It is absurd to have a hard and fast rule about what one should read and what one shouldn't. More than half of modern culture depends on what one shouldn't read. - Oscar Wilde, The Importance of Being Earnest
Broonzy also arranged fine instrumental choruses with the melodies on many of his songs, so you could easily treat them as instrumentals if you wished, for example "I Gets the Blues when it Rains" or "Glory of Love".
Cheers
Pan
Edited to add: I have absolutely fantastic live solo guitar arrangements of both House Rent Stomp and Guitar Shuffle on an old blues guitar double-LP compilation by the French Vogue label. I believe the Vogue recordings are now also available in CD, and are in fact discussed here: http://weeniecampbell.com/yabbse/index.php?amp;Itemid=88&topic=1530.0.
By the way, has anyone heard the Amsterdam recordings yet? A review would be brilliant!
Hi Spike. From Broonzy again - Saturday Night Rub and Pig Meat Strut (which deserve outings for their titles alone!); Rev Davis' - and others' - version of Cincinatti Flow Rag/Slow Drag. For slide, I too play the splendid Guitar Rag by Sylvester Weaver, but I couple it with an arrangement of Vestapol, which I also play (partially) with a slide. You can hear an mp3 of this whole arrangement on my website www.gerrycoopermusic.co.uk I also like Grossman's Slow Blues in C, which pulls together a lot of Blind Blake licks,and Steve James' arrangement of Buddy Bolden's Blues, which is related to the rather more complicated St Louis Tickle. William Brown's Mississippi Blues also makes for a great instrumental, especially if you can persuade someone else to 'second' on another guitar.
Cheerily,
Gerry C
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One of my favourite blues guitar instrumentals is "Spanish Blues" by Lewis Black. It's a very rough round the edges recording and Black's moaning "vocal" is supreme.
I love Bayless Rose's "Jamestown Exhibition", which you'll find on American Primitive Vol. II. It's one of those C-A7-D7-G7 pieces with lots of neat variations.
Another favorite is all the variations of "Buckdancer's Choice" by Sam McGee, Mississippi John Hurt, Merle Travis, et al.
And one that I forgot: Spanish Fandango. There are many variations on this tune (and title!) but it's nice to have something in 3/4 (or 6/8, depending on the version) to drop into a set where four-time is predominant. Steve James has a great version of this tune - plus an interesting history - in his Roots and Blues book/CD combo, available from the Acoustic Guitar magazine website. (Stef Jam's book is full of other goodies too.)
Cheerily,
Gerry C
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I'm looking for a few suggestions of tunes to work on in the future. As I've been playing for a couple of years now things are starting to come a bit faster for me and I would like to have a few things lines up to work on over the coming months. That said...I'm not much of a singer....yet....I hope... and so I've really enjoyed learning instrumental pieces or songs where the guitar can stand alone if nec. So I would love to hear what you all consider to be your favorite instrumental blues. And if there is learning material out there for the tunes a reference would be very beneficial. Time period doesn't matter nor does region. Though I'm starting to mess around with slide tunes...they are no my strong point yet...so lets stick to non-slide tunes for now.
Lonnie Johnson has some great instrumentals. My favorite is "Away Down in the Alley Blues" or "Blues in my Fingers". They are both transcribed in this Stefan Grossman book about Lonnie's playing. http://guitarvideos.com/books/F3346.htm Even the solo's and fills of his songs with vocals are very usable to construct instrumental pieces. Cheers, Carl
Well, dang, Blue, I was just going to suggest slide tunes. One thing's for sure: there will be a whole lot more to choose from. Might be a good time to make it a stronger point.
Not slide:
Stocktime (Buck Dance) - Mississippi John Hurt (he does sing a couple sort-of verses at the end of the version on The Immortal Mississippi John Hurt, but other versions are instrumental). This is a nifty, simple little instrumental IMO, that nobody plays.
Etta Baker - Check out the CD One Dime Blues. Lots of instrumentals, somewhat in the Piedmont style, with rags, blues, instrumental versions of classics like John Henry, Bully of the Town. Laid back guitar picking. There's also a DVD lesson from Homespun Tapes which I haven't seen. There's also a CD of duets with Taj Mahal.
Many of my favourite instrumentals are either slide tunes (Tampa Red, Sylvester Weaver) or by Rev. Gary Davis. Those are probably not what you're looking for.
« Last Edit: February 21, 2008, 08:17:28 AM by andrew »
Bayless Rose - on the Document Ragtime Guitar CD: Jamestown Exhibition.
Jamestown is actually available in a slightly better remaster on the CD Old-Time Mountain Guitar, which is a great CD, leaning towards the hillbilly side of things. It's a CD with a bunch of great instrumentals: Sam McGee's Buck Dancer's Choice, David Miller's Jailhouse Rag. Though a number of the others are duets, and involve slide.
Hi Blue, A couple of other good ones: *Mance Lipscomb's "Boogie in A", played out of dropped-D tuning *Libba Cotten's "Vestapol" and "Honey Babe, Your Papa Cares For You", plus many hymns in Spanish: "When I Get Home", "Jesus Is Tenderly Calling", "'Til We Meet Again" *Sam McGee's "Franklin Blues" and "Buckdancer's Choice" All best, Johnm
A great source of CB instrumentals is Big Bill Broonzy. Some that stand out for me are "Saturday Night Rub", "House Rent Stomp". Lots of others (memory?).
Since Pan (thanks Pan!) dug up a thread with exactly the same subject matter and some good recommendations from the earlier thread, I have merged the two threads.
BTW, one of my favourite instrumentals happened to come on iTunes just now: Jesse Fuller's Fingerbuster.
