Hi all, It was suggested in the John Hurt Birthday tribute thread that it might be nice to do a similar thread honoring Rev. Davis on his birthday, April 30. I'm a little early, I guess, but thought I'd get the ball rolling. As far as I know, Rev. Davis never played or performed "Deep River", but it is a beautiful Spiritual that I've loved ever since I first heard it. So I'll dedicate this version to Rev. Davis. All best, Johnm
Beautiful John! One of my favorite songs and the only one that would get my son to sleep when he was an infant on difficult nights. Can't resist posting the ne plus ultra of performances:
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My loathings are simple: stupidity, oppression, crime, cruelty, soft music. Vladimir Nabokov (1899 - 1977)
Who knows by this time next year we may have two biographies to read, one from Ian Zack, the other from Bill Ellis. Rather like buses - wait ages for one and two come along.
And then there's the film. Anybody see it yet? I haven't. In any case I'm hopeful that this may mark the beginning of the end of the general obscurity this major twentieth century artist has been consigned to. Other great artists who've famously fallen off the world's radar in the past, only to be resurrected and celebrated centuries later, include J.S. Bach, and Domenico Theotocopolus (ElGreco).
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My loathings are simple: stupidity, oppression, crime, cruelty, soft music. Vladimir Nabokov (1899 - 1977)
It's still the Rev's birthday somewhere west of here, so here's my contribution. Definitely in the spirit of frankie's one-take-or-go-home recordings, as it is past my bedtime. I've still got a ways to go with this one but it's sure fun to play. Make Believe Stunt/Maple Leaf Rag.
I'm a day late with this, and I may have posted the link before, but here are some excerpts from a tape I made of Rev. Davis with Elizabeth Cotten at a party at our house in 1965. He's as memorable as they come.
Thanks guys. John, thanks for starting us off with a beautiful arrangement. Real pretty, like Pan said, lush. Have to admit I am only vaguely familiar with the song from long ago, probably Robeson.
Roi, nice version. Kind of a cross between McTell's and the Down Home Boys' Stack o' Lee. Your arrangement?
John - that was beautiful and leaves me otherwise speechless. Nobody plays like you.
Uncle Bud - hands down the most fun revivalist rendering of that one I've ever heard, and I love the singing at the 2:29 mark. Perfectly in the spirit!
Roi - like uncle Bud, I hear something between McTell and the Downhome Boys. Nicely done!
In anticipation of Rev. Davis' birthday, I actually prepared a bit of data analysis, based on the commercial recordings I have access to... which are fairly complete. I was curious about Rev. Davis' most recorded songs. Most of these are unsurprising with the exception of Sun Is Going Down... for some reason, I always assumed that this was a pretty rare song in his repertoire, but once you control for the 'title creep,' it turns out that he recorded it pretty often - 8 times:
Samson And Delilah 14 Twelve Gates to the City 12 Cocaine Blues 10 Twelve Sticks 10 You Got To Move 10 Buck Dance 9 Candyman 9 Cincinnati Flow Rag 9 Make Believe Stunt 8 Sun Is Going Down 8
I chose to do his second most recorded song for his birthday this year. It's one of my favorites.
Wow! Amazing performances, Frankie, Laura, and O'Muck -- I really loved all three. (And some very fine copying and pasting from you, Prof. Scratchy.) Please lower your standards dramatically before watching the following.
I've so enjoyed all of the Rev. Davis birthday posts so far this year. Frank, that is such beautifully relaxed time and singing, except where you don't want it relaxed! Laura, it is so strong and true, playing and singing. Phil, that is wonderful, and so YOU--I don't reckon another person alive could have done what you did with "God Don't Never Change", even if they might have been able to play it, they couldn't have thought of it. Todd, you hit some lovely variations on "I Will Do My Last Singing", as well.
Here is a hymn I wrote called "Oh My Lord", waiting on some lyrics.
