Difference between revisions of "The George Mitchell Collection, Volumes 1-45 - Sortable Track Listing"
From Weeniepedia
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<TABLE class="Resources sortable"> | <TABLE class="Resources sortable"> | ||
| − | <tr><th>Disk-Track</th><th align="left" width=" | + | <tr><th>Disk-Track</th><th align="left" width="15%">Artist</th><th align="left">Title</th><th align="left">Tuning</th><th align="left">Position</th><th>Pitch</th><th align="left">Year</th><th align="left">Location</th></tr> |
<tr><td>1-01</td><td>Cecil Barfield</td><td>Lucy Mae Blues</td><td>Standard</td><td>G</td><td>A-</td><td>1976</td><td>Albany, Georgia</td></tr> | <tr><td>1-01</td><td>Cecil Barfield</td><td>Lucy Mae Blues</td><td>Standard</td><td>G</td><td>A-</td><td>1976</td><td>Albany, Georgia</td></tr> | ||
<tr><td>1-02</td><td>Cecil Barfield</td><td>I Woke Up Crying</td><td>Standard</td><td>G</td><td>G#</td><td>1976</td><td>Albany, Georgia</td></tr> | <tr><td>1-02</td><td>Cecil Barfield</td><td>I Woke Up Crying</td><td>Standard</td><td>G</td><td>G#</td><td>1976</td><td>Albany, Georgia</td></tr> | ||
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<tr><td>3-18</td><td>Abe McNeil</td><td>Better Than Myself</td><td>Standard</td><td>G</td><td>Aflat+</td><td>1962 & 1967, Summer</td><td>Memphis, Tennessee & Friar's Point, Mississippi</td></tr> | <tr><td>3-18</td><td>Abe McNeil</td><td>Better Than Myself</td><td>Standard</td><td>G</td><td>Aflat+</td><td>1962 & 1967, Summer</td><td>Memphis, Tennessee & Friar's Point, Mississippi</td></tr> | ||
<tr><td>3-19</td><td>Abe McNeil</td><td>Steady Rollin' Man</td><td>Standard</td><td>G</td><td>Aflat+</td><td>1962 & 1967, Summer</td><td>Memphis, Tennessee & Friar's Point, Mississippi</td></tr> | <tr><td>3-19</td><td>Abe McNeil</td><td>Steady Rollin' Man</td><td>Standard</td><td>G</td><td>Aflat+</td><td>1962 & 1967, Summer</td><td>Memphis, Tennessee & Friar's Point, Mississippi</td></tr> | ||
| − | <tr><td>3-20</td><td>Abe McNeil (hambone | + | <tr><td>3-20</td><td>Abe McNeil (hambone and clapping w/Robert Diggs, harmonica and vocl)</td><td>Drink, Drink, Drink</td><td>Cross harp</td><td>E</td><td>E</td><td>1962 & 1967, Summer</td><td>Memphis, Tennessee & Friar's Point, Mississippi</td></tr> |
<tr><td>3-21</td><td>Joe Callicott</td><td>Country Blues</td><td>Standard</td><td>C</td><td>B+</td><td>1967, 09/01</td><td>Nesbit, Mississippi</td></tr> | <tr><td>3-21</td><td>Joe Callicott</td><td>Country Blues</td><td>Standard</td><td>C</td><td>B+</td><td>1967, 09/01</td><td>Nesbit, Mississippi</td></tr> | ||
<tr><td>3-22</td><td>Joe Callicott</td><td>River Blues</td><td>Standard</td><td>E</td><td>Eflat-</td><td>1967, 09/01</td><td>Nesbit, Mississippi</td></tr> | <tr><td>3-22</td><td>Joe Callicott</td><td>River Blues</td><td>Standard</td><td>E</td><td>Eflat-</td><td>1967, 09/01</td><td>Nesbit, Mississippi</td></tr> | ||
Revision as of 02:45, 20 December 2008
| Disk-Track | Artist | Title | Tuning | Position | Pitch | Year | Location |
|---|---|---|---|---|---|---|---|
