One night an obscure Mississippi country boy showed up... and he impressed Mr. Wright with his politeness and showmanship. "He always had a motion, you know" - Early Wright, WROX Clarkdale DJ on Elvis
Henry Spaulding's Cairo Blues, which also was associated with the late Henry Townsend -- anyone understand the lyrics in the part where I have the () below? Here's what I hear:
Cairo Blues Henry Spaulding
Cairo, Cairo is my baby?s home Cairo, Cairo is my baby?s home Goin? to Cairo, baby and it won?t be long
?Cause I know she take my lovin? arms Knows my babe she will take my lovin? arms Know by that I swear won?t be here long
Oo hoo, oo hoo mmm hmm Oo hoo, oo won?t be here long
Women in Cairo will treat you nice and sweet Women in Cairo will treat you kind and sweet Get your hand and knock you off your feet
Kick you and knife you, beat you and cut you too Kick you and knife you, beat you and cut you too Then they?ll ()
Oo babe, Cairo is my baby?s home Cairo, Cairo is my baby?s home I?m going home, I swear it won?t be long.
« Last Edit: July 09, 2020, 08:08:12 AM by Johnm »
Here's how I hear it, with the occasional aid of the magic slowdown software:
Cairo, Cairo is my baby?s home Cairo, Cairo is my baby?s home Goin? to Cairo, baby and it won?t be long
?Cause I know she take my lovin? home Know my babe she will take my lovin? home Know by that I swear I won?t stay here long
Oo hoo, oo hoo mmm hmm Oo hoo, oo won?t be here long
Women in Cairo will treat you nice and sweet Women in Cairo will treat you kind and sweet Get you right and it take you off they feet
Kick you and knot you, beat you and cut you too Kick you and knot you, beat you and cut you too They have stole your daddy 'fore they through
Oo babe, Cairo hmm babe Cairo, Cairo is my baby?s home I?m going home, I swear it won?t be long.
The part I'm least sure of is "knot you," but there's definitely a "ch" sound in there that would be natural from putting those two words together, and it makes sense in terms of tying someone in knots. Chris
« Last Edit: February 15, 2007, 10:48:00 AM by banjochris »
"Kick you, knock you" would make more sense, but I don't see how the "ch" sound in Spaulding's recording would fit in with that. It's been a while since I've seen the video of Townsend so he may well sing "knock you." I'll listen again and see if I hear "catch you ridin'." chris
I've been messing around in cross-note tuning and therefore been trying out a few Townsend songs and listening intently to the CD "Cairo Blues." He definitely says "knock you" and the "catch you" line to me sounds like "catch you ramblin', take you off your feet."
Logged
Puttin' on my Carrhartts, I gotta work out in the field.
Not to stir the pot, but I've always heard (Spaulding): "notch" you.
Perhaps he MEANT "notch" you...as is cut you, or stab you.
In addition to intriguing lyrics, this song has great chords...anybody figured them out yet? Is this in open-G (which is where I'm fooling around with it right now)?
Hi, Dr. G. I think Spaulding plays "Cairo Blues" in standard tuning, E position. He's capoed somewhere around the fourth fret, if I recall correctly. The accompaniment has a lot of affinities with Lane Hardin's "Hard Time Blues".
I haven't heard the Spaulding version in a while, but I remember hearing it and thinking it was a wonderful example of the St. Louis style guitar and singing. Henry Townsend, another musician who played in this style, also played this tune and his guitar playing was strictly in the cross-note tuning (open E minor or D minor -- the actual pitch can vary, of course -- you could get up to G with a capo). Check out the "Key to the Highway" section for more examples of this tuning.
Logged
Puttin' on my Carrhartts, I gotta work out in the field.
Actually, Slim, Townsend played "Cairo" in E position standard tuning, just as Spaulding did. There's a video of him on one of the Stefan Grossman tapes playing it. Chris
Hi all, Henry Spaulding recorded "Biddle Street Blues" at the same May 9, 1929 session in Chicago at which he recorded "Cairo Blues". While "Biddle Street Blues" may not exactly have the magic that "Cairo Blues" has, it's still a superb piece. Henry Spaulding played it out of E position in standard tuning. He is one of those two-hit wonders like Rube Lacy, Bobby Grant or Lane Hardin. I'd appreciate help with the bent bracketed portion of the tagline in verse one.
Yes, Biddle Street's the thing that's easin' down on me Yes, Biddle Street's the thing that's easin' down on me 'Cause my best baby have quit me and no one to care for me
Now, will youse please be kind, babe, let me speak just one more time Will youse please be kind, babe, let me speak just one more time 'Cause I have somethin' to tell you, baby, will ease your trouble in mind
SPOKEN DURING SOLO: Aw, babe, aw, baby
Now I'm going back to Biddle Street, to worry youse off my mind Now I'm going back to Biddle Street, to worry youse off my mind 'Cause I have another woman on Biddle Street, will treat me nice and kind
Biddle Street, Biddle Street, now, is only twenty-six blocks long Biddle Street, Biddle Street, now, is only twenty-six blocks long And the women on Biddle Street just won't leave me alone
That's why I'm going back to Biddle Street, I swear, and it won't be long That's why I'm going back to Biddle Street, I swear, and it won't be long 'Cause I know my baby's there, she will take my lovin' on
Edited 12/20 to pick up correction from banjochris
All best, Johnm
« Last Edit: July 09, 2020, 08:09:11 AM by Johnm »