Difference between revisions of "Lucy Mae Blues"
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Dropped-D tuning, w/bass and drums<br> | Dropped-D tuning, w/bass and drums<br> | ||
<br> | <br> | ||
− | My Sunday woman brings the daily news, that Monday woman | + | My Sunday woman brings the daily news, that Monday woman buys me stockin's and shoes<br> |
− | REFRAIN: Better not let my good gal catch you here<br> | + | REFRAIN: Better not let my, good gal catch you here<br> |
Ain't no tellin' what poor little Lucy Mae do<br> | Ain't no tellin' what poor little Lucy Mae do<br> | ||
<br> | <br> | ||
My Tuesday woman totes that pocket change, that Wednesday woman wants to do the same<br> | My Tuesday woman totes that pocket change, that Wednesday woman wants to do the same<br> | ||
− | REFRAIN: Better not let my good gal catch you here<br> | + | REFRAIN: Better not let my, good gal catch you here<br> |
Ain't no tellin' what poor little Lucy Mae do<br> | Ain't no tellin' what poor little Lucy Mae do<br> | ||
<br> | <br> | ||
My Thursday woman knocks upon my door, that Friday woman, boy, is gotta go<br> | My Thursday woman knocks upon my door, that Friday woman, boy, is gotta go<br> | ||
− | REFRAIN: Better not let my good gal catch you here<br> | + | REFRAIN: Better not let my, good gal catch you here<br> |
Ain't no tellin' what poor little Lucy Mae do<br> | Ain't no tellin' what poor little Lucy Mae do<br> | ||
<br> | <br> | ||
− | My Saturday woman | + | My Saturday woman tote a Gatling gun, cut you if you stand, shoot you if you run<br> |
− | REFRAIN: Better not let my good gal catch you here<br> | + | REFRAIN: Better not let my, good gal catch you here<br> |
Ain't no tellin' what poor little Lucy Mae do<br> | Ain't no tellin' what poor little Lucy Mae do<br> | ||
<br> | <br> | ||
SOLO<br> | SOLO<br> | ||
<br> | <br> | ||
− | She left one Christmas | + | She left one Christmas coming back that afternoon, next time I see her, boy, it was the nineteenth of June<br> |
− | REFRAIN: Better not let my good gal catch you here<br> | + | REFRAIN: Better not let my, good gal catch you here<br> |
Ain't no tellin' what poor little Lucy Mae do<br> | Ain't no tellin' what poor little Lucy Mae do<br> | ||
<br> | <br> | ||
Goodbye, little woman, babe, you call that gone, you may leave Frankie, baby, don't think you won't stay long<br> | Goodbye, little woman, babe, you call that gone, you may leave Frankie, baby, don't think you won't stay long<br> | ||
− | REFRAIN: Better not let my good gal catch you here<br> | + | REFRAIN: Better not let my, good gal catch you here<br> |
Ain't no tellin' what poor little Lucy Mae do<br> | Ain't no tellin' what poor little Lucy Mae do<br> | ||
<br> | <br> |
Latest revision as of 13:23, 21 July 2019
Lucy Mae Blues--Frankie Lee Sims
Dropped-D tuning, w/bass and drums
My Sunday woman brings the daily news, that Monday woman buys me stockin's and shoes
REFRAIN: Better not let my, good gal catch you here
Ain't no tellin' what poor little Lucy Mae do
My Tuesday woman totes that pocket change, that Wednesday woman wants to do the same
REFRAIN: Better not let my, good gal catch you here
Ain't no tellin' what poor little Lucy Mae do
My Thursday woman knocks upon my door, that Friday woman, boy, is gotta go
REFRAIN: Better not let my, good gal catch you here
Ain't no tellin' what poor little Lucy Mae do
My Saturday woman tote a Gatling gun, cut you if you stand, shoot you if you run
REFRAIN: Better not let my, good gal catch you here
Ain't no tellin' what poor little Lucy Mae do
SOLO
She left one Christmas coming back that afternoon, next time I see her, boy, it was the nineteenth of June
REFRAIN: Better not let my, good gal catch you here
Ain't no tellin' what poor little Lucy Mae do
Goodbye, little woman, babe, you call that gone, you may leave Frankie, baby, don't think you won't stay long
REFRAIN: Better not let my, good gal catch you here
Ain't no tellin' what poor little Lucy Mae do
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