| 1-01 | Cecil Barfield | Lucy Mae Blues | Standard | G | A- | 1976 | Albany, Georgia |
| 1-02 | Cecil Barfield | I Woke Up Crying | Standard | G | G# | 1976 | Albany, Georgia |
| 1-03 | Cecil Barfield | Love Blues | Standard | E | D | 1976 | Albany, Georgia |
| 1-04 | Cecil Barfield | I Told You Not to Do That | Standard | G | A | 1976 | Albany, Georgia |
| 1-05 | Buddy Moss | In the Evening | Standard | E | D+ | 1963 | Atlanta, Georgia |
| 1-06 | Buddy Moss | Hey Lawdy Mama | Standard | E | C#+ | 1963 | Atlanta, Georgia |
| 1-07 | Buddy Moss | Thousand Woman Blues | Standard | A | G | 1963 | Atlanta, Georgia |
| 1-08 | Buddy Moss | Blue Shadow Falling | Standard | E | C#+ | 1963 | Atlanta, Georgia |
| 1-09 | Buddy Moss | Cold Rainy Day | Standard | E | C#+ | 1963 | Atlanta, Georgia |
| 1-10 | Buddy Moss | Amy | Standard | A | F#+ | 1963 | Atlanta, Georgia |
| 1-11 | Leon Pinson | Motherless Child | Vestapol | (open) | C#- | 1967, 09/18 | Cleveland, Mississippi |
| 1-12 | Leon Pinson | Somebody is Calling My Name | Vestapol | (open) | C#- | 1967, 09/18 | Cleveland, Mississippi |
| 1-13 | Leon Pinson | What God Can Do | Standard | G | E | 1967, 09/18 | Cleveland, Mississippi |
| 1-14 | Leon Pinson | He'll Understand and Say Well Done | Vestapol | (open) | Eflat+ | 1967, 09/18 | Cleveland, Mississippi |
| 1-15 | Houston Stackhouse | Big Road Blues | Dropped-D | D | C#+ | 1967, 09/18 | Dundee, Mississippi |
| 1-16 | Houston Stackhouse | Cool Water Blues | Standard | E | Eflat+ | 1967, 09/18 | Dundee, Mississippi |
| 1-17 | Houston Stackhouse | Big Fat Mama Blues | Standard | A | Aflat+ | 1967, 09/18 | Dundee, Mississippi |
| 1-18 | Houston Stackhouse | Take A Little Walk With Me | Standard | E | Eflat+ | 1967, 09/18 | Dundee, Mississippi |
| 1-19 | Big Joe Williams | Everyone Got A Woman | Spanish | (open) | Bflat | 1963 | Chicago, Illinois |
| 1-20 | Big Joe Williams | What She Need with A Rooster | Spanish | (open) | Bflat | 1963 | Chicago, Illinois |
| 1-21 | Big Joe Williams | Sink or Swim | Spanish | (open) | Bflat | 1963 | Chicago, Illinois |
| 1-22 | Big Joe Williams | Prison Bound | Spanish | (open) | Bflat | 1963 | Chicago, Illinois |
| 1-23 | John Lee Ziegler | Who's Gonna Be Your Man | Vestapol, slide | (open) | G+ | 1978, (late) | Kathleen, Georgia |
| 1-24 | John Lee Ziegler | If I Lose, Let Me Lose | Vestapol | (open) | G+ | 1978, (late) | Kathleen, Georgia |
| 1-25 | Othar Turner | Black Woman | Vestapol | (open) | C#+ | 1967, 08/24 | Como, Mississippi |
| 1-26 | Othar Turner | Bumble Bee | Vestapol | (open) | C#+ | 1967, 08/24 | Como, Mississippi |
| 2-01 | Lonzie Thomas | Rabbit On A Log | Vestapol | (open) | D+ | 1980s, early | Lee County, Alabama |
| 2-02 | Lonzie Thomas | Raise a Ruckus Tonight | Vestapol | (open) | D+ | 1980s, early | Lee County, Alabama |
| 2-03 | Lonzie Thomas | My Three Women | Spanish | (open) | F# | 1980s, early | Lee County, Alabama |
| 2-04 | Lonzie Thomas | Red Cross Store | Vestapol | (open) | D+ | 1980s, early | Lee County, Alabama |
| 2-05 | Sleepy John Estes | Rats in the Kitchen | Standard | A | B+ | 1962 | Brownsville, Tennessee |
