It's got one 5 start review (no reviews yet on Amazon.com) and consists of three Cd's & one DVD.
The product description says in part;
"This 60 track set contains many of Patton’s best known songs as well as the sources for those songs and covers or variants by those artists that came after him. Also included is the DVD, ‘Talkin’ Patton’, that contains interviews with musicians, musicologists, blues scholars and Delta historians and contains brand new footage of Dockery’s, the legendary plantation where Patton was raised and where many people believe the Delta Blues truly blossomed as an art form"
I already have the JSP 5 CD set, but this looks interesting, particularly for the DVD. Has anyone already got this or have any thoughts on it?
Got it a few months ago. The cd's are interesting; some unusual sources for Patton's songs. The dvd is boring - all talk and no action apart from a few seconds of Bob Brozman showing some lapslide licks. Don't buy this for the dvd only, you'll be dissapointed.
I did an extensive Patton comparison last year. I might be the only one, but I found the Revenant set to be disappointing. (It's my understanding the JSP set is merely a copy of the Revenant set.) Not surprisingