Hi all, "It's All Up To You", from 1941, has Big Maceo paired with Tampa Red, and it must be one of their earliest collaborations on record. They already had things worked out perfectly, and Big Maceo's vocal speaks to the grown-ups in the audience--it just deals with real stuff. Here is the track:
INTRO
I'm so disgusted, and broken-hearted, too I'm so disgusted, and broken-hearted, too Though I'm disappointed in your love, baby, that's all right for you
There's no need of you lyin', babe, you know I've been good to you There's no need of you lyin', babe, you know I've been good to you But I'm leavin' you now, babe, go do what you want to do
You know I had a good woman, and she was so kind and true Yes, Lord, she was so kind and true I even let her down, all on the account of you (Spoken: Yes, pick 'em for me, boy!)
SOLO (Spoken: Yes, get off of my back, blues! I'm gonna see my little woman now.)
But she's willing to forgive me, so I leave it all up to you Yea-a-a-ah, to forgive, and I leave it all up to you She told me when I was leavin', that your love wasn' really true
All best, Johnm
« Last Edit: March 25, 2024, 09:55:54 AM by Johnm »
Hi all, Big Maceo and Tampa Red recorded a rocking novelty number, "Can't You Read?", in 1941. Maceo has so much fun with the vocal, messing around with his voice. When you can groove like this, you don't have to do much more, instrumentally. Here is the song:
PIANO INTRO
'Way back in the nineteen hundred and ten, The monkey and the baboon, they came walkin' in The monkey told the baboon, "Let's shoot a game of pool." The monkey could shoot, but the baboon wasn't no fool Next thing came along was a little mule, he say, "You know, I'm so mad, I even can't wear no shoe." Next thing came along, there was Mr. Cat, "We ain't gon' have no such a stuff goin' on here like that." Next thing came, was a little mouse, "Let's all get drunk and break up the doggone house!" REFRAIN: Can't you read? Now, can't you read? If you keep on readin', I'm bound to put you out
Well, the monkey and the elephant, they went out for a little drive. The elephant hit the monkey right square in his eye. The monkey looked up with a tear and a sigh, Said, "Look-a-here, big boy, you oughta get someone your size. One of these days, I'm gonna climb me a tree. Remember, big boy, you got to march right under me. When you march under me, you better march careful and fast. I'll get me a limb and break it 'cross your . . . ." REFRAIN: Now can't you read? Now, can't you read? If you keep on readin', I'm bound to put you out
If anybody just happen to ast you where the wedding gonna be Tell 'em, right down there on Hasting Street Go down there just about the end of the week You can get 'most anything that you care to eat If you don't like s'rimp, just name your dish The will even serve you some of that old 'filte fish REFRAIN: Now can't you read? Now, can't you read? If you keep on readin', mama, I'm bound to put you out
GUITAR/PIANO SOLO (Spoken before solo: Yeah, play it Mr. Maceo!)
Well, fifteen cents, you know, that's their regular price If you got two bits, they will even serve you twice REFRAIN: Can't you read? Now, can't you read? If you keep on readin', I'm bound to put you out
Edited 12/19/18 to pick up correction from Johnm
All best, Johnm
« Last Edit: March 25, 2024, 09:56:54 AM by Johnm »
Hi all, Big Maceo was joined by Tampa Red and a drummer for "Winter Time Blues", from 1945. Red is playing in standard tuning here, on an electric guitar, and starts out the first verse with a Robert Johnsonesque move, taking a I7 chord in the treble down one-half step to get a I dim7 chord. Big Maceo always sang so great, and what a terrific set of lyrics this is. Here is "Winter Time Blues":
INTRO
Hello, baby, how you feel today? I want to talk with you, baby, before I go away Have you got time, baby, to have a little talk with me? Winter time is coming, and I'm worried as a man can be
My overcoat's in pawn, baby, and I haven't got a dime. Winter time is coming, and it's worryin' my mind Ain't it a shame, baby, the way you treatin' me? I'm blue and disgusted, worried as a man can be
Winter time is coming, getting colder every day. Well, I done got tired of being treated this-a-way So tell me, baby, tell me, what have you got to say? You better say it now, baby, and then I will be on my way
GUITAR/PIANO SOLO (Spoken: Play your racket, boy, lay a racket. Yes, I know!)