| 2-06 | Sleepy John Estes | Special Agent | Standard | A | B+ | 1962 | Brownsville, Tennessee |
| 2-07 | Sleepy John Estes | Trying To See | Standard | G | A+ | 1962 | Brownsville, Tennessee |
| 2-08 | Sleepy John Estes | Mail Man Blues | Standard | G | A+ | 1962 | Brownsville, Tennessee |
| 2-09 | Teddy Williams | Down Home Blues | Dropped-D | D | E | 1967, 09/16 | Canton, Mississippi |
| 2-10 | Teddy Williams | Catfish Blues | Standard | E | D+ | 1967, 09/16 | Canton, Mississippi |
| 2-11 | Teddy Williams | Black Mattie | Vestapol | (open) | F- | 1967, 09/16 | Canton, Mississippi |
| 2-12 | Teddy Williams | Sun Don't Shine | Standard | A | Bflat+ | 1967, 09/16 | Canton, Mississippi |
| 2-13 | Green Paschal | Trouble Brought Me Down | Vestapol, slide | (open) | D- | 1969 | Talbotton, Georgia |
| 2-14 | Green Paschal | My Lord | Vestapol, slide | (open) | D- | 1969 | Talbotton, Georgia |
| 2-15 | Green Paschal | Mother Is Dead | Vestapol, slide | (open) | C#+ | 1969 | Talbotton, Georgia |
| 2-16 | Green Paschal | Lay My Burden Down | Vestapol, slide | (open) | C#+ | 1969 | Talbotton, Georgia |
| 2-17 | Green Paschal | Your Close Friend | Vestapol, slide | (open) | C#+ | 1969 | Talbotton, Georgia |
| 2-18 | Green Paschal | I'm Going to Leave it in the Hands of the Lord | Vestapol, slide | (open) | C#+ | 1969 | Talbotton, Georgia |
| 2-19 | William "Do Boy" Diamond | Hard Time Blues | Vestapol | (open) | B+ | 1967, 09/15 | Canton, Mississippi |
| 2-20 | William "Do Boy" Diamond | Just Want to Talk With You | Spanish | (open) | F- | 1967, 09/15 | Canton, Mississippi |
| 2-21 | Dewey Corley & Walter Miller | Just I Dream I got on my Mind | Standard | A | A | 1967, Summer | Memphis, Tennessee |
| 2-22 | Dewey Corley & Walter Miller | Memphis is a Wonderful City | Standard | A | Bflat | 1967, Summer | Memphis, Tennessee |
| 2-23 | Dewey Corley & Walter Miller | Down to Arkansas | Standard | A | Bflat | 1967, Summer | Memphis, Tennessee |
| 2-24 | Bud Grant | Rock Me Mama | Standard | E | F+ | 1969, Spring | Thomaston, Georgia |
| 2-25 | Bud Grant | Freight Train Blues | Standard | A | G# | 1969, Spring | Thomaston, Georgia |
| 2-26 | Bud Grant | So Sweet | Standard | A | G+ | 1969, Spring | Thomaston, Georgia |
| 2-27 | Bud Grant | Bud Grant's Grunt | Standard | E | F+ | 1969, Spring | Thomaston, Georgia |
| 3-01 | Bud White | Go Ahead On | Standard | E | F+ | 1969, 02/02 | Richland, Georgia |
| 3-02 | Bud White | You've Been Gone So Long | Standard | E | F+ | 1969, 02/02 | Richland, Georgia |
| 3-03 | Bud White | White Horses | Cross-note | (open) | Eflat+ | 1969, 02/02 | Richland, Georgia |
| 3-04 | George Henry Bussey | When I'm Sober I'm Drunk Blues | Standard | G | F#- | 1969 | Waverly Hall, Georgia |
| 3-05 | George Henry Bussey | Mean Mistreater | Standard | E | Eflat- | 1969 | Waverly Hall, Georgia |
| 3-06 | George Henry Bussey | Blues Around My Bed | Standard | E | C# | 1969 | Waverly Hall, Georgia |
| 3-07 | George Henry Bussey | Looking For My Woman | Standard | A | E+ | 1969 | Waverly Hall, Georgia |
