Her full voice filled the entire auditorium without the use of mikes like we use today. That was singing the blues! I was really inspired and kept plugging to become a singer - Victoria Spivey, on seeing Mamie Smith perform at Houston's City Auditorium
Hi all, Joe Taggart recorded "Mother's Love" at a session in Chicago in December of 1928 for which he was joined by Josh White on second guitar and backing vocal. As usual, Joe sounds to be working out of Spanish tuning and Josh out of Vestapol, capoed up a ways. The song has a doubled up refrain, something Joe particularly liked to do, based on how many of his recordings include such refrains. Josh White plays with great freedom in his second guitar part, just spanking it out and playing a lot of strong cross-rhythms. Josh's vocal responses are shown in parentheses. Here is the performance:
So many days and nights so far, Lord, my Mother watched over me But now she's gone to live with Jesus, and I know she'll know me there
REFRAIN: Ah, yes I know (Oh, yes I know) that she will know me Lord, in the mansion beyond the sky Our Mother's love can never forget me And I know (yes, I know) she'll know me there
REFRAIN: Ah, yes I know (Oh, yes I know) that she will know me Lord, in the mansion beyond the sky Our Mother's love (our Mother's love) can never forget me And I know (yes, I know) she'll know me there
Yes, she has gone to live with Jesus, in that land beyond the sky But I expect that she will know me in that land beyond the sky
REFRAIN: Ah, yes I know (Oh, yes I know) that she will know me Lord, in the mansion (oh, in that mansion) beyond the sky Our Mother's love can never forget me And I know (yes, I know) she'll know me there
REFRAIN: Ah, yes I know (Oh, yes I know) that she will know me Lord, in the mansion (oh, in that mansion) beyond the sky Our Mother's love (our Mother's love) can never forget me And I know (yes, I know) she'll know me there
I often think of Mother's prayers that she held, just over me But now she's gone to live with Jesus, and I know she'll know me there
REFRAIN: Ah, yes I know (Oh, yes I know) that she will know me Lord, in the mansion (oh, in that mansion) beyond the sky Our Mother's love can never forget me And I know (yes, I know) she'll know me there
REFRAIN: Ah, yes I know that she will know me Lord, in the mansion beyond the sky Our Mother's love can never forget me And I know (yes, I know) she'll know me there
Hi all, Blind Joe Taggart recorded "I Ain't No Sinner Now" twice, the first time in Grafton, around January of 1931, at a solo session. Working in Spanish as he pretty much always did, he turns in a really nice accompaniment, working primarily in an ostinato, but one that accommodates some chord changes. This song was sung often in both the black and white Gospel traditions. The Carter Family did it as "Cryin' Holy Unto the Lord", I believe. I'd appreciate corroboration or correction of the last verse before the final refrain, in bent brackets. I'm not at all sure I have it right, and I'd love to get it right. Here is Joe Taggart's version:
REFRAIN: Lord, I ain't no sinner now Lord, I ain't no sinner now Lord, I've been introduced to the Father and the Son Oh Lord, I ain't, oh Lord, no sinner now
Just crying holy unto the Lord Just crying holy unto the Lord Please don't let this harvest pass Good Lord, and lose, my Lord, your soul at last
REFRAIN: Lord, I ain't no sinner now Lord, I ain't no sinner now Lord, I've been introduced to the Father and the Son My Lord, I ain't, Lord, Lord, no sinner now
Let's go down to Jordan's stream Let's go down to Jordan's stream Let's go down to Jordan's stream Good Lord, and then, my Lord, be baptized
REFRAIN: Lord, I ain't no sinner now Lord, I ain't no sinner now Lord, I've been introduced to the Father and the Son My Lord, I ain't, Lord, Lord, no sinner now
Can't you hear my Lord's command? Can't you hear my Lord's command? Can't you hear my Lord's command? He said, and then, my Lord, be baptized
REFRAIN: Lord, I ain't no sinner now Lord, I ain't no sinner now Lord, I've been introduced to the Father and the Son My Lord, I ain't, Lord, Lord, no sinner now
Turtle dove done loosed his wings Turtle dove done loosed his wings Turtle dove done loosed his wings And gone on Zion, the elders sing
REFRAIN: Lord, I ain't no sinner now Lord, I ain't no sinner now Lord, I've been introduced to the Father and the Son My Lord, I ain't, Lord, Lord, your sinner now
All best, Johnm
« Last Edit: July 15, 2020, 04:20:17 PM by Johnm »
Hi all, Joe Taggart recorded "When I Stand Before the King" at his last session, and he was joined on the song by a female singer, different than the singer who had joined him on his first session. I don't believe the identity of this singer is known; she sang noticeably sharp of pitch but had tremendous energy and a wonderful, crisp rhythmic sense in the phrasing of her response lines. Joe Taggart accompanied himself out of Spanish tuning, as he did on all of his recordings. I have not transcribed the response lines in the rendition, just Joe's lead singing of the song. Here is the duo's performance of "When I Stand Before the King":
REFRAIN: Oh, when I stand before the King To give an account of many a sin I'll explain in the Judgement morning When I stand before the King
My Mother's gone to live with Jesus No more pain and grief to bear Yes, she said, "Oh son, will you meet me When I stand before the King?"
