William Grant, [born in 1908], was born near Pittsview, Alabama...He was given a harmonica one Christmas, and he says he learned how to play it while sitting on a plow in the fields. 'I played at parties in the countries,' he said. 'I used to pick guitar, but I come to religion and I put the guitar down. I promised the Lord I wouldn't fool with a guitar no more, but I didn't promise Him I wouldn't fool with a harp. I always keep a harp' - George Mitchell, from In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley http://southernspaces.org/2004/blues-lower-chattahoochee-valley
Hi all, "Lonesome Train", recently posted on the Weenie Campbell YouTube channel, comes from the Trix album, "Goin' Back Home". Homesick James (James was his given name, not his surname), played the song in a boogie style in Spanish tuning, derived from John Lee Hooker's playing but with some nice original touches and beautiful control of touch, tone and dynamics. Here is "Lonesome Train":
INTRO SOLO
Yes, and the train left the station makin' two hour lonesome, people Yes, it blowed when it blowed like it wasn't gonna blow no more
Yes, and I love my babe then I'll tell the world I do I don't b'lieve she love me, I didn't know she loves someone else
Yes, when you catch two women runnin' in hand in hand Yes, if you catch two women, runnin' hand in hand Yes, you know by that, something's goin' on wrong
SOLO (Spoken: Yeah!)
Yes, I'm goin' away, baby, and I, won't be back no more Yes, I'm goin' away, baby, and I, won't be back no more I've got sick and tired of you always doggin' me around
SOLO
CODA
Edited 9/25 to pick up correction from Blues Vintage
All best, Johnm
« Last Edit: September 25, 2023, 03:16:50 PM by Johnm »
Hi all, Another song posted on the Weenie Campbell channel from Homesick James' "Goin' Back Home" Trix CD is "Keep Your Hands To Yourself". Homesick James accompanied himself in G position in standard tuning for the song, and I find what his picking hand was doing on the song to be very mysterious--he keeps a shuffle going in the bass, sometimes hitting open strings, while soloing and playing melodic fills in the treble with the tone of a modern electric blues player, but on an acoustic guitar. I suppose he could be using a flat pick in the bass and getting the treble via hybrid picking, or he could be using a thumbpick in the bass and fingers for the treble, or no picks or a thumbpick and fingerpicks. I sure can't tell! However he was doing it, he sounded great and his tone in the treble and control of his bends was masterful. Despite the uptown sound of his leads, Homesick James is still pretty country-sounding in his phrasing, for he varies phrase lengths as he feels the phrases, not sticking to a "12 bars of 4 beats each" approach. Here is "Keep Your Hands To Yourself":
INTRO SOLO
Oh yeah, please keep your hands to yourself Hey yeah, please keep your hands to yourself May put your hands on somethin', baby, and it may belongs to me
Hey yeah, keep your hand off of my little girl Oh yeah, please keep your hand off of my little girl You may touch somethin' belong to me, and somethin' may bad happen to you
SOLO
Oh yeah, please keep your hands to yourself Oh yes, please keep your hands to yourself You may touch somethin' belong to me, somethin' may happen to you