| 3-08 | Jim Bunkley | Old Red #2 | Vestapol, slide | (open) | D+ | 1969 | Geneva, Georgia |
| 3-09 | Jim Bunkley | Jack of Diamonds | Spanish | (open) | F+ | 1969 | Geneva, Georgia |
| 3-10 | Jim Bunkley | Them Greasy Greens | Standard | A | G+ | 1969 | Geneva, Georgia |
| 3-11 | Jim Bunkley | Rocking Chair | Standard | E | Eflat+ | 1969 | Geneva, Georgia |
| 3-12 | Tom Turner | Old Breakdown | Standard | E | C#+ | 1967, 09/06 | Columbus, Mississippi |
| 3-13 | Tom Turner | Drop Down Mama # 1 | Spanish | (open) | G#+ | 1967, 09/06 | Columbus, Mississippi |
| 3-14 | James Shorter (w/Jessie Mae Hemphill) | Search Me Lord | n/a | (a capella) | Aflat+ | 1967, 08/02 | Senatobia, Mississippi |
| 3-15 | James Shorter | My Mother Died and Left Me | n/a | (a capella) | E | 1967, 08/02 | Senatobia, Mississippi |
| 3-16 | James Shorter | Consolation | n/a | (a capella) | E+ | 1967, 08/02 | Senatobia, Mississippi |
| 3-17 | James Shorter | Home Going | n/a | (a capella) | G- | 1967, 08/02 | Senatobia, Mississippi |
| 3-18 | Abe McNeil | Better Than Myself | Standard | G | Aflat+ | 1962 & 1967, Summer | Memphis, Tennessee & Friar's Point, Mississippi |
| 3-19 | Abe McNeil | Steady Rollin' Man | Standard | G | Aflat+ | 1962 & 1967, Summer | Memphis, Tennessee & Friar's Point, Mississippi |
| 3-20 | Abe McNeil (hambone and clapping w/Robert Diggs, harmonica and vocl) | Drink, Drink, Drink | Cross harp | E | E | 1962 & 1967, Summer | Memphis, Tennessee & Friar's Point, Mississippi |
| 3-21 | Joe Callicott | Country Blues | Standard | C | B+ | 1967, 09/01 | Nesbit, Mississippi |
| 3-22 | Joe Callicott | River Blues | Standard | E | Eflat- | 1967, 09/01 | Nesbit, Mississippi |
| 3-23 | Johnny Woods (w/ Fred McDowell) | 3 O'Clock in the Morning | Cross harp, Vestapol, slide | (open) | F- | 1967, 08/26 | Senatobia, Mississippi |
| 3-24 | Johnny Woods (w/ Fred McDowell) | I's Be Troubled | Cross harp, Vestapol, slide | (open) | F- | 1967, 08/26 | Senatobia, Mississippi |
| 4-01 | Robert Diggs | Someday Baby | Cross harp | (harmonica) | E | 1967, Summer | Friar's Point, Mississippi |
| 4-02 | Robert Diggs | Racehorse Charleston | Cross harp | (harmonica) | E | 1967, Summer | Friar's Point, Mississippi |
| 4-03 | Robert Diggs | Done Lost My Health | Cross harp | (harmonica) | E | 1967, Summer | Friar's Point, Mississippi |
| 4-04 | Robert Diggs | Drive Your Car | Standard (gtr), cross harp | E | E | 1967, Summer | Friar's Point, Mississippi |
| 4-05 | Cliff Scott | Woke Up This Morning | Spanish, slide | (open) | Bflat | 1969, 03/24 | Draneville, Georgia |
| 4-06 | Cliff Scott | Long Wavy Hair | Vestapol, slide | (open) | E | 1969, 03/24 | Draneville, Georgia |
| 4-07 | Cliff Scott | Please Come Home | Standard | A | G#- | 1969, 03/24 | Draneville, Georgia |
| 4-08 | Cliff Scott | Pole Pattin' | Standard | G | G#- | 1969, 03/24 | Draneville, Georgia |
| 4-09 | Jimmy Lee Harris | I Wanna Ramble | Vestapol | (open) | E | 1980s, early | Phenix City, Alabama |
| 4-10 | Jimmy Lee Harris | Sitting Here Looking 1000 Miles Away | Vestapol | (open) | E- | 1980s, early | Phenix City, Alabama |