REFRAIN: Oh, when I stand before the King To give an account of many a sin I'll explain in the Judgement morning When I stand before the King
My baby's got a home in Heaven When from the grave she must rise She must stand there, pure and spotless When I stand before the King
REFRAIN: Oh, when I stand before the King To give an account of many a sin I'll explain in the Judgement morning When I stand before the King
Farewell world of sin and sorrow When on Earth my work is done I'm gonna tell my God about it When I stand before the King
REFRAIN: Oh, when I stand before the King To give an account of many a sin I'll explain in the Judgement morning When I stand before the King
REFRAIN: Oh, when I stand before the King To give an account of many a sin I'll explain in the Judgement morning When I stand before the King
REFRAIN: Oh, when I stand before the King Give an account of many a sin I'll explain in the Judgement morning When I stand before the King
Hi all, Joe Taggart recorded "Take Your Burden To The Lord" at his first session, in Chicago on November 8, 1926. He accompanies himself out of Spanish tuning, as per usual, and as on most of his earlier recordings, he employs an accompaniment ostinato that appears to operate independently of the song's melody or implied chord changes. He was such a wonderful singer--we're so fortunate to have access to his recorded works at our very great remove from the time in which they were recorded. I'd sure appreciate some help with the bent bracketed passages in the second verse. Here is Joe Taggart's rendition of "Take Your Burden To The Lord":
Take your burden to the Lord and leave it there, REFRAIN: Oh, leave it there, oh, leave it there Take your burden to the Lord and leave it there If you trust and never doubt, He will surely bring you out Take your burden to the Lord and leave it there
When your youthful days are done, when old age is stealing on And your soul is almost sinking in despair Just remember, in His words, how He feeds the little birds Take your burden to the Lord, leave it there
REFRAIN: Oh, leave it there, oh, leave it there Take your burden to the Lord, leave it there If you trust and never doubt, He will surely bring you out Take your burden to the Lord, leave it there
When your body is suffering pain, and your health you can't regain Don't forget that God will answer prayer Yes, you trust Him for his grace, you will see his smiling face Take your burden to the Lord, leave it there
REFRAIN: Oh, leave it there, oh, leave it there Take your burden to the Lord, leave it there If you trust and never doubt, He will surely bring you out Take your burden to the Lord, leave it there
REFRAIN: Member, won't you leave it there? Oh leave it there Take your burden to the Lord, leave it there If you trust and never doubt, He will surely bring you out Take your burden to the Lord, leave it there
Edited 4/30 to pick up lyrics from banjochris
All best, Johnm
« Last Edit: July 15, 2020, 04:21:49 PM by Johnm »
I am sure that "strength" is correct, and I think (oh, bad word, bad word) the next phrase is "you will seek His mighty gaze" but....it just doesn't seem right. I mean, it's what I hear, but I'm not sure how much of that is me "interpreting" the vocal and not just hearing it, if that makes sense.
Logged
SSG, USA, Ret
She looked like a horse eating an apple through a wire fence.
Thanks for the help, Ross. It sounds to me like the next to last word in that second blank spot ends in "ly", and is an adverb like "finely" or "finally". As for the last word, I'm just not hearing it at present. If we keep on listening we might get it. All best, John
I would suggest Yes you trust Him for his grace, you will see His smiling face.
There's an alternate take as well with much better sound and he kind of messes up the lyrics a bit. Taggart starts each verse with "When your youthful days are done" and doesn't sing the "body suffering pain" line. He follows that with the little birds, then with the line above in one verse, then with Since you trust Him every day, He will take your sins away.
Chris
« Last Edit: April 30, 2016, 08:51:48 PM by banjochris »
Hi all, Blind Joe Taggart recorded "Pressin' Up That Shiny Way" at a solo session in Grafton, Wisconsin around January of 1931. He accompanied himself out of Spanish tuning as he did on all of his songs, I believe. The song has a pretty simple lyric formula, moving from verse to verse, but is no less expressive or heartfelt for that. Here is the track, with apologies if it is not viewable by non-U.S. Weenies:
INTRO
REFRAIN: Lord, I'm pressing up the Shiny Way Lord, I'm pressing up the Shiny Way Lord, those sinners on my track, tryin' to turn me back Lord, I'm pressing up the Shiny Way
If my brother don't go, I can't tarry long Brother don't go, I can't tarry long If brother don't go, I can't tarry, from pressing up the Shiny Way
REFRAIN: Lord, I'm pressing up the Shiny Way Lord, I'm pressing up the Shiny Way Lord, those sinners on my track, and he's tryin' to turn me back Lord, I'm pressing up the Shiny Way
If members don't go, I can't tarry long If members don't go, I can't tarry long If members don't go, I can't tarry, from pressing up the Shiny Way
REFRAIN: Lord, I'm pressing up the Shiny Way Lord, I'm pressing up the Shiny Way Lord, those sinners on my track, tryin' to turn me back Lord, I'm pressing up the Shiny Way
If them deacons don't go, I can't tarry long Deacons don't go, I can't tarry long If them deacons don't go, I can't tarry, from pressing up the Shiny Way
REFRAIN: Lord, I'm pressing up the Shiny Way Lord, I'm pressing up the Shiny Way Lord, those sinners on my track, tryin' to turn me back Lord, I'm pressing up the Shiny Way
If my loved ones don't go, I can't tarry long Loved ones don't go, I can't tarry long If my loved ones don't go, I can't tarry, from pressing up the Shiny Way
REFRAIN: Lord, I'm pressing up the Shiny Way Lord, I'm pressing up the Shiny Way Lord, those sinners on my track, tryin' to turn me back Lord, I'm pressing up the Shiny Way