By 1935, he [Charles Seeger] was writing for a small Marxist journal called Music Vanguard that "fine art" music was the property of the dominant classes, for which it was made. Pop music was a bastardization of the "fine art" tradition; it was "crumbs from the table of the rich and powerful . . . combined with various story elements". But folk music was the music of the proletariat and, therefore, inherently progressive - from Woody Guthrie - A Life, by Joe Klein
Hi all, Yes, Chris, those books come in handy when you're standing in line at the DMV. Blind Alfred Reed takes an admonitory tone for "Why Do You Bob Your Hair, Girls?", on which he is accompanied by Arville, playing out of G position in standard tuning. I remember my sister MaryAnn used to perform this song back about 1964. Here it is:
INTRO
Why do you bob your hair, girls? You're doing mighty wrong God says it is a glory, and you should wear it long You spoil your lovely hair, girls, to keep yourself in style Before you bob your hair, girls, just stop and think a while
SOLO
Why do you bob your hair, girls? It is an awful shame To rob the head God gave you and bear the flapper's name You're taking off your covering, it is an awful sin Don't never bob your hair, girls, short hair belongs to men
SOLO
Why do you bob your hair, girls? It does not look so nice It's just to keep in fashion, 'tis not the Lord's advice And every time you bob it, you're breaking God's command You can not bob your hair, girls, and reach the Glory Land
SOLO
Why do you bob your hair, girls? It's not the thing to do Just wear it, always wear it, and to the Lord be true And when before the Judgement, you meet the Lord up there He'll say, "Well done, for one thing, you never bobbed your hair."
Hi all, Alfred Reed sang harmony with Arville singing the lead for "Beware", which Arville backed up out of D position in standard tuning. I heard this song for the first time on the old New Lost City Ramblers "Songs for Children", a 10-inch LP. Here is Alfred and Arville's performance of "Beware":
FIDDLE SOLO
We know young men are bold and free, beware, oh take care They'll tell you they're friends, but they're false, you see, beware, oh take care
REFRAIN: Beware, young ladies, they're foolin' you Trust them not, they're foolin' you Beware, young ladies, they're foolin' you Beware, oh take care
FIDDLE SOLO
They smoke, they chew, they wear fine shoes, beware, oh take care And in their pocket is a bottle of booze, beware, oh take care
REFRAIN: Beware, young ladies, they're foolin' you Trust them not, they're foolin' you Beware, young ladies, they're foolin' you Beware, oh take care
FIDDLE SOLO
Around their neck they wear a guard, beware, oh take care And in their pocket is a deck of cards, beware, oh take care
REFRAIN: Beware, young ladies, they're foolin' you Trust them not, they're foolin' you Beware, young ladies, they're foolin' you Beware, oh take care
FIDDLE SOLO
They put their hand up to their heart, they sigh, oh they sigh They say they love no one but you, they lie, oh they lie
REFRAIN: Beware, young ladies, they're foolin' you Trust them not, they're foolin' you Beware, young ladies, they're foolin' you Beware, oh take care
Hi all, For "Walking In the Way with Jesus", recorded at his first session, Alfred Reed was accompanied by Arthur Wyrick on guitar, working out of G position in standard tuning. Here is the song:
INTRO
Come all you people around, listen what I have to say I'll sing you a song about the heavenly throng, thank God, I'm on my way I've travelled the paths of sin, and many a crime I've done But I trust in God and through Christ's blood, thank God, the victory's won
REFRAIN: Walking in the way with Jesus, feeling mighty happy now When I'm tempted to do wrong, before the Lord I bow I ask him for protection, as we begin to fight And it is not long 'til the tempter's gone and everything's all right
I came to the feet of Jesus, determined to do right I prayed and trusted, night and day, until I saw the light I've started now for Heaven, I'm taking a different trail I'm trusting now in the promises of God, for I know they can not fail
REFRAIN: Walking in the way with Jesus, feeling mighty happy now When I'm tempted to do wrong, before the Lord I bow I ask him for protection, as we begin to fight And it is not long 'til the tempter's gone and everything's all right
God leads me to the bible, where I can plainly see That Jesus hung on Calvary's cross and died for you and me I'm sorry now for sinners, for you I'm sick at heart Why can't you decide for Christ today, and from him never part?