| 4-11 | R. L. Burnside | Just Like a Bird Without A Feather | Standard | E | C+ | 1967, 08/24 | Coldwater, Mississippi |
| 4-12 | R. L. Burnside | Skinny Woman | Spanish | (open) | G+ | 1967, 08/24 | Coldwater, Mississippi |
| 4-13 | R. L. Burnside | Goin' Down South | Standard | E | C# | 1967, 08/24 | Coldwater, Mississippi |
| 4-14 | R. L. Burnside | Poor Black Mattie | Spanish | (open) | F# | 1967, 08/24 | Coldwater, Mississippi |
| 4-15 | Robert Johnson | Hold My Body Down | Vestapol, slide | (open) | D- | 1969, 07/02 | Skene, Mississippi |
| 4-16 | Robert Johnson | Trying to Make It Home | Vestapol, slide | (open) | D | 1969, 07/02 | Skene, Mississippi |
| 4-17 | Robert Johnson | Precious Lord | Vestapol, slide | (open) | D | 1969, 07/02 | Skene, Mississippi |
| 4-18 | Robert Johnson | He'll Make a Way | Vestapol | (open) | D | 1969, 07/02 | Skene, Mississippi |
| 4-19 | Robert Longstreet | Sugar Mama | Cross harp | (harmonica) | E | 1967, Summer | Starkville, Mississippi |
| 4-20 | Robert Longstreet | Black Gal | Cross harp | (harmonica) | E | 1967, Summer | Starkville, Mississippi |
| 4-21 | Robert Longstreet | Sloppy Drunk | Cross harp | (harmonica) | E | 1967, Summer | Starkville, Mississippi |
| 4-22 | Robert Longstreet | Decoration Day | Cross harp | (harmonica) | E | 1967, Summer | Starkville, Mississippi |
| 4-23 | Fred McDowell w/Johnny Woods | Shake 'Em On Down | Vestapol slide (gtr), cross harp | (open) | E- | 1967, 08/26 | Senatobia, Mississippi |
| 4-24 | Fred McDowell w/Johnny Woods | Mama Says I'm Crazy | Vestapol slide (gtr), cross harp | (open) | E- | 1967, 08/26 | Senatobia, Mississippi |
| 5-01 | John Henry Barbee | That Ain't It | Standard | E | E- | 1963 | Chicago, Illinois |
| 5-02 | John Henry Barbee | Gonna Lose Your Mind | Standard | E | E- | 1963 | Chicago, Illinois |
| 5-03 | Albert Macon & Robert Thomas | Flat Foot Boogie | Standard | E | Eflat | 1980s, early | Society Hill, Alabama |
| 5-04 | Albert Macon & Robert Thomas | Mama Can I Lay It Down | Standard | E | Eflat+ | 1980s, early | Society Hill, Alabama |
| 5-05 | Albert Macon & Robert Thomas | How Can You Do It | Standard | A | Aflat+ | 1980s, early | Society Hill, Alabama |
| 5-06 | Jessie Clarence Gorman | John Henry | Vestapol, slide | (open) | D- | 1969, Spring | Thomaston, Georgia |
| 5-07 | Jessie Clarence Gorman | Goin' Up to the Country #1 | Vestapol | (open) | E | 1969, Spring | Thomaston, Georgia |
| 5-08 | Jessie Clarence Gorman | Goin' Up to the Country #2 | Vestapol | (open) | E | 1969, Spring | Thomaston, Georgia |
| 5-09 | Will Shade | Dirty Dozens | Standard | E | E- | 1962 | Memphis, Tennessee |
| 5-10 | Will Shade | Won't You Send Me John | Standard | C | B+ | 1962 | Memphis, Tennessee |
| 5-11 | Will Shade | Wine Headed Man | Standard | E | E- | 1962 | Memphis, Tennessee |
| 5-12 | Will Shade (w/Charlie Burse) | K. C. Blues | Standard (tenor gtr), cross harp | G | G- | 1962 | Memphis, Tennessee |
| 5-13 | Georgia Fife and Drum Band | Every Time I Come Around | n/a | n/a | Aflat+ | 1969 | Waverly Hall, Georgia |
