He would sit all night long feeling bad and just continue singing and playing, improvising one song after another, and tears would stream from his eyes. And he'd get other people crying. Then, sometimes, he would be on another kick, you know . . . love. He'd just love women. Listening to him he'd make you think you were, well . . . this can't be written down, but you know what I mean. That is, you couldn't understand what the hell he was singing, but you didn't have to - Blind Lemon Jefferson, remembered by Josh White
The C version of this tune is one of the first rags I learned and is a lot of fun to play. I was inspired to do this tune for SOTM after John Miller gave a class at PT that explained the progression in C and G. I associate it with Blind Boy Fuller because he had numerous versions, but there are lots of others.
Here's the progression:
I [III7] / VI7 / II7 V7 / I
I [III7] / VI7 / II7 / V7
I / I7 / IV / Idim
I [III7] / VI7 / II7 V7 / I [V7]
II7 V7 / I
and here's Blind Boy Fuller:
Memphis Minnie
Milton Brown
« Last Edit: October 18, 2019, 04:14:32 PM by eric »
Here's the original--or at least from my limited knowledge I consider it "the original" *in terms of lyrics.* There are many other songs with the same progression ... anyone know of a predecessor with the "Truckin'" theme in the lyrics?
And a version of Chesterfield that I really love from John Jackson:
« Last Edit: October 17, 2019, 07:29:25 PM by lindy »