Anybody ever hear of lowering the B to a B-flat in Spanish? Tried it on a whim, very interesting!
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Boys it's alright to be poor, but it's so unconvenient nowadays - Dr Clayton, Walking With The Blues
0 Members and 1 Guest are viewing this topic. Anybody ever hear of lowering the B to a B-flat in Spanish? Tried it on a whim, very interesting!
Hi Larry,
I recorded a tune, "Chester County", on my first Blue Goose album that I played out of open G minor tuning, and also backed JoAnn Kelly on a version of Teddy Darby's "Deceiving Blues" that I played out of open G minor tuning, that was never released. I think I was thinking of Henry Townsend's early sound when I came up with "Chester County". I'll attach an .mp3 of it. Minor Spanish is a great tuning which has barely been used/explored. All best, Johnm There's a great banjo version of John Hardy done in that tuning, gDGBbD, that Mike Seeger played on his Folkways Old-Time Country Music solo album. He got it from a Library of Congress recording and I can't remember the original artist. It's surprising with the number of modal banjo songs that there are very few played in a tuning with the lowered third.
Chris John- that is absolutely fantastic. Love it.
These fabled Blue Goose recordings need a re-release so us latecomers can get them! Hi Larry, There's a great banjo version of John Hardy done in that tuning, gDGBbD, that Mike Seeger played on his Folkways Old-Time Country Music solo album. He got it from a Library of Congress recording and I can't remember the original artist. It's surprising with the number of modal banjo songs that there are very few played in a tuning with the lowered third. Bill Cornett's "Old Reuben" is in that minor tuning, I think, although tuned pretty low. Hi Larry, Mission accomplished, John. Wow. I was listening to a Greek guitar piece on the Secret Museum of Mankind, volume 2 this morning and it seemed to me it was in some sort of spanish variant - the second string being either flat or sharp a half step. Well, now I'm going to have to listen to Secret Museum and Banjo Bill Cornett today. Not a bad thing, but you can't just listen to Cornett in the background while you're working.
I liked that Chester County, too, John -- it's got that feel of Townsend's (and Walter Davis too) where it seems like you're gonna go somewhere but then you just come right back to the I chord, which I love. Chris Thanks very much for the good words, Simon and Frank and Chris. I'm glad you like that "Chester County". As Sam Goldwyn said, "There's been a lot of water passed since then." That was when I was young and promising.
All best, Johnm Lastfirstface
Out of curiosity I looked up the liner notes for the Mike Seeger record that Banjochris was referring to (worth noting that you can get a .pdf of the liner notes to any Folkways record off their website) and the recording he based the G-minor version of John Henry on was a performance by J.W. Russell of Marion, VA. Anybody heard his recordings? They don't seem to have been issued outside of the AAFS discs.
I've never heard the original, but someone probably has it on a tape somewhere. PS it's John Hardy, not John Henry if you go to learn it. And despite what Ernest Stoneman said, they're not the same person!
Mike Seeger's version was repackaged on:
http://www.folkways.si.edu/classic-folk-music-from-folkways-recordings/american-folk/music/album/smithsonian Here's the LoC page for J.W. Russell's recording: http://www.loc.gov/item/afc9999005.6851 And the available Online recordings at LoC (7,916 down, only 569,551 to go!): http://www.loc.gov/audio/?q=&st=list&c=150 I'd also like to hear the original. (I did listen to "Crab is a Better Man Than Man"--couldn't resist the title!)
Tags: John Miller
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