| 5-14 | Georgia Fife and Drum Band | J. W.'s Special | n/a | n/a | Bflat/Dflat | 1969 | Waverly Hall, Georgia |
| 5-15 | Georgia Fife and Drum Band | Old Hen Cackle | n/a | n/a | A | 1969 | Waverly Hall, Georgia |
| 5-16 | Georgia Fife and Drum Band | Buck Dance | n/a | n/a | n/a | 1969 | Waverly Hall, Georgia |
| 5-17 | Como Fife and Drum Band | Hey Freddie | n/a | n/a | E | 1967 | Como, Mississippi |
| 5-18 | Como Fife and Drum Band | Late in the Evening | n/a | n/a | E | 1967 | Como, Mississippi |
| 5-19 | Como Fife and Drum Band | Punky Tony | n/a | n/a | E | 1967 | Como, Mississippi |
| 5-20 | Como Fife and Drum Band | Shimmy She Wa | n/a | n/a | F#+ | 1967 | Como, Mississippi |
| 5-21 | Maxwell Street Jimmy | You Got to Reap What You Sow | Standard | E | E- | 1963 | Chicago, Illinois |
| 5-22 | Maxwell Street Jimmy | Everything's Gonna Be Alright | Standard | E | Eflat+ | 1963 | Chicago, Illinois |
| 5-23 | Precious Bryant | That's the Way the Good Thing Go | Standard | E | F# | 1969 | Waverly Hall, Georgia |
| 5-24 | Precious Bryant | Georgia Buck | Standard | C | Bflat | 1969 | Waverly Hall, Georgia |
| 5-25 | Precious Bryant | When the Saints Go Marching In | Standard | E | C#+ | 1969 | Waverly Hall, Georgia |
| 5-26 | Rosa Lee Hill | Pork & Beans | Standard | E | C# | 1967, 08/23 | Como, Mississippi |
| 5-27 | Rosa Lee Hill | Count the Days I'm Gone | Cross-note | (open) | Bflat+ | 1967, 08/23 | Como, Mississippi |
| 5-28 | Rosa Lee Hill | Roll & Tumble | Cross-note | (open) | C#+ | 1967, 08/23 | Como, Mississippi |
| 5-29 | Rosa Lee Hill | Bullying Well | Cross-note | (open) | E | 1967, 08/23 | Como, Mississippi |
| 6-01 | Furry Lewis | Good Morning Judge | Vestapol, slide | (open) | C#+ | 1962 | Memphis, Tennessee |
| 6-02 | Furry Lewis | Furry Lewis' Careless Love | Vestapol, slide | (open) | C | 1962 | Memphis, Tennessee |
| 6-03 | Jimmy Lee Williams | What Make Grandpa Love Grandma So | Vestapol, slide | (open) | Eflat- | 1977 | Porlan, Georgia |
| 6-04 | Jimmy Lee Williams | Have You Ever Seen Peaches | Vestapol, slide | (open) | C# | 1977 | Porlan, Georgia |
| 6-05 | J. W. Warren | Hoboing Into Hollywood | Dropped-D | D | C#- | 1981, 1982 | Ariton, Georgia |
| 6-06 | J. W. Warren | Sundown Blues | Standard | A | G#- | 1981, 1982 | Ariton, Georgia |
| 6-07 | J. W. Warren | Rabbit On A Log | Vestapol | (open) | B- | 1981, 1982 | Ariton, Georgia |
| 6-08 | J. W. Warren | You're Gonna Miss Me | Vestapol | (open) | F#- | 1981, 1982 | Ariton, Georgia |
| 6-09 | Eddie Harris | House on the Hill | Standard | E | E | 1980s, early | Phenix City, Alabama |
| 6-10 | Eddie Harris | I Have to Love Somebody | Standard | E | E | 1980s, early | Phenix City, Alabama |
| 6-11 | James Davis | Old Country Rock #1 | Standard | F | G | 1970s, late | Henderson, Georgia |
| 6-12 | James Davis | Instrumental #1 | Standard | E | G | 1970s, late | Henderson, Georgia |
| 6-13 | James Davis | Who Stole the Lock off the Henhouse Door? | Standard | E | G | 1970s, late | Henderson, Georgia |
| 6-14 | James Davis | Instrumental #4 | Standard | E | G | 1970s, late | Henderson, Georgia |
