It's on Vol. 3 - emusic's got it. I'll probably dl it tonight when I get a chance. That and Sugar Blues.
|
At the peak of the great Mississippi River flood of 1993, the river in Iowa carried 435,000 cubic feet of water a second; at St Louis, after the Missouri River added it's waters, it carried 1 million cubic feet a second... In 1927... the Mississippi would be carrying in excess of three million cubic feet of water each second - J.M. Barry, Rising Tide The Great Mississippi Flood Of 1927
0 Members and 1 Guest are viewing this topic. It's on Vol. 3 - emusic's got it. I'll probably dl it tonight when I get a chance. That and Sugar Blues.
One of my "technocrat" colleagues has done a super job of declicking, dehissing and generally cleaning up my cassette copy and converted it to an mp3. Only trouble is the size - 3.5meg - which I guess is far, far too large to download here.
It seems clear to me that McTell's Razor Ball is a cover of of Sara Martin's. I haven't had time to do a transcription, but here's the tune:
Sara Martin - Down At The Razor Ball It seems clear to me that McTell's Razor Ball is a cover of of Sara Martin's.And I'm fairly sure that it probably pre-dates her - vaudeville perhaps? Doug
Thanks frankie.... interesting to hear a different take on it. I'm not sure how much it'll help us with McTell's version though, since the parts uncle bud couldn't decipher seem to be places where he deviates from Sara's version. But here are my notes on the disputed parts:
And then Mike took Charlie, shot his automatic twin Sounds to me like Sara is singing something like: Slim?? says to Charlie, shot automatic Slim, Cause Charlie took his gal, and double crossed him I'm not sure about the name at the first part of the line (Slim, Tim, Jim, Vin?), but I'm wondering if it's the same name we can't quite decipher at the end of the couplet when McTell sings it. (The scenario here is different from what I assumed too... I had though Charlie grabbed his own gal because he was shot; this version makes Charlie shot because he took someone else's gal). Police came and pull the hall?? down at the razor ball She definitely uses the phrase "pulled the hall" repeatedly throughout the song. Put the/your lights out Kelly/Callie ?cause fightin's my game Aw, Butcher-Knife-Sally said "fightings the game"... (Which is nice to know, but it doesn't sound like what McTell's singing here...) Incidentally, there's a bit of a "sound artifact" on McTell's version. I would call it an echo, but it comes before the main part.... Between his spoken intro "Let's talk about this razor ball" and when he starts singing there's a faint foreshadowing of his first line. I presume this is something from the deterioration of the master, right? And I'm fairly sure that it probably pre-dates her - vaudeville perhaps? Seems like it might be - a brief search of sheet music titles with 'razor' in the title brought up a few interesting hits: "Never raise a razor 'less you want to raise a row", but nothing with a title even remotely like "Down At The Razor Ball." (not that this would mean that the title doesn't come from the vaudeville stage, however) Police came and pull the hall?? down at the razor ball She definitely uses the phrase "pulled the hall" repeatedly throughout the song.This is a bit tenuous in this context but Eric Partridge in his Dictionary of the Underworld (RKP, 1949) cites: "Pulled", of the police, to raid" and quotes a couple of 1870 usages from New York, one of which is "they [police] pulled the place but it was promptly opened the next morning, business a usual". An expression used even today is that "They (police or, more often fire department) pulled the license on the club." I don't know whether licences to serve alcohol were a requirement (I imagine so), but this may have been the derivation of the expression, which, in the vernacular, could have evolved to mean arresting everyone..
Just a thought. All for now. John C. Thanks Frank and all. I've been pretty much offline for awhile, so haven't had a chance to get to this properly. It's great to hear Sara Martin's version. I'll need to listen more carefully on better speakers than my laptop provides but so far I hear her sing
Down at the Razor Ball given at the Razor Hall Sluefoot Mose and Cross-Eyed Joe didn't go at all But they hung around outside and this is what they spied Crapshootin' Ann was in the hall and started into fight Joe got drunk, and that ain't all, he went and turned out the lights Winchester Charlie shot Automatic Slim 'Cause Charlie took his gal and doublecrossed him The police came and pulled the hall down at the razor ball I said now Crapshootin' Ann was in the hall and started into fight Joe got drunk and that ain't all, he went and turned out the lights Butcher Knife Sally (Sallie?) said "fightin's the game Put me head of the list and don't forget to call my name" The police came and pulled the hall down at the razor ball I said now, down at that razor ball It seems clear McTell simply screws up, or reinterprets , the lyrics in places. Then of course adds his own bits. LoneWolf
Does anybody have the lyrics to that song? It can be found on his session for Lomax.
It has quite a long spoken/hummed intro first but the lyrics of the song are:
You just well to get ready, you got to die, you got die You just well to get ready, you got to die It may be tommorrow, you can't tell the minute or the hour You just well to get ready, you got to die, you got die Just well to live in union, you got to die, you got die Just well to live in union May be tommorrow, Lord, you can't tell the minute or the hour You just well to get ready, you got to die, you got die Just well to love your enemies, you got to die You just well to love your enemies May be tommorrow, you can't tell the minute or the hour Get ready, you got to die, you got die Spoken: Way back in them days you'd see mothers and fathers wanderin' around in the field singin' I am climbing high mountains, tryin' to get home I am climbing high mountains, tryin' to get home I am climbing high mountains, lord, I'm climbing high mountains I'm climbing high mountains, tryin' to get home I am bearin' the names of many, tryin' to get home I am bearin' the names of many, tryin' to get home, lordy lord I am bearin' hard burdens, I am bearin' hard burdens I am bearin' hard burdens, tryin to get home. That's the basic words, a lot of the time he doesn't sing the last few words of the line (or sometimes the first few words of the line) but substitutes them for a slide guitar fill. LoneWolf
Thank you so much!
It was the "minute/hour" line that I couldn't figure out... Beatiful song! This is unquestionably the most mysterious and controversial lyric in the whole cannon. I've been perplexed for the entire thirty plus years I've been playing it. Here's today's interpretation:
"Can I get down snake lemon and tappin plantin' two ply on your floor" From Merriam-Websters Pronunciation: \-ˈplī\ Function: adjective Date: 1839 1: consisting of two thicknesses 2 a: woven with two sets of warp thread and two of filling <a two?ply carpet> b: consisting of two strands <two?ply yarn> Interesting bit of folklore. Relevant perhaps?
http://www.lemonquartz.com/folklore.php What can lemon quartz do for me? Do you have a problem controlling evil thoughts? This is not only thoughts about someone you dislike, this can be anything from self-limiting beliefs, thoughts that cause anxiety (always thinking about what may go wrong instead of what my go right), and any other bad thoughts. Lemon quartz can protect you from these evil thoughts. If you feel depressed, maybe you should try to wear some lemon quartz, or keep it close by - in your pocket, desk drawer, or nightstand. You should consult a doctor to get a diagnosis and treatment plan for your condition. |