For more years than I like to admit, McTell has been one of my favourite country bluesmen, if not my absolute favourite: a beautiful voice and everything happening on the guitar (slide or fingerpicked). The first Yazoo LP has always been one of my all-time favourite albums. Last night I dug out the LoC LP and, apart from the great music, I find the interviews fascinating. McTell was clearly a very intelligent man.
You simply can't have too much Blind Willie McTell.
« Last Edit: December 23, 2010, 03:38:50 AM by Parlor Picker »
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"I ain't good looking, teeth don't shine like pearls, So glad good looks don't take you through this world." Barbecue Bob
Last night I dug out the LoC LP and, apart from the great music, I find the interviews fascinating. McTell was clearly a very intelligent man.
I've always felt that this was what was responsible for the tangible moments of tension between McTell and Lomax in the interviews. I get the impression that Lomax preferred his singers to be more of the raw, countrified type who were a little more easily led, shall we say. Although McTell was born in the country, he was very well travelled and also had a much more thorough education than most of his contemporaries (including being able to read and write Braille and Braille music). He was very well regarded amongst his associates as a intelligent and independent man who clearly spots Lomax's game very quickly and dodges it with tact but determination.
He just wasn't the kind of Black man that Lomax felt comfortable with. Although he had a fairly progressive attitude for his time and undoubtedly had sympathy with the plight of the prisoners and sharecroppers he recorded, I think deep down he liked the sound of a Black man calling him 'boss' and anything else made him uneasy.
I don't think its fair to say that about Lomax. He was a staunch progressive and his failings as a person seem to lean heavily in the direction of being cheap and neglectful of his obligations towards some people he recorded rather than racist. Your choice, but these distinctions are meaningful.
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My loathings are simple: stupidity, oppression, crime, cruelty, soft music. Vladimir Nabokov (1899 - 1977)
Hi all, I'm a little late to the game, but I would concur with O'Muck, on selecting the Yazoo Vol. 1. Willie McTell is one of the only Country Blues musicians whose singing I like less and less as he grew older. Normally I much prefer the singing of older musicians to their singing as young people. All best, Johnm
Interesting point John and one I hadn't been consciously aware of. But yes the vocal quality on his early sides is really spectacular, haunting, and unique and it doesn't improve with age. There is something about the song choices on that first volume Yazoo (The Early Years) and the way they build a coherent picture that is rare with this music I think. It really works as a start to finish listening experience..an album in the best sense. Maybe even a desert island album.
01. Broke Down Engine 02. Mama, 'Tain't Long Fo' Day 03. Georgia Rag 04. Love Changing Blues 05. Statesboro Blues 06. Stomp Down Rider 07. Savannah Mama 08. Travelin' Blues 09. Drive Away Blues 10. Warm It up to Me 11. Three Women Blues 12. Writing Paper Blues 13. Southern Can Is Mine 14. Talkin' to Myself
Visting the Yazoo site I'm not finding it listed anymore so good luck
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My loathings are simple: stupidity, oppression, crime, cruelty, soft music. Vladimir Nabokov (1899 - 1977)
There is something about the song choices on that first volume Yazoo (The Early Years) and the way they build a coherent picture that is rare with this music I think. .... Visting the Yazoo site I'm not finding it listed anymore so good luck
It was the thirteen unissued McTell sides that got me to be unusually assertive and beard Ahmet Ertegun in his office regarding some blues vault LPs. I succeeded in getting six out, including "Atlanta Twelve String", but none of the next half dozen planned... six is better than none!
The Rockwell LP "Atlanta Strut" is a fine selection. Inevitably there are are omissions, but all in all, it works well as a compilation. The sound quality is great as well. (Mine came from Honest Jon's Records in London - via Santa Claus, of course.)
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"I ain't good looking, teeth don't shine like pearls, So glad good looks don't take you through this world." Barbecue Bob
It was the thirteen unissued McTell sides that got me to be unusually assertive and beard Ahmet Ertegun in his office regarding some blues vault LPs. I succeeded in getting six out, including "Atlanta Twelve String", but none of the next half dozen planned... six is better than none!
pbl
And the six unissued ones were..................?
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My loathings are simple: stupidity, oppression, crime, cruelty, soft music. Vladimir Nabokov (1899 - 1977)
There were only two issued... on a 78 back in '49/'50; "Broke Down Engine"/"Kill it, Kid" if memory serves me right. None of the other sides saw the light of day until I put together the "Blues Originals" series of LPs on Atlantic back in the day. McTell was the lynch-pin to all that work for me.
(1) My vote, an absolute MUST OWN in any McTell collection will be the Pig and Whistle Red with him and Weaver as a SUPER duo.
(2) The Library Congress 1940 archive is priceless and the last sessions for the same reason, all the interviewing is crucial stuff.
(3) Of course it would be crazy to buy McTell and not have the Ga artists that surrounded him but the best collection for that is the JSP 4 CD boxset for Atlanta Blues which has killer track notes and details along with the Ga Browns stuff.
That would give you a taste of most Ga blues connected with McTell and then him in many eras. Ga Browns era, 1940, 1949 and 1950s. The only thing left would be the 1920s which others have made excellent recommendations. I have a number of old LPs I have captured to MP3 but not sure which is the best without examining them. Maybe Atlanta 12 or Death Cell would be that other one to get.
None the less I wouldn't live without the Pig and Whistle CD.
I got the "Blues Collection" CD in the mid-nineties first, which has all the Victor titles (minus one alt. take "Mr. McTell?s Got The Blues"), plus the excellently packed Sony/Columbia 2CD box, which [naturally] has all the Columbia/Okeh and ARC tracks. Then came the wonderful LC document and only years later I stumbled across the suberp "Atlanta Twelve String". Hard to tell which is my favourite!
The Decca titles I like less much TBH. "Last Sessions" is good but does not reach the stellar status of any of the above CDs IMO.
Time for me to look out for the Regal sessions it seems especially since I am a fan of Curley Weaver?s singing and second guitar acc. on so many great duets with McTell.
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Not sure if this helps but the Pig and Whistle release I bought had somehow been mastered in some award winning way and suppose to have super sound quality. Make sure you get that one if there are more than one.