| 6-15 | Robert Nighthawk | Canned Heat | Standard | G | G | 1967, 08/28 | Dundee, Mississippi |
| 6-16 | Robert Nighthawk | Nighthawk Boogie | Standard | E | Eflat+ | 1967, 08/28 | Dundee, Mississippi |
| 6-17 | Robert Nighthawk | Down by the Woodshed | Standard | G | G- | 1967, 08/28 | Dundee, Mississippi |
| 6-18 | Jessie Mae Hemphill | Home Going | n/a | (a capella) | F# | 1967, 08/? | Dundee, Mississippi |
| 6-19 | Jessie Mae Hemphill | I Want to be Ready | n/a | (a capella) | B- | 1967, 08/? | Dundee, Mississippi |
| 6-20 | Jessie Mae Hemphill | Interview | n/a | n/a | n/a | 1967, 08/? | Dundee, Mississippi |
| 7-01 | Jessie Lee Vortis | Miss Maybelle | Spanish | (open) | F#- | (unknown) | (unknown) |
| 7-02 | Jessie Lee Vortis | When My Baby Got On Board | Spanish | (open) | F# | (unknown) | (unknown) |
| 7-03 | George Hollis | Them Greasy Greens #1 | Standard (gtr), unknown (vln) | F | Eflat | (unknown) | (unknown) |
| 7-04 | George Hollis | Rock and Roll to Milledgeville | unknown (vln) | ? | Eflat | (unknown) | (unknown) |
| 7-05 | Willie Rockomo | Black Rat Swing | Standard | A | A | (unknown) | (unknown) |
| 7-06 | Bruce Upshaw (harp), Willie Rockomo (gtr) | Tease Me Baby #2 | Cross harp | (harmonica) | A | (unknown) | (unknown) |
| 7-07 | Bruce Upshaw (harp), Willie Rockomo (gtr) | Someday Baby #1 | Cross harp | (harmonica) | A | (unknown) | (unknown) |
| 7-08 | Willie Rockomo | Wonder Why My Baby Treat Me so Bad | Standard | G | G | (unknown) | (unknown) |
| 7-09 | Bruce Upshaw | Rosa Lee | Cross harp | (harmonica) | A | (unknown) | (unknown) |
| 7-10 | Buddy Hubbard | I Got A Woman | Vestapol, slide | (open) | Eflat- | (unknown) | (unknown) |
| 7-11 | Buddy Hubbard | So Sweet | Vestapol | (open) | F#+ | (unknown) | (unknown) |
| 7-12 | Ira "Tiny" Coney | You're Gonna Miss Me | Standard | A | F#+ | (unknown) | (unknown) |
| 7-13 | Ira "Tiny" Coney | Mamie | Standard | A | F#+ | (unknown) | (unknown) |
| 7-14 | Ira "Tiny" Coney | I'm So Lonesome | Standard | A | F#+ | (unknown) | (unknown) |
| 7-15 | Eddie Hodge | Blood Red River | Cross-note | (open) | Eflat- | (unknown) | (unknown) |
| 7-16 | Eddie Hodge | Sitting on Top of the World | Vestapol, slide | (open) | D+ | (unknown) | (unknown) |
| 7-17 | Eddie Hodge | Glory Hallelujah | Vestapol, slide | (open) | D+ | (unknown) | (unknown) |
| 7-18 | Pettis Sisters | Jesus is Coming Back to Me | Standard | F | F | (unknown) | (unknown) |
| 7-19 | Pettis Sisters | Bound for Zion | Standard | Eflat | Eflat | (unknown) | (unknown) |
| 7-20 | Houston & Sara Mae Stovall | You Told Me Baby | Standard | E | E | (unknown) | (unknown) |
| 7-21 | Houston & Sara Mae Stovall | Sweet as an Apple on a Tree | Cross harp | (harmonica) | E | (unknown) | (unknown) |
| 7-22 | Houston & Sara Mae Stovall | Juke #2 | Cross harp | (harmonica) | E | (unknown) | (unknown) |
| 7-23 | Houston & Sara Mae Stovall | Woke Up this Morning | Standard | E | E | (unknown) | (unknown) |
| 7-24 | Houston & Sara Mae Stovall | Tell Me You Love Me | Standard | A | A | (unknown) | (unknown) |
