แทงบอลสเต็ป On a dark desert highway, cool wind in my hair Warm smell of colitas, rising up through the air Up ahead in the distance, I saw a shimmering light My head grew heavy and my sight grew dim I had to stop for the night There she stood in the doorway; I heard the mission bell And I was thinking to myself, "This could be Heaven or this could be Hell" Then she lit up a candle and she showed me the way There were voices down the corridor, I thought I heard them say...
Welcome to the Hotel California Such a lovely place (Such a lovely place) Such a lovely face Plenty of room at the Hotel California Any time of year (Any time of year) You can find it here
Her mind is Tiffany-twisted, she got the Mercedes bends She got a lot of pretty, pretty boys she calls friends How they dance in the courtyard, sweet summer sweat. Some dance to remember, some dance to forget
So I called up the Captain, "Please bring me my wine" He said, "We haven't had that spirit here since nineteen sixty nine" And still those voices are calling from far away, Wake you up in the middle of the night Just to hear them say...
Welcome to the Hotel California Such a lovely place (Such a lovely place) Such a lovely face They livin' it up at the Hotel California What a nice surprise (what a nice surprise) Bring your alibis
Mirrors on the ceiling, The pink champagne on ice And she said "We are all just prisoners here, of our own device" And in the master's chambers, They gathered for the feast They stab it with their steely knives, But they just can't kill the beast
Last thing I remember, I was Running for the door I had to find the passage back To the place I was before "Relax, " said the night man, "We are programmed to receive. You can check-out any time you like, But you can never leave! "
Google Translate suggests a few changes, by way of Latvian, Urdu, Danish, Maori, Basque, Scots Gaelic and Spanish:
On the way to the dark, my car was cold The heat of colitis marks the air I saw a clear light at a distance When I get up, I look up I finished my night He stopped the door. I heard a call And I think of myself "In heaven or in hell" And when he told the candles, he showed me the way The language is in Ariman I think I heard ...
Welcome to California It's a good place (just a good place) This is a good view Many in California Each year (one year) You can find here
Tiffany is Merced and Mercedes He was a beautiful and beautiful boy, and he took it How do you dance in the garden in the garden dancing? Dances are forgotten
Then I called the boss Give me my wine He said: "It is not in the nineteenth century." And when they heard those voices, Get up at midnight To hear your story ...
Welcome to California It's a good place (just a good place) This is a good view They live in a hotel in California It's amazing (it's amazing) Take your letter
Front axle Black flows on ice He said: "We seek here with our" Hero You will get the app They end with a sharp sword, But animals do not kill alone
I remembered the last one Making the door I talked to the wolf Do not "Know him," said the man. We want it. You can register at any time But you can not leave "
I went through it and it's actually a pretty good literal translation, but it was done by (a) human(s), after all. S/he/they even got colitas correct and wrote a note: 註: colitas 在西班牙文中指尾巴,用來戲稱大麻. "In Spanish it refers to the tail, but is slang usage for marijuana."
Well dang! I was perfectly happy with my Mondegreen: "warm smell of coitus". Now it's spoilt. 'Course I never really listened to much more than the first few lines.
Wax
Logged
"People who say it cannot be done should not interrupt those who are doing it." George Bernard Shaw
“Just because you're paranoid doesn't mean they aren't after you.” Joseph Heller, Catch-22
Believe it or not, this inexplicable topic started in the Country Blues Lyrics board (huh?) before I moved it over here. On a completely unrelated note, iTunes yesterday identified an Emry Arthur song on the new JSP Clarence Ashley set, "The Bootleggers Lullaby", as the "The Bootlegger's Library". I'm still cracking up over that one. All best, Johnm
John, To keep the completely unrelated note going, I have said Clarence Ashley set and sure enough it's got 'The Bootlegger's Library' on it. I'm sure this subject must have come up at some point but I've noticed some other comments around track, album, artist names for ripped CDs before and thought it was worth noting that much of the erroneous or just annoying track data is due to user entered content working in conjunction with some algorithms (all coming from a Nielsen owned company called Gracenotes). It's possible for the label to submit the correct details but it seems they often don't and so when importing CDs I get all kinds of annoying things back, my biggest peeve is with JSP sets and others where there are multiple artists but whoever first submitted the track names attributes every track to the main artist, or worse puts 'Charlie Poolie with the Georgia Crackers' (this is a real life example from the 'You Ain't Talkin to Me' set, where the person who submitted the track details, instead of listing it as a compilation, attributed all the non-Charlie Poole tracks to 'Charlie Poole with...X' such that I at times get tricked into thinking Charlie recorded with people he did not.). Anyway, it's something that's been annoying me alone in my own mind for a long time and now here it is externalized. I'm assuming it's easier now for small labels to submit their own Gracenotes data prior to releasing a CD so this kind of thing happens less in the future but who knows...
