Just got this one back from repair, Rick Sellens in St Leonards did a fantatsic job.
Prof Scratchy brought his almost identical one to Euroweenie last year which sounded so good, I thought, 'I've got to get me one of those'. Six months later one turned up on ebay and here it is. Sounds really good, very loud and with a bit more bass than other ladder braced guitars I've played.
Not sure who made it, but my first guess is Regal, due to the body shape. If anyone else has any ideas, let me know.
« Last Edit: May 22, 2008, 02:04:32 AM by natterjack »
Natterjack - Rick Sellens (rick218) is in St. Leonards/Hastings (I'm in Rye).
It seems that whatever guitar (mainly acoustic but occasionally electric as well) Rick gets his hands on, the improvement is breathtaking. He's worked wonders on both new and old models, but he has a particular affinity for the pre-war guitars. I've introduced many players to him and they invariably are amazed at the apparent miracles he achieves.
He's also a great guitar maker, with impeccable workmanship, but like many craftsmen has to do other work to earn a living. This means the guitars often have to go on the back burner while he makes a window for someone or suchlike. He's currently close to finishing a couple of OMs (one in walnut and one in rosewood) with a rosewood 00 following behind. They've been in progress for several years now, but hopefully will be finished soon.
To cap it all, he's a good country blues picker himself as well.
Logged
"I ain't good looking, teeth don't shine like pearls, So glad good looks don't take you through this world." Barbecue Bob
Nice to see the Tonk brought back to life! I think they were fine guitars with loads of volume, lots of presence in the bass (which I like) and lots of volume from that oval soundhole (which puts off the day when I have to invest in digital hearing aids)! Next Euroweenie we'll have to have a Tonk reunion! Yes, I think they were made by Regal - but Cambio might know for sure?
Here's another .. never thought I'd see another one! ..just goes to show.. one of several things that make them unusual is that they are 14-fret slot heads..pretty rare combo..and I think the back and sides are ash..? At first I thought birch, then possibly maple, but I'm sort of thinking ash .. How 'bout yours, natterjack? ..Tom
« Last Edit: May 22, 2008, 07:29:14 PM by onewent »
I think the back and sides are ash..? At first I thought birch, then possibly maple, but I'm sort of thinking ash .. How 'bout yours, natterjack? ..Tom
Mine has a lot of finish on the back and sides, it matches the edges of the sunburst, almost black, so you can't see a lot of wood through it. Looking through the soundhole the back wood looks pretty birchy to me, although I'm not 100% sure.
You wouldn't happen to have any tiniest audio sample of this guitar, would you?
I'm wondering how does this guitar sound, when recorded. Usually the smaller body sized guitars sound better than big guitars, when recorded fingerpicking, I believe.
But, on the other hand, you say that the instrument has more bass response, than the usual ladder braced little guitars.
Also, may I ask what restoration work was needed to get your instruments playable, and how costly it may have been?
I thank you on any information you might be able to share.
Mine just needed a neck reset (as do pretty much all old guitars) and the bridge re-glued. Rick Sellens (a weenie) did a great job for ?140. The guitar only cost $275 on ebay, so definitely the best value for money guitar I own (or am ever likely to).
Mine just needed a neck reset (as do pretty much all old guitars) and the bridge re-glued. Rick Sellens (a weenie) did a great job for ?140. The guitar only cost $275 on ebay, so definitely the best value for money guitar I own (or am ever likely to).
Thanks for the info, Natterjack!
Cheers
Pan
Edit: I agree that the guitar sounds great, and so do you, Prof Scratchy, and Natterjack!
« Last Edit: August 21, 2008, 05:05:46 AM by Pan »