Mance's recording of "Willie Poor Boy" was first released on his old album, "Texas Sharecropper and Songster, Volume 2", on Arhoolie. Mance played the song out of Spanish tuning and it is one of very few non-slide tunes in Spanish recorded by Texas players. A number of my friends have commented on its similarity to Leadbelly's "Poor Howard", and like "Poor Howard", the way the left hand works in the front end of the performance is very much akin to Bluegrass banjo. Toward the tale end of the song, Mance goes into a very syncopated lyric break, starting with "Whoa, mule" that is a marked contrast with the smoothly flowing front end of the song.
Willie, Willie, Willie poor boy Do let my Saviour be
Yes, I love my baby, God knows I do I'll love her 'til the sea goes dry If I thought she didn't love me I'd take morphine and I'd die
Oh me, oh my Do Lord, remember me
Went down to the old New Ground Get me a load o' corn Well, the racoon sicced them dog on me That possum blowed his horn
SOLO
Do Lord, remember me
I went down to New Orleans Didn't go there to stay I fell in love with a brownskin girl Stayed there half of my day
Ah me, ah my, Willie poor boy Do let my Saviour be
Would not marry a knotty-headed girl Tell you the reason why 'Cause every time she combed her head The nap begin to fly
SOLO
Now if I had a Northern wife I'll tell you what I'd do I'd take her down to New Orleans I'd trade her off for corn
SOLO
Whoa mule, whoa mule, whoa mule That old mule
Hit that mule, he wouldn't gee 'Cross the head with a single-tree
Whoa mule, whoa mule, whoa mule
All best, Johnm
Edited November 4, 2016 by Lindy:
Banjo Chris taught this song at Port Townsend this summer (great thing about a lot of Mance Lipscomb tunes, it only takes 20 minutes to teach/learn the basic song, then it takes weeks of practice to get at the subtleties and variations). I went looking for lyrics, and I found some that are on a couple of other recordings besides "Texas Sharecropper and Songster, Vol. 2."
The first stanzas are from ?Hear Me Howlin?,? the 50th Anniversary Arhoolie boxed set.
I went down to my true love?s house the other day. I didn?t go there to stay. She treated me so nice and kind. I stayed there half of my day. Aw me, aw my, aw my, Do let my savior be.
Some people tell me that a preacher won?t steal. I caught two down in my cornfield. One had a shovel, the other had a hoe, Digging my corn all up by the road. Aw, aw my, lord do have mercy on me.
Old mule, that old mule, Can?t get the saddle on that old mule. Old mule, old mule, old mule Old mule, that old mule.
------------------
The next two stanzas are from "Texas Songster 2000" (no ?volume? number like the other Mance CDs on Arhoolie):
Well the raccoon up that simmon tree, And the possum down on the ground. Well the possum said to raccoon, ?I want you To shake me some simmons down.? Aw-me, aw-my, do lord remember me.
I went down to my true lover?s house. Hadn?t never been down there before. She fed me out of an old hog trough, I ain?t going back no more. Aw-me, Willie Poor Boy Do let my savior be.
Lindy
« Last Edit: July 17, 2020, 10:55:32 PM by Johnm »
Also, in some live versions of 'Rocks and Gravel', he says 'Goin out west Texas, see my pony run' vice goin out 'west to'. Probably mixed the two up as they came to him on stage on any given night, and it's hardly worth mentioning.
A minor point as I said, as the thought gets across regardless.
Plus, 'out west' from his hometown of Navasota for 600 miles or so is nothing but more Texas anyhow!
Hi, I Found two videos of Mance playing Alcohol Blues (also known as Whiskey Blues):
and
I currently try to figure out the lyrics, which is hard as i am not a native speaker. The lyrics seem to be quite different in these two versions; this is what i hear:
Mance Lipscomb - Alcohol Blues
I?m out on 5th street to buy some alcohol out on 5th street in the morning to buy some alcohol told the man to cut it half full o' water But he didn't put a drop at all
Drunk my alcohol (this morning) and walked on down the street (2*) My eyes got so heavy couldn?t see my feet
She said Daddy Daddy you?re no good at all She said Daddy Daddy you aint no good at all You dont do nothing than drink your alcohol
You don?t love like you say you do You don?t love me baby like you say you do You can?t be my woman, somebody else will do
1.Solo
? can not stand myself ? can not stand myself Every woman i get, she got someone else
Left home this morning played like i was gone Left home this morning and played like i was gone When I slipped back somebody is on my babys arms
I shot that woman and thought that she would die Yes I shot that woman and thought that gal would die Instrumental
Come in this house get your morning exercise Come in this house (woman) get your morning exercise When I get through with you take your farewell ride
That?s alright things going back my way That?s alright things going back my way Got (some) money in my pocket change clothes every day
If anyone has an idea what the lyrics for the missing line are or has any improvement proposals for the lines i heard it would be highly appreciated
all best carsten
« Last Edit: July 17, 2020, 10:56:49 PM by Johnm »
Come all you rounders if you want to hear Story 'bout a brave engineer Casey Jones was the rounder's name On a six eight wheeler where he won his fame
Caller called Casey just a half past four Kissed his wife at the station door He mounted to the cabin with his order in his hand Takin' a farewell trip a to the promised land
(guitar) mounted to the cabin (guitar) Casey Jones (guitar) Takin' a farewell trip a to the promised land
Casey said just before he died Fix all the cars so the bums can't ride If they ride they got to ride the rod Put their hopes in Jesus and their trust in God
(guitar) (guitar) (guitar) (guitar)
Haul in your water shovel in your coal Stick your head out the window watch the drive wheel roll Gon' run this train til they leave the rail 'Cause I'm eight hours late with the western mail
Casey Jones (guitar) Casey Jones (guitar) (guitar) (guitar)
When Casey was going up the Reno Hill He blowed for the crossing with an awful shrill Switchman knowed by the engine's moan Man 's at the throttle must be Casey Jones
(guitar) (guitar) (guitar) (guitar)
Looks at his watch and the watch was slow Looked at the water and the water was low He turned to the fireman and then he said We will (fix broke?) but we'll all be dead
(guitar) Casey Jones (guitar) Casey Jones (guitar) Takin' a farewell trip a to the promised land
When he died he went to Heaven from here Told Saint Peter he's a brave engineer Saint Peter said Casey 'cause you're brave and bold I'm gonna send you down yonder where you can shovel coal
In verse 10, other songs have lyrics like "Boy we're gonna reach Bristol but we'll all be dead" or "We're going to reach Frisco but we'll all be dead." Could be he was going for "Frisco" but muffed the lyric...