And a relevant quote: "Gracenote technology makes it possible for anyone to update their database. In the above example, I was able to enter in the information for someone else's album. (I won't go into all the protections that Gracenote has against false or malicious data entry. Trust me, they have a lot of safeguards.) Then this information is made available to Gracenote's worldwide network of subscribed services (of which my satellite radio is one). This means that every time someone puts in that CD, the artist, album and track info will display."
...On a completely unrelated note, iTunes yesterday identified an Emry Arthur song on the new JSP Clarence Ashley set, "The Bootleggers Lullaby", as the "The Bootlegger's Library". I'm still cracking up over that one. All best, Johnm
It's "The Bootlegger's Lullaby" in the "Appalachian Stompdown" set. My guess is that whoever entered the info into iTunes and then submitted it to the Gracenote CD Database that iTunes utilizes to "Get The CD Track Names" probably just made a typo. If he or she was copying off of the back of the JSP box it would be pretty easy to do as the song titles pretty much run together and it's easy for eye fatigue to set in.
From what I can tell, a lot of the content of the Gracenote CDDB is unpaid volunteer work, so I guess we can't be overly critical, although some of the mistakes are systemic across a CD or set and require numerous corrections.
"the Bootlegger's Library" sounds like it has the potential to be a hit. Now all we need are the lyrics set to music.
As Always,
Stuart
Your post came in while I was writing this Lew, but I decided to leave it unchanged.
« Last Edit: September 01, 2017, 10:07:24 AM by Stuart »
Stuart, Great minds think alike. I was going to note that I shouldn't complain too much because, after all, some one else is saving me the trouble of typing in all the track names, etc. and so as you note I shouldn't be too critical. I guess I just wish I could peek over the shoulder of the people who have a habit of attributing tracks to the main artist in the set instead of setting it up as a compilation, but that's fairly rare. And of course, I'm lucky to be able to complain about such a trivial thing in a world with much much worse to worry about.
Hi guys, I enjoy complaining too much when I shouldn't, and it's particularly fun when you can't do anything about it. In this instance and the ones you've named, I make my internal complaint and then just edit the incorrect title, attribution, whatever, right on the iTunes page. All best, John
« Last Edit: September 01, 2017, 11:18:11 AM by Johnm »
I've entered full track information for various albums many times in Gracenote. What mystifies me are people who produce CDs not doing that for themselves the moment they have a CD in hand. It was certainly the first thing I did when our Sausage Grinder CD came in; there's nothing special about submitting a new CD, you just enter the info in your own iTunes and submit.
"Complaining about complaining" --probably "meta-complaining" or some other highfalutin modern day malady.
But in all seriousness, there's complaining and then there's complaining: legitimate complaining. When I loaded the JSP set "Memphis Shakedown - More Jug Band Classics" into iTunes, it was a real mess. The track names and artist's names were reversed, there was little or no consistency between info for the discs in the set, and by the time I was finished correcting everything, I would have been better off just starting from scratch and entering all the info myself, something I've done on occasion. That's an extreme and rare example, but it's happened more than once or twice.
Thanks for the links re: "The Bootlegger's Library," Lew. I'm going to have to check the libraries to see if they have any of the titles.
You're right: We shouldn't complain given all that we have to be thankful for, but still--we were all brought up being taught to "Do it right or don't do it at all" and "Take your time and do it right." Thus, a little more attention to detail is in order when doing even these trivial tasks, if only because it saves others the time and effort they have to spend correcting our mistakes.
The mods left it up and a few of us decided to have a little fun with it. It could have just as easily been scrubbed. You know the old saying, "All play and no play makes Jack a dull boy." And as is sometimes the case, we drifted a bit from the original focus, if, in fact, there ever was one.
You know the old saying, "All play and no play makes Jack a dull boy." And as is sometimes the case, we drifted a bit from the original focus, if, in fact, there ever was one.
Boy, I agree, and I think you have really drifted from the original focus of that quote, Stuart!