Coming off of their week long teaching intensive on another nearby Island Ernie, Del & Mike Dowling(?)
gave an outstanding concert tonight.
Ernie Hawkins was brilliant on Gary Davis instrumentals, Slow Drag & Maple Leaf Rag which can break your phucking hands with their demand for sheer physical effort. He also did an affectingly poetic African tune translated from Swahili which might have sprung from the same aesthetic universe as something by Libba Cotton and was well suited to his warm, genuine sounding voice. He also did a swell version of Calling Dr. Jazz with the other two guitarists.
This was my first time hearing let alone seeing Del Rey extensively and she was killer. I pity the fool who has to follow her onto the stage! Her playing is as fast as greased lightning, and beautifully fluid. Dead on time, near perfect attack and expressive feel, and all happening while exuding uber professional stage presence (could be a negative for some I suppose) replete with warmth, humor & wit. If more people liked this music she'd be a gazillionaire by now. Her melding of two thirties Jazz tunes (Uptown, Lowdown something or other) was swingin'. Her arrangements are complex, smart and funny. Her singing is OK, pretty good really, but the whole package is pretty remarkable, awesome if you prefer. She wrote a tribute song to Memphis Minnie that I found quite moving, and performed MM's "Sailing" about as well as I can imagine it being done by anyone but MM or maybe Kim & Frank Basile.
Third up, Mike Dowling(I may not have the name right) is a Jazz-country style player with a sound reminiscent of a slightly hipper Chet Atkins. Technically brilliant with some interesting ideas and some witty self authored songs. He seems to have a particular sensitivity to the variety and quality of sounds he can extract from the instrument, and many of them are quite beautiful. Its that quality that appealed most to me about his playing.
All in all a damn fine evening of fancy picking and good songs.
gave an outstanding concert tonight.
Ernie Hawkins was brilliant on Gary Davis instrumentals, Slow Drag & Maple Leaf Rag which can break your phucking hands with their demand for sheer physical effort. He also did an affectingly poetic African tune translated from Swahili which might have sprung from the same aesthetic universe as something by Libba Cotton and was well suited to his warm, genuine sounding voice. He also did a swell version of Calling Dr. Jazz with the other two guitarists.
This was my first time hearing let alone seeing Del Rey extensively and she was killer. I pity the fool who has to follow her onto the stage! Her playing is as fast as greased lightning, and beautifully fluid. Dead on time, near perfect attack and expressive feel, and all happening while exuding uber professional stage presence (could be a negative for some I suppose) replete with warmth, humor & wit. If more people liked this music she'd be a gazillionaire by now. Her melding of two thirties Jazz tunes (Uptown, Lowdown something or other) was swingin'. Her arrangements are complex, smart and funny. Her singing is OK, pretty good really, but the whole package is pretty remarkable, awesome if you prefer. She wrote a tribute song to Memphis Minnie that I found quite moving, and performed MM's "Sailing" about as well as I can imagine it being done by anyone but MM or maybe Kim & Frank Basile.
Third up, Mike Dowling(I may not have the name right) is a Jazz-country style player with a sound reminiscent of a slightly hipper Chet Atkins. Technically brilliant with some interesting ideas and some witty self authored songs. He seems to have a particular sensitivity to the variety and quality of sounds he can extract from the instrument, and many of them are quite beautiful. Its that quality that appealed most to me about his playing.
All in all a damn fine evening of fancy picking and good songs.