In my defence- I've only heard it once on the juke- and it dropped out a couple of times!
There certainly seems to be some interesting melody picking- and the Smither version shifts the alternating bass about a bit as well... I'll have to sit down and listen very carefully.
« Last Edit: December 13, 2011, 10:20:09 PM by Johnm »
Daniel was born in Denmark, S.C., in 1902, but moved to Pineville, N.C., near Charlotte at 10 years old. Bruce Bastin says that Daniels lived in Charlotte working at menial jobs until he died in 1947 from heart failure. All of his recordings were done in Atlanta, in Feb and Oct 1927 (hence the inclusion on this compilation I guess). Also according to the liner notes, Paul Oliver outlined the roots of 99 Year Blues in the notes to Matchbox LP MSE-219 (don't know what that is by name) and connects it to "Reuben," "The Longest Train," and "900 Miles".
I was just thinking the other day of 99 Year Blues and that I felt the melody was a dead ringer for another tune... it wasn't "Train That Carried the Girl From Town," but something else and it was really nagging at me. Later, it dawned on me that the tune I was hearing in my head was JP Nestor's "Train On The Island." Interestingly, the similarity seems not to have eluded Harry Smith. Those tunes seem much more related to me than 99 Year Blues and any version of Reuben that I've heard.
« Last Edit: December 13, 2011, 10:20:47 PM by Johnm »
Hi all, I am having to get the lyrics to "Ninety-Nine Year Blues, Take 2". I've found it on the JSP "Atlanta Blues" set. It's hard to tell from the front end of this thread if a consensus was ever reached as to the lyrics. Here's what I have for Take 2. If anyone would care to check it, I'd very much appreciate it. It's interesting that on Take 1, Julius Daniel inadvertently starts the song with the opening of the third verse, catches himself and instantly switches to the opening verse. What a tremendous song and performance, both takes, so strong, and great singing! Here is "Ninety-Nine Year Blues, Take 2":
Bring me my pistol, three rounds of ball I'm gonna kill everybody whopped the poor boy along Poor boy along, poor boy along, poor boy along
On a Monday I was arrested, on a Tuesday I was tried And the judge found me guilty and I hung my head and cried Lord, and cried, Lord, and cried, Lord, and cried, Lord, and cried
SOLO
Says, I asked the judge what would be my fine, Says, "A pick and a shovel way down Joe Brown's coal mine." Coal mine, coal mine, coal mine, coal mine, coal mine
SOLO
"Be light on me, judge, I ain't been here before. "Give you ninety-nine years, don't come back here no more." No more, no more, no more, no more, my Lord
SOLO
"Be light on me, judge, ain't been here before." "Give you ninety-nine years, don't come back here no more." No more, no more, no more, my Lord, no more
SOLO
All best, Johnm
« Last Edit: July 03, 2020, 10:00:46 AM by Johnm »
Johnm, After listening to this a number of times, (I have take 2), I think you are pretty close. I'm still not sure wether the start is "I bring my pistol" or "I ----- my pistol" but I'm sure that "I" is the first word. Anyway, here's how I hear it. You'll notice a few changes.
I bring my pistol, three rounds of ball go'in kill everbody, whopped the poor boy along (I'm relatively sure that part is right) poor boy along, poor boy along, poor boy along
On a Monday I was a'rested, on a Tuesday I was tried Judge found me guilty and I hung my head and cried, Lord and cried, Lord and cried, Lord and cried, Lord and cried, Lord and cried
Judge, what'll be my fine Says, "A pick and a shovel way down Joe Brown's coal mine." Coal mine, coal mine, coal mine, coal mine, coal mine
Be light on me judge, ain't been here before Give ya ninety nine years, don't come back here no more No more, no more, no more no more, my Lord
Be light on me judge, I ain't been here before Give ya ninety years, don't come back here no more No more, no more, my Lord
« Last Edit: December 13, 2011, 10:21:57 PM by Johnm »
Hi all, I've particularly enjoyed this performance for a while. It was recorded in Atlanta in February, 1927. For the song, the duo employed the same playing set-up as did the Beale Street Sheiks on many of their records: Daniel plays out of G position in standard tuning, sounding at B flat, and Torrence accompanies out of C position tuned a whole step low. Their duet sound is terrific, and both guitarists vary their playing a lot. Julius Daniel was a wonderful singer, and it's interesting to run into some unfamiliar verses. Here is "My Mama Was A Sailor":
My mama was a sailor, she loved the ocean wide Lord, my mama was a sailor, she loved the ocean wide She ride top and bottom, sometime on the side
Says I'm goin' uptown, want me to bring you back? Says, I'm goin' uptown now, honey, what you want me to bring you back? Says, a box-tail coat and a high priced Stetson hat
Lord, I told Mr. Russell, "Don't you broke my plow." Said, I told Mr. Russell, "Don't you broke my plow." Says, he got bull-headed and broke it off anyhow
SOLO
Standin' on the corner, talkin' with my brown Standin' on the corner, talkin' with my brown Up stepped a policeman, hit both of us down
Honey, now where was you when 30 blows for town? Honey, now where was you when 30 blows for town? Standin' on the corner, teasin' with my brown
Lord, a low-down fireman, dirty engineer Lord, a low-down fireman, dirty engineer Say, they took my brown, left me standing here
All you jealous men try to keep your women tied All you jealous men try to keep your women tied If they flag my train, I sure gonna let them ride
If anybody asks you, who composed the song If anybody asks you, who composed the song Tell 'em Julius Daniels done been here and gone.
Edited 6/19 to pick up correction from Johnm
All best, Johnm
« Last Edit: July 03, 2020, 10:02:05 AM by Johnm »
You're right, Phil, "high crown" makes a lot more sense than "high brown" in describing a Stetson hat. I unfortunately left the disc on which I have this song in Seattle when I came back home to Bellingham yesterday, so I can't re-listen for a little bit. I originally had "high bride", which made no sense at all. Anyone else care to give it a listen, too?
Re the melody, I agree it's a beauty. I like everything about this duo's music--their material, the way they sing and play. They strike a balance between looseness and tightness that seems just about perfect to me. All best, Johnm
« Last Edit: December 13, 2011, 10:23:46 PM by Johnm »
Hi all, An .mp3 of the song was kindly sent to me (thanks, Stuart!) and I think I've heard the two words I was missing. I believe it is a high PRICED Stetson hat, and he was TEASIN', not "peepin" with his brown. All best, Johnm
Which album is this on? I used to have Daniel's "sweeter than sugar cane" song on tape, yes, I'm that old! How many sides did Julius Daniel make? Was he ever subjected to the new-fangled process of photography? While the moon am a shiinin', And my heart am a twinin' etc. Sublime. I must find his complete extant recordings. Kindly assist me in this endeavour.
« Last Edit: December 13, 2011, 10:24:34 PM by Johnm »
Hi Andy, I don't know which Document CD Julius Daniel's recordings can be found on, but all of his recordings are available on the JSP "Atlanta Blues" set, which also includes all of Peg Leg Howell's recordings, and a lot of other outstanding stuff. All best, Johnm
« Last Edit: December 13, 2011, 10:24:59 PM by Johnm »
Oh, my memory had played me false - again! I now see from the above info that the song I was thinking of is by Lil McClintock. That was a great cassette until it wore out/went obsolete. I'll get that JSP set soonish, thanks for the tip off.
« Last Edit: December 13, 2011, 10:27:18 PM by Johnm »