Hi folks,
Hopefully you're all familiar with this wonderful video of Will Shade and Charlie Burse performing together on a television special in 1958:
I'm trying to pick it apart and have a few gaps. I know the Jim Jackson lyrics that they're working from, but I'm trying to figure out exactly what they're saying here. I also can't tell who they're talking about in the intro narration, and who is apparently the subject of the television show. It sounds like Yancey, and I know there was a booking agent by that name in their time, but I didn't think he had a high enough profile to merit a TV show. So, here goes:
Announcer: As Yancey has said, the jazz addict is not likely to find on Beale Street today very much of what the music historian calls the style of the 20's. But there is a kind of music which still continues the feeling of the past. It's as old as Pee Wee's, and as authentic. And you can still hear it played by an occasional wandering minstrel or two, in the guise of a jug band ... with or without a jug. For example, take the work of Charlie Burse1 and Will Shade, two practicing musicians of Beale Street 1958. How about an example, Charlie?
Burse: Oh, yes sir, we've been here a long time, we'd like to give you a little synopsis of what you used to hear when Yancey was here. Would you like to hear one of 'em?
Announcer: Fine.
I went up Main, I turned down Beale
I?s trying to find the little chick that they call Lucille
I?m gonna move to Kansas City (sure as you?re born)
I?m gonna move to Kansas City (where I belong)
I?m gonna move, baby, honey where they don?t allow you (lordy lordy lordy lord, oh boy)
T for Texas, T for Tennesee, ha!
Boll weevil?s got the cotton and the gal?s got me
Looka here: It takes a bubber rall to roll, takes a bubber rall to 2
Takes a teasin? brown to save my soul
If she didn?t like my peaches, why did she shake my tree, ha ha
I wasn?t after that chick, says she was after me
Looka here: Some like high yellow, some like teasin? brown
It takes a teasin? woman to get me down
I didn?t come here by myself
I had somebody to tell me someone else
It takes a rubber ball to bounce it takes a rubber ball to roll
It takes a teasin? brown to satisfy my soul
Yeah, T for Texas T for Tennesee, ha ha
The boll weevil?s got the cotton and the women?s got me
If you don?t like my peaches, why did you shake my tree, ha ha
I wasn?t after that chick, says she was after me
1) For the record, the announcer says "burse" here, but in a Paul Oliver recorded interview with Will Shade, Shade pronounces it "bursey." I'd grant Shade the authority on that.
2) Obviously based on Jim Jackson's lyric "it takes a rocking chair to rock and takes a rubber ball to roll." It sounds like Burse flubbed the first part and then just had fun with the rest of the line.
Some of the other gaps could just be nonsensical errors as well, but I'll appreciate any that you can help me fill in!
Cheers,
-Arlo
Hopefully you're all familiar with this wonderful video of Will Shade and Charlie Burse performing together on a television special in 1958:
I'm trying to pick it apart and have a few gaps. I know the Jim Jackson lyrics that they're working from, but I'm trying to figure out exactly what they're saying here. I also can't tell who they're talking about in the intro narration, and who is apparently the subject of the television show. It sounds like Yancey, and I know there was a booking agent by that name in their time, but I didn't think he had a high enough profile to merit a TV show. So, here goes:
Announcer: As Yancey has said, the jazz addict is not likely to find on Beale Street today very much of what the music historian calls the style of the 20's. But there is a kind of music which still continues the feeling of the past. It's as old as Pee Wee's, and as authentic. And you can still hear it played by an occasional wandering minstrel or two, in the guise of a jug band ... with or without a jug. For example, take the work of Charlie Burse1 and Will Shade, two practicing musicians of Beale Street 1958. How about an example, Charlie?
Burse: Oh, yes sir, we've been here a long time, we'd like to give you a little synopsis of what you used to hear when Yancey was here. Would you like to hear one of 'em?
Announcer: Fine.
I went up Main, I turned down Beale
I?s trying to find the little chick that they call Lucille
I?m gonna move to Kansas City (sure as you?re born)
I?m gonna move to Kansas City (where I belong)
I?m gonna move, baby, honey where they don?t allow you (lordy lordy lordy lord, oh boy)
T for Texas, T for Tennesee, ha!
Boll weevil?s got the cotton and the gal?s got me
Looka here: It takes a bubber rall to roll, takes a bubber rall to 2
Takes a teasin? brown to save my soul
If she didn?t like my peaches, why did she shake my tree, ha ha
I wasn?t after that chick, says she was after me
Looka here: Some like high yellow, some like teasin? brown
It takes a teasin? woman to get me down
I didn?t come here by myself
I had somebody to tell me someone else
It takes a rubber ball to bounce it takes a rubber ball to roll
It takes a teasin? brown to satisfy my soul
Yeah, T for Texas T for Tennesee, ha ha
The boll weevil?s got the cotton and the women?s got me
If you don?t like my peaches, why did you shake my tree, ha ha
I wasn?t after that chick, says she was after me
1) For the record, the announcer says "burse" here, but in a Paul Oliver recorded interview with Will Shade, Shade pronounces it "bursey." I'd grant Shade the authority on that.
2) Obviously based on Jim Jackson's lyric "it takes a rocking chair to rock and takes a rubber ball to roll." It sounds like Burse flubbed the first part and then just had fun with the rest of the line.
Some of the other gaps could just be nonsensical errors as well, but I'll appreciate any that you can help me fill in!
Cheers,
-Arlo