clients no more And I know then I could walk the streets night and day Cause they gon’ tear my house down hey that crew from the W.P.A.
A notion struck me to stay on a day or two But I soon found out that that wouldn't do Early the next morning I was laying in my bed I heard a mighty rumbling and bricks come tumblin’ on my head I start ducking and dodging tryin’ to get out of the way Cause they tearing my house down hey that crew from that W.P.A.
« Last Edit: February 05, 2021, 05:54:28 AM by Harry »
Thanks Jean, it really sounds like he's singing "with" the first time. But he got the lyrics from Jefferson I bet who sang "will" and "would" on different takes of the song. I'll make that change.
Thanks for posting that song, Harry. It's pretty cool the way that Broonzy starts his verses on a III7 chord, goes to a sort of ambiguous VI minor chord which morphs into a IV7 chord and then straightens out on the back end of the form. In a short form like this, he ends up going pretty far very fast, in the chordal sense. For his solos, he switches to the progression of "Keep Your Hands Off Her". Considering how prolifically Broonzy recorded we have relatively few of his song lyrics transcribed, so it's always nice to get a new one. All best, Johnm
Anyone knows the name of the town in 4th and 5th verse?
Big Bill Broonzy – Vocals, Guitar Black Bob – Piano
February 26, 1935 Chicago, Illinois
Piano in Bb Guitar in standard tuning
INTRO
When I got up this mornin’, I hear the old southern whistle blow When I got up this mornin’, I hear the old southern whistle blow Says, I was thinkin’ ‘bout my baby, Lord, I sure did wanna go
I was standin’, lookin’ and listenin’, watchin’ the Southern cross the Dog I was standin’, lookin’ and listenin’, watchin’ the Southern cross the Dog If my baby didn’t catch that Southern, she must have caught that Yellow Dog
Down at the station, looked up on the board, waitin’ for the conductor just to say, “All aboard” Down at the station, Lord, I looked up on the board I don’t know my baby left from here, oh, but I was told
GUITAR SOLO
I’m goin’ to Moorhead, get me job on the Southern line Said, I’m goin’ to Moorhead, get me job on the Southern line So that I can make some money, just to send for that brown of mine
The Southern cross the Dog in Moorhead, mama, Lord, and she keeps on through The Southern cross the Dog in Moorhead, mama, Lord, and she keeps on through I say my baby’s gone to Georgia, I b'lieve I’ll go to Georgia too
« Last Edit: January 01, 2022, 10:24:36 AM by Blues Vintage »
Hi all, Big Bill Broonzy recorded "Long Tall Mama" at a session in New York City on March 30, 1932, accompanying himself out of C position in standard tuning. I was a little surprised the other day to discover that we've never transcribed the lyrics to this song, for it is one of the greatest performances ever in C by a Country Blues guitarist, I think. Broonzy accords about equal space throughout the course of his rendition to sung verses and solos, and his rhythmic sense is so deep, solid and secure that when taken in conjunction with his abundance of ideas and ability to execute them perfectly the result is a pure pleasure. Here is "Long Tall Mama":
INTRO SOLO
Got a long tall mama, she stands about seven feet, nine Got a long tall mama, she stands about seven feet, nine And when she get to lovin', holler, "Papa, won't you take your time?"
Oh, when she start to lovin', she sure can do her stuff Oh, when she start to lovin', Lord, she sure can do her stuff And she squeeze me so tight, holler, "Mama, Lordy, that's enough!"
SOLO
Got a brand new move is, Lord, it's one that she calls her own Got a brand new movement, one that she calls her own And when she start to kissin', make a poor man leave his home
SOLO
And she do a little this, and mama, and she do a little that Son, she do little this, mama, Lord, and she do a little that And when she put on full steam make a freight train jump a track
SOLO
Says she's long and tall and handsome, sweet as she can be Son, she's long and tall, mama, handsome, sweet as she can be To satisfy that woman takes more than a bumble bee