I've been putting Fourth Street Mess Around together after being inspired by Sausage Grinder's version and revisiting the Memphis Jug Band original. Plus I need some 'new', to me at least, material.
My question is this, and anyone that has worked on it probably knows what I'm going to say. After the cool intro the verse starts pitched at E flat minor and resolves to G flat. Accepted internet wisdom, if that's not an oxymoron, is to play it out of Dm resolving to F, at least on the guitar. The recording is pitched a semitone higher, in other words.
So far I'm not picking up any clues from the recording telling me the guitar is playing in a closed position E flat m / G flat, or tuned up a semitone, or capoed, and playing out of an F shape. I believe you could play the guitar part either way, with a capo, closed position, or tuned up for pitch.
An ancillary question, since my copy of D&G's Blues & Gospel Records is missing believed buried somewhere around here, can somebody tell me who's playing guitar on this? It's subtle and grows on you.
My question is this, and anyone that has worked on it probably knows what I'm going to say. After the cool intro the verse starts pitched at E flat minor and resolves to G flat. Accepted internet wisdom, if that's not an oxymoron, is to play it out of Dm resolving to F, at least on the guitar. The recording is pitched a semitone higher, in other words.
So far I'm not picking up any clues from the recording telling me the guitar is playing in a closed position E flat m / G flat, or tuned up a semitone, or capoed, and playing out of an F shape. I believe you could play the guitar part either way, with a capo, closed position, or tuned up for pitch.
An ancillary question, since my copy of D&G's Blues & Gospel Records is missing believed buried somewhere around here, can somebody tell me who's playing guitar on this? It's subtle and grows on you.