Thanks to everyone who contributed/commented/listened! I'm sure there's some more posts to go up yet, everyone has a bit of RGD in them! Phil, that was amazing! When i first saw the title of your song i was a little confused as was sure he hadn't done that one..but wow... listening to that it could have easily been him! Todd, you don't give yourself enough credit - that was fantastic - was so happy to hear that song as it's one of my favourites and was actually going to give up on "destruction" and try to learn that one instead but Frankie was like "Sistuh - that's just as difficult" (he does actually speak like that). Was that your own arrangement? In any case, so nicely played - thank you! John, as always your playing is so effortless "Oh My Lord" is beautiful - I hope you don't need to wait too long for the lyrics to find you....
That's beautiful, John. When I checked in just now, I was especially hoping there'd be something from you.
And thanks to Laura & John for the kind & encouraging words. Maybe by next year I'll be ready to try something a little more ambitious. Laura, when Frankie said "Last Singing" was as difficult as "There's a Destruction in This Land," I think he probably just wanted to trick you into persevering, and I'm so glad he did. (For one thing, "Last Singing" doesn't have that tricky D-major shaped chord up the neck that I'm pretty sure I see you playing.) My rendition is based on a version I learned from my brother, who learned it from Ernie Hawkins; I just simplified it a bit and added some minor variations using different chord voicings.
Nice work everyone! Phil, that was a great surprise, very cool version. Laura, way to go, you're making it look easy, and we know damn well it isn't. Frankie, as always, your RGD playing is the tops, picking, singing, finger snaps (with picks!) and all. Todd, some fine pickin' there as well. Johnm, I am having trouble with your file and will need to retry later!
so much good stuff going on in this thread... thanks, John - the hymn is beautiful and your playing is as brilliant as ever. Laura - thanks for posting There's Destruction In This Land - such great singing and smooth, relaxed playing! Todd - thanks for I'll Do My Last Singing - one of my favorites! Phil - your take on God Don't Never Change is truly breathtaking - a deeply original and creative interpretation... fantastic!
Roi, that's excellent! It has such a great bounce to it, and I love those single-note runs and all the percussive effects. It kind of sounds like a Rev. Gary Davis tune that he never quite got around to composing. Thanks for posting it.
Thanks for all the great performances in this thread! They would make up a great tribute album, I think!
Frankie, I don't think that anyone has owned the 12 gates to the city, so much, since the rev., except you! Wonderful!
Laura, that is just an amazing performation, no wonder it was shared on the social media asap. What a great performer you are turning to be, in front of our eyes!
Mr. O'Muck, what a tour de force! You're powerful delivery and touch certainly is keeping up the torch of the Reverend, and only a few can improvise so fluently in this tradition.
I'm not familiar with the original, but Todd's instrumental tune was very enjoyable, with precise and clear melody and rhythms. Well done!
John, what a beauty again, with those lush harmonies of yours! You should consider recording a gospel album, with some original tunes as well!
Roi's energetic Buck Dancing, with some virtuoso licks certainly bring the Reverend in mind! Well done!
Thanks again for everyone who participated, it certainly made a nice evening of listening (and a great remedy for post weenie juke symptoms).
Wow! Amazing performances, Frankie, Laura, and O'Muck -- I really loved all three. (And some very fine copying and pasting from you, Prof. Scratchy.) Please lower your standards dramatically before watching the following.
Todd Brown
I don't think anyone has to lower any standards to have enjoyed that tune and your playing on it JT. I know I did, it was very nice indeed I got a lot of pleasure from it.
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I met a woman she was a pigmeat some Big fat mouth, I followed her home She pulled a gun and broke my jaw Didnt leave me hard on, I didnt get sore
I've so enjoyed all of the Rev. Davis birthday posts so far this year. Frank, that is such beautifully relaxed time and singing, except where you don't want it relaxed! Laura, it is so strong and true, playing and singing. Phil, that is wonderful, and so YOU--I don't reckon another person alive could have done what you did with "God Don't Never Change", even if they might have been able to play it, they couldn't have thought of it. Todd, you hit some lovely variations on "I Will Do My Last Singing", as well.
Here is a hymn I wrote called "Oh My Lord", waiting on some lyrics.