Any corrections or suggestions are always appreciated.
Thanks, Scott
« Last Edit: July 17, 2020, 10:57:40 PM by Johnm »
In the 5th and 7th verses, after listening to another live recording on youtube, I'm switching to "lay". Instead of imagining the money he will win is already in his hand. He is contrasting "play", to hold the hand, with "lay", to put down the hand.
5th verse:
I played the jack 'gainst the tre It was only a five to lay
7th verse:
I played the jack 'gainst the five That lay likely (lay length/meld length) make/made me cry
It's "fiver lay" and "lay like to made me cry" -- also in the verse about "pay day" it's "send you to your papa pay day" (which is a pretty common blues lyric.
The game that the song is about is Monte, which is sort of a relative of Faro, but there was a "layout" of cards to bet against: http://en.wikipedia.org/wiki/Monte_Bank
I just found a whole thread on this forum devoted to discovering what game it was. I don't think we'll know. The reason why I thought it was coon-can, was because the high cards like jack of diamonds are hard to finally get rid of as deadwood. And you can't have over ten points in your hand before you lay or throw down your cards (at least in gin rummy). So the meaning in that case would be, "Jack of Diamonds is hard card to finally throw down".
Yet it begs the question, if this player is pulling cards out of the deck in serial order, 1,2,3,...6...why does pulling a 6 leave him in a terrible fix? He's got two melds and a possible third on the way. Earlier in the song, "Only a 5 to lay" could mean that he has two melds already in his hand and he needs to pull one more five to lay/throw down his hand. Then he pulls a 4, and he figures he will more likely make a run out of 4,5,6, so he discards a 5 AND also pulls a 5 out of the deck. That's why the "lay length" makes him cry at this point, because he just ruined what would have been a perfectly good meld for a dubious one. Then he pulls a six and the theory seems to be lost, because he's in a terrible fix with two melds. Although, isn't that what singing blues is about? This isn't a card game, it's poetry, so... To cap off this game, when he gets the third meld, he then discards one of the two fives he has, and only has one five left over.
Like I said, monte could also be the game, as it says in the liner notes of the Arhoolie album. It would then make since to have a "fiver" or a "five-spot" on the lay-out. I'll have to do some more research and listen to more versions before I'm sold.
Papa pay day? Could you list some songs that have this verse in it? I know Mississippi John Hurt sings about Mama payday. What an interesting post! thanks chris!
Yet it begs the question, if this player is pulling cards out of the deck in serial order, 1,2,3,...6...why does pulling a 6 leave him in a terrible fix?
Because the song demanded a word to rhyme with "six".
Don't over-intellectualize this stuff.
Seriously, there's nothing in the song that indicates that the cards were actually played in the order they're sung. The singer could be talking about separate instances in multiple games.
yeah, you're right, as a game it doesn't make sense unless we all agree that there were so many games of faro, played coincidentally, or remembered in sequence. But as a folksong it's a structural masterpiece. That's why I spend so much time with this.
You know, I was just thinking, intelexualizing if you will . One of the biggest problems or shall I say "mysteries" about this way of looking at it is (and it's a popular view since the wikipedia stub on this song mentions that it is about a game of coon can), besides what I've already mentioned:
If (during the same game of coon can) on the deuce he pulls another jack of another suit when it doesn't matter, and on the next turn he pulls a tre and only needed a five to win, that would mean that he has pulled a third jack, between moves two and three, skipping this move over in the verse. He then later substitutes the queen and the king for those two jacks to complete the verse. So why is there such a slight of hand (in the song) at this point? Probably because he is talking about casino/saloon games where cardsharping was notorious. In a song like this "slide of hand" is also most deceptive.
Hey has anyone ever listened to Butterbeans and Susie's "Deal Yourself Another Hand"? I'm convinced that no matter what game they're talking about, it all boils down to this:
The Jack that's three-card Charlie, and he's using me for a goat The Queen that's you sweet mama, also trying to cut my throat The King that's Papa Butterbeans and he's gonna wear the crown So be careful y'all ain't broke when the deal goes down
They're playing a three-handed whist in this song. The fact that the ace was a "starvation" in the Lipscomb song makes me think it's also a reference to whist (spades or hearts) where it is possible to play backwards in a misere contract, so that the party with the most tricks loses instead of wins. The ace would be the least valuable card instead of the highest (in a game like coon can or faro it doesn't matter).