REFRAIN: Walking in the way with Jesus, feeling mighty happy now When I'm tempted to do wrong, before the Lord I bow I ask him for protection, as we begin to fight And it is not long 'til the tempter's gone and everything's all right
I gave up sin and drinking to lead a different life And by God's grace I will hold out, 'til free from toil and strife Then when Life's book is opened and not a thing is found I'll gladly join the angel choir to seize the Promised Ground
REFRAIN: Walking in the way with Jesus, feeling mighty happy now When I'm tempted to do wrong, before the Lord I bow I ask him for protection, as we begin to fight And it is not long 'til the tempter's gone and everything's all right
Hi all, Alfred Reed was backed by Arville Reed, playing in G position in standard tuning, on "The Prayer of the Drunkard's Child". Here is their performance:
I once was so happy when Father was home, With Mother, dear brother and me But he took to drinking and from us did roam And left us so lonely, you see REFRAIN: Oh Lord, send him back to his dear ones, I pray How slow the sad moments go by And Mama's dear life is fast faring away Oh Jesus, please don't let her die
If Papa would give up his drink and come home I would be so happy again Our Saviour said He would not leave us alone So this I will ask in his name REFRAIN: Oh Lord, send him back to his dear ones, I pray How slow the sad moments go by And Mama's dear life is fast faring away Oh Jesus, please don't let her die
Oh Lord, if you'd stop my poor Father from drink My heart would be free from all pain Since he has been gone there is one missing link Oh Jesus, I know you're my friend REFRAIN: Oh Lord, send him back to his dear ones, I pray How slow the sad moments go by And Mama's dear life is fast faring away Oh Jesus, please don't let her die
Her father came back to his old self again God answered her prayer that sad day He deeply confessed and repented of sin They heard his sweet voice, as they say, "Dear ones, I've come back, I'm not drinking today. Please don't be afraid, do not cry." And then a sweet voice from the Lord seemed to say, "Your Mama will live, she'll not die."
Edited 1/25 to pick up correction from banjochris
All best, Johnm
« Last Edit: January 25, 2016, 05:16:36 PM by Johnm »
Well, now that you mention that and I've re-listened, I'm hearing that too, Chris, and it makes a great deal more sense than what I had--"prayerlets", sheesh! I'm baffled by how I can be stumped by something that is not notably more difficult than all of the stuff around it. I guess it just works out that way sometimes. Thanks for the help, it's nice to have it end up right.
Hi all, Alfred Reed recorded "You'll Miss Me", backed by his son Arville on guitar, at a session in New York City on December 4, 1929. Arville played his accompaniment out of D position in standard tuning. The father and son sing the entire song in close harmony, and it sure is pretty. Here is their performance of "You'll Miss Me":
FIDDLE SOLO
I'm getting old and feeble now, my hair is turning gray My limbs that once were nimble, now they're stiff and won't obey My dancing days are over and my pleasures, they have flown For goodness, not for gracious, love, would you miss me when I'm gone?
REFRAIN: Oh when I'm gone, you'll miss me, when I'm gone (you'll miss me) Some kind heart will miss me when I'm gone (when I'm gone) When I'm gone, you'll miss me, when I'm gone, you'll miss me Oh, some kind heart will miss me when I'm gone
What will you do without me, love, when the wintertime comes on? Who'll throw their arms around you, love, as I have often done? Who'll hug you, caress you, when I, oh love, have flown? You'll know where to find me, love, but you'll miss me when I'm gone
REFRAIN: Oh when I'm gone, you'll miss me, when I'm gone (you'll miss me) Oh, some kind heart will miss me when I'm gone (when I'm gone) When I'm gone, you'll miss me, when I'm gone, you'll miss me Oh, some kind heart will miss me when I'm gone
Who'll fence the little yard in, who'll nurse the pretty flowers? Who'll plant the little garden where we sat for many hours? Our children, they're all married, and left us here alone, and When I'm dead and buried, love, you'll miss me when I'm gone
REFRAIN: Oh when I'm gone, you'll miss me, when I'm gone (you'll miss me) Some kind heart will miss me when I'm gone (when I'm gone) When I'm gone, you'll miss me, when I'm gone, you'll miss me Oh, some kind heart will miss me when I'm gone