Awesome Andrew...thanks for combining the threads....cheers to you pan for finding it again!
outfidel...thanks for those clips...I know that RGD has alot of great instrumentals....and that Merle Travis tune is AWESOME....I've not ventured into his music yet but this may make me want to!
Ghost...I think Big Bill has many tunes that can be played as instrumentals and hope to pick up Woody Mann's DVD lesson of his stuff...
Slack...I've been trying to get Libba version of Spanish Flang Dang for a week or two...simple song to play...hard song to get the feel just right. Of course I think thats true of most of these songs. I would love to learn both Mance's and MJH's versions...anyone know if there is TAB for Hurt's Version anywhere?
John M...Thanks for the great list...I think the many of Libba's tunes are great instrumentals...I would love to learn "Ontario Blues" one of these days as well. And its funny that you should mention Mance's "Boogie in A" I think this is my favorite Lipscomb tune and I WILL master it someday....I'm dropping you a PM about it.
Others of my favorites are the many versions of Vestapol etc., some of Mance's other instrumentals like...Sentimental Piece in G etc...Scrapper Blackwell has a number of good ones...like A Blues.
On the modern side of things I really like Paul Asbell's Chunky Monkey Gumbo, Hawkin's Potato head blues and Lightnin's Hideaway.
David Miller's "Cannonball Rag" is also good - he's got a nice touch... That's on Times Ain't Like They Used To Be, Vol. 7. On Old-Time Mountain Guitar (an excellent CD!) there's a recording of Spanish Fandango by John Dilleshaw and the String Marvel that would stand pretty well as a solo piece. It's purty - and kinda distinctive sounding.
there's a recording of Spanish Fandango by John Dilleshaw and the String Marvel that would stand pretty well as a solo piece. It's purty - and kinda distinctive sounding.
John Fahey did it as "Hawaiian Two-Step" with uke accompaniment, and solo as "Spanish Two-Step."
They're both duets, so not quite what Blue in VT is looking for, but two of my favorite country blues instrumentals are "Guitar Stomp" and "Railroad Stomp" by the Jolly Two - Walter Roland and Sonny Scott on guitars. The songs are both on Document CD 5144: Walter Roland Volume 1. I have to say, if I were being shot off into space and there was only room on the spacecraft for 10 blues CDs, this would be one of them.
He's actually a good source of instrumentals, many of which have interesting & distinctive melodies. The following are all on vol 1 (Document) and are all instrumentals:
Guitar Blues Guitar Rag (twice) Weaver's Blues Smoketown Strut Mixing Them Up In C I'm Busy And You Can't Come In Steel String Blues Six-String Banjo Piece Damfino Stump
Guitar Blues, Guitar Rag and Steel String Blues are all played with a slide, so probably not what you're after - Steel String Blues is actually a trio - two guitars and fiddle. The others are all solo pieces. Mike Seeger recently recorded Smoketown Strut. I think there are some really nice ones in there... and they're not quite the technical challenge of a Lonnie Johnson or Blind Blake piece, while still being fun to play & interesting music... worth checking out!
He's actually a good source of instrumentals, many of which have interesting & distinctive melodies. The following are all on vol 1 (Document) and are all instrumentals:
Guitar Blues Guitar Rag (twice) Weaver's Blues Smoketown Strut Mixing Them Up In C I'm Busy And You Can't Come In Steel String Blues Six-String Banjo Piece Damfino Stump
Guitar Blues, Guitar Rag and Steel String Blues are all played with a slide, so probably not what you're after - Steel String Blues is actually a trio - two guitars and fiddle. The others are all solo pieces. Mike Seeger recently recorded Smoketown Strut. I think there are some really nice ones in there... and they're not quite the technical challenge of a Lonnie Johnson or Blind Blake piece, while still being fun to play & interesting music... worth checking out!
Good point, Frank. I had mentioned Sylvester Weaver, but said that he might not do because of the slide factor. As you point out, though, he has quite a lot that are not slide pieces - more raggy instrumentals. Damfino Stump is one I've always meant to work out, though I'd really prefer to work it out on a 6-string banjo.
Another musician who has quite a number of great instrumentals spread over his recording career is John Jackson. They are some of my favorites in fact. Some are quite technically advanced but that shouldn't stop anyone from trying...
Some of John's instrumentals (not including banjo instrumentals):
Guitar Rag John's Guitar Boogie John's Rag Flat Foot and Buck Dance Don't Let Your Deal Go Down John's Ragtime Knife Blues Blind Blake's Rag Fairfax Station Rag Rappahannock Blues
« Last Edit: February 23, 2008, 12:37:13 PM by andrew »
Thanks for mentioning that Andrew...I think that Mance is a very underrated instrumental player. There is a sizable amouont of educational material out there on Mance's music but it is almost all about his songs. In fact the only Instrumentals that I have been able to find TAB for are "Rag in G" and "Rag in A" both of which are on the excellent DVDs by Ernie Hawkins....and Frankly Mance's Rags...all sound the same just in different keys...they are may least favorite of his instrumentals. In the back of my head I dream of someday producing some instructional material covering this overlooked subject....But I'm a long way from being able to do that.
I also "rediscovered" the excellent instrumentals of Richard Hacksaw Harney the other day while driving into work. I would love to be able to play "Delta Eagle" some day!
Yes, Rag in A and Rag in G seem to be the same. I think the one that has the best sound, probably because it is out of F and therefore doesn't sound as typical, is Rag in F. A bit repetitive itself, but fun and open to playing around with it.
Hacksaw is a great one. Wouldn't we all like to play like him.
Hi all, Buddy Boy Hawkins' "A Rag" is a great one in this category, though it has a spoken commentary as does William Moore's "Old Country Rock". Jesse Thomas had a great one from his post-War recordings called "Melody in C" that I've never heard covered. All best, Johnm