All best, Johnm
That was also very nice John and it is good to jam to, plenty of good melodies for vocals or lead instrument to add in there, I played along with it and had a good time doing so.
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I met a woman she was a pigmeat some Big fat mouth, I followed her home She pulled a gun and broke my jaw Didnt leave me hard on, I didnt get sore
Hi John - got your file to play (not sure what the issue was, on my end I presume, must've corrupted the file the first time or something). Lovely piece, and as always, your chord voicings always catch my ear. And trick my ear. Sometimes when I listen I hear a voicing that says standard, then I hear another that says oh, those open strings, could this be something else? Part of it is unfamiliarity, but part of it is those open strings that ring so nicely.
Frankie, when did a Gibson creep back into your hands? Or maybe I just didn't notice. Also, that verse at the end ("When I get in heaven") is one I don't recall him singing from the 8 versions or so I have. Where's it from? This one just gets better and better with repeated listening, so much in there.
Thanks for the comments, Andrew. I think one reason the sonorities on the hymn may be difficult to suss out is because it is played in open Bb, the Peg Leg Howell "Low-Down Rounder Blues/Fairy Blues" tuning. I've been playing in that tuning a good bit the past couple of years and particularly like it because it makes a lot of really close, pianistic sorts of voicings possible that can not be played in standard tuning or any other commonly utilized tuning that I know of. The version of "Deep River" I posted in the Rev. Davis birthday thread last year was also played in that tuning. The tuning also works exceptionally well for thumb lead, and I've used it quite a lot for that style, too. All best, Johnm
John - that definitely sheds light on both of those songs... that tuning ALWAYS sounds like standard on first listen to me, and your use of this and other tunings is a lot more sophisticated than I'm used to... amazing that you can hear that way inside an open tuning... the more I hear you play in open tunings, the more I want to compare you to Blind Connie Williams, who also has (to my ear) a very nuanced sense of harmony and never seems 'limited' by the key-bound nature of the open tuning he chooses to work in. That's just incredible to me.
Andrew - the Gibson is an old friend come to visit. It was sold a while back to finance another purchase, but it's certainly a welcome house guest! It's a pretty good guitar... yup.
I think this came up on weenie not too long ago. I guess it should have been obvious that this had a source other than Rev. Davis, but I've never heard a sung version of this other than his... turns out I just never looked! Duh. Anyway, the last verse just kind of spoke to me, so I added it. All the verses are probably 'floaters,' and could be included into just about any spiritual song...
Thanks for the comments, Andrew. I think one reason the sonorities on the hymn may be difficult to suss out is because it is played in open Bb, the Peg Leg Howell "Low-Down Rounder Blues/Fairy Blues" tuning. I've been playing in that tuning a good bit the past couple of years and particularly like it because it makes a lot of really close, pianistic sorts of voicings possible that can not be played in standard tuning or any other commonly utilized tuning that I know of. The version of "Deep River" I posted in the Rev. Davis birthday thread last year was also played in that tuning. The tuning also works exceptionally well for thumb lead, and I've used it quite a lot for that style, too. All best, Johnm
Well I was almost certain it was in standard form first two hearings of it, usually a tune in open tunings screams out OPEN tuning but that seemed in standard so I guess that is an art you have there John.
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I met a woman she was a pigmeat some Big fat mouth, I followed her home She pulled a gun and broke my jaw Didnt leave me hard on, I didnt get sore
Just catching up with all these posts, I've been away travelling, and I know I'll be listening to these over and over. This could be my favourite thread since they invented thread. Thanks and congratulations everyone, Roi and Laura, Frankie and John!
Just catching up with all these posts, I've been away travelling, and I know I'll be listening to these over and over. This could be my favourite thread since they invented thread. Thanks and congratulations everyone, Roi and Laura, Frankie and John!
Hey Gordon, Did you listen to O'Mucks "God Don't Never Change"? Can't get over how good that is !!! I hope you'll post up a full version of " I Cannot Bear My Burden" I love that one, you got a real good thing going on it!