BanjoChris- I hadn’t listened to “Meet Me in the Bottom” in a long time. He plays/tunes that 6th string so perfectly in time with the song. Do you think this was a planned move, or maybe he realized he was in Dropped-D and tuned up on the fly? Either way, it sounds so good.
RE: “Going Down Slow” That dropped D really defines the sound of the whole song for me. Mance seems to emphasize that low note in his first solo too.
I am going to make it a point to use the word “honks” more often.
Cheers!
I think if it was an accident, it was an accident he was absolutely prepared for! Chris
Listen here, baby, what I’m goin’ to say to you I want you to know, baby, I got the bye-bye blues Night time is the right time, be with the one you love
When you’re out late at night, baby, I can't rest Well, even the food like honey, baby, it won’t digest Night time is the right time, be with the one you love
SOLO
Grabbed my hat this morning, she followed me to the door She says "Come back Daddy, you don’t have to go" Night time is the right time, be with the one you love, with the one you love
Cried last night, cried the whole night long Cried last night, I cried the whole night long I didn’t miss my loved one, until she had gone
SOLO
You ain't gonna miss your water, ‘til your well go dry Ain't gonna miss your loved one, until she say goodbye Night time is the right time, be with the one you love, with the one you love
SOLO
Don't the moon look pretty, shinin’ down through the trees? I can see my woman, when she don't see me Night time is the right time, be with the one you love, with the one you love
Listening to some live Lipscomb and noticed that some of his lyrics are exactly the same, while others are almost completely different. Like this one below (only 1 verse matches the Arhoolie recording). Corrections are welcome of course.
Well, I guess I play a little blues and see how that gon’ sound, somebody may be blue here, hope you ain’t coming up after this
INTRO SOLO
Went down to your house, had your doors all locked Went down to your house this mornin’, you had your doors all locked I couldn’t get in, ‘cause you had my ways all/on blocked
I ain’t gonna be fool/food, for you baby no more Ain’t gonna be fool/food, for you baby no more I done made it up in my mind, baby, to let you go
You know you didn’t want me, why did you run that stall? Know you didn’t want me, baby, why did you run that stall? I can get more women, than a passenger train can haul
My baby quit me, throwed all my clothes outdoor My woman quit me, throwed my clothes outdoor That’s alright, baby, you gon’ reap just what you sow
SOLO
Ever woke in the mornin’, in a big bed by yourself Ever got up in the mornin’, in a big bed by yourself Felt for your little baby, and she had done left
Somebody, somebody been talking to you I know somebody, babe, been talking to you I don’t need nobody to tell me, I can watch the way you do
SOLO
Could be tomorrow, maybe a week or two Could be tomorrow, maybe a week or two But the way you done me, coming back home to you
OUTRO SOLO
« Last Edit: March 20, 2023, 03:20:36 PM by Blues Vintage »
Alright, I never heard that expression and google neither. I guess Mance meant something like this (from the Cambridge Dictionary "Stall");
If you stall a person, you delay them or prevent them from doing something for a period of time. To delay taking action or avoid giving an answer in order to have more time to make a decision or get an advantage.
It pops up sometimes in blues lyrics I think in the context of stringing someone along – two I can think of off the top of my head – Lemon Jefferson sings it in "Right of Way" and Luke Jordan uses "carry no stall" in other words carry on no stall in one of the takes of "Church Bell."
Frank Stokes sings it in verse 2 of "Mistreatin' Blues",
Well, if you don't want me, a-mama, you don't have to run no stall I can find more good gals than a passenger train can haul
An act of deception. The term dates back to the 19th century (Partridge) and figured in a contemporary American catchphrase in Swartwood's 'Choice Slang' (1915): "You've got more stalls than a stable" (Stephen Calt - Barrelhouse Words)
Bumble bee, bumble bee, please come back to me Bumble bee, bumble bee, please come back to me You got the best old stinger, any bumble bee I ever seen
Now, you stung me this morning, I been looking for him all day long Now, you stung me this morning, been looking for him all day long Had me to the place once, hate to see my bumble bee leave home
Hmmm, wonder where my bumble bee gone I begin to wonder, where my bumble bee gone He stung me this morning, I been reckless all day long
Well, I can’t stand to hear you, buzz, buzz, buzz, come here bumble bee I want you to stop your fuss You's my bumble bee, and you know your stuff Oh, sting me bumble bee, ‘til I get enough
Hmmm, stinger long as my right arm Oh, he got a stinger, long as my right arm He stung me this morning, I been reckless all day long
My bum (sic) bee first left me I, thought I didn’t even care When he first left me, thought I didn’t even care You done come back home, I can’t stand to see him go nowhere
Hmmm, wonder where my bumble bee gone Yes, I begin to wonder, where my bumble bee gone He stung me this morning, I been looking for him all day long
OUTRO
« Last Edit: May 16, 2023, 10:07:40 AM by Blues Vintage »
This is what I'm hearing: (changes to first and third line)
My bum (sic) bee first left me I, thought I didn’t even care When he first left me, thought I didn’t even care He done come back home, I can’t stand to see him go nowhere
I thought about "left" too in the first line but it really sounds like "met", but I make that change 'cause it he certainly sings it in the second line. You VS He, is tough. I keep "you" for now but keep listening.