So long, baby, if that's what you got to say, but someday you'll need me, and I'll be far away Then you'll be worried, worried as a gal can be Then you'll want to tell the whole world, just what you did to me
All best, Johnm
« Last Edit: March 25, 2024, 09:57:51 AM by Johnm »
Hi all, A number of tracks from Big Maceo's last recording session, made in Detroit in 1950, are included on the JSP set, "Detroit Blues". Big Maceo was joined on the session by John Brim on electric guitar, Alonso Tucker on drums, and on some tracks, Grace Brim on harmonica. Big Maceo's vocals sound a little wan here--he does not sound well, and evidently had had a series of strokes prior to the session, but his singing is still wonderfully musical, and soulful. He's not coming from a place of physical power, as on his early recordings, but rather what appears to be a conscious feeling of diminishment that is very affecting. Here are the lyrics to his "Worried Life Blues No.2" from that session, and here is the track:
INTRO
Just tell me, baby, just tell me, baby, what can I do to change your mind? Hey, hey, baby, can I change your mind? I got the freight train blues, and the tracks is out of line
You said you love me, and I believed in you. You're tryin' to quit me, what more can I do? Hey, hey, baby, what more can I do? Some old day you're gonna want me, and I won't care a thing about you
You got a man in the East, a man in the West, I'm just sittin' here wondering who you love the best Hey, hey, baby, what can I do to change your mind? I got the blues for you, baby, you keep me worried all the time
GUITAR SOLO (Spoken: Hit 'em, boys, pick 'em real fast! Ee-yow! Umm-hmm.)
I been lovin' you, baby, I been lovin' you, baby. Just tell me, what more can I do? Hey, hey, what more can I do? Good bye, good bye, baby, I am leaving you
Also on the Worried Life Blues #2 session was James Watkins, who -- according to the Blues Discography 1943-70 (and other sources) -- played the right-hand piano part, as Maceo's strokes had affected his ability to play the piano.
Hi Al, The presence of Watkins was questioned on the disc that I have because it was considered that the treble playing of the piano sounded sufficiently shaky that Big Maceo may have been playing it after all. All best, Johnm
« Last Edit: December 20, 2018, 09:43:02 AM by Johnm »
On the label of the original 78 rpm record on Fortune, both Maceo and James Watkins are listed on piano. There are alternate takes from this session on which Watkins is not listed (and on which one does not hear the treble keys being played). Watkins also played on a few of John Lee Hooker's very earliest combo recordings from the same time.
Hi all, Another song from the same session as "Worried Life Blues, No. 2" is "Big City Blues", with Big Maceo, John Brim on guitar, and possibly James Watkins playing the piano part's right hand. Maceo sings wonderfully as usual, despite sounding unwell. Here is "Big City Blues" (along with an inexplicable picture of John Hurt):
INTRO
When I was in your city, nothing never worrying me When I was in your city, nothing never worrying me Because I had plenty money, and everything a poor man need
When you got money, you can have every woman in town When you got money, you can have every woman in town If you don't have no money, no woman don't want you around
SOLO (Spoken: Hey!)
Since I left your city, now you have throwed me down Since I left your city, now you have throwed me down Look like you would write me, or send me a telegram
Recorded February 26, 1945 in Chicago with Tampa Red (Guitar) and Melvin Draper (Drums).
I’m so worried I’m so blue Sometime I wonder what I’m goin’ to do But you goin’ to be sorry by worry me the way you do
I did all I could to be nice and kind I ain’t goin’ to let you worry my mind But you goin’ to be sorry by treating me the way you do
When I first met you you was so nice and gay Now look at you baby honey how you have changed your way But you goin’ to be sorry by worry me the way you do
I hate to leave you but it’s best to go I ain’t goin’ to let you worry me anymore You goin’ to be sorry by treating me the way you do
« Last Edit: March 25, 2024, 09:59:11 AM by Johnm »
Here’s something baby I would like for you to know The way you have treated me it won’t work no more Cause things have changed I don’t have to worry about you anymore
You told me that you loved me baby I thought it was true You caused me to misuse my home all on the count of you But things have changed I don’t have to worry about you anymore
I know you were lying when you lay down cross my bed Drinking that old I. W. Harper and talking all out your head But things have changed I don’t have to worry about you anymore
I used to stay so worried I used to be so blue But all of my worries was on the count of you But things have changed I don’t have to worry about you anymore
So bye bye baby yes I am through with you But if you don’t stop your lying it may be the death of you But I’m so glad I don’t have to worry about you anymore
« Last Edit: March 25, 2024, 10:00:03 AM by Johnm »
Thanks for posting these transcriptions, Harry. What she was drinking in "Things Have Changed" was I. W. Harper, which is a bourbon, and a candidate for the brand name category. All best, Johnm
Thanks John. I see there already up on weeniepedia. But I'm hearing by instead of 'bout on "I'm So Worried" (third line). On "Maceo's 32-20" 3.3 (a transcription you did) I hear Tampa instead of terrible.
"By" makes no sense in vernacular American English there, Harry. It's not what he would say. You're not going to be sorry "by" anything. Thanks for the catch on "32.20", I'll make the correction.
« Last Edit: January 20, 2020, 09:42:27 PM by Johnm »
I hear "by" on "I'm So Worried" as well, and it's a bit odd, but I think it makes sense in this way: not that she will regret her behavior so much as that she will regret the consequences of it. By treating him badly, it's implied he will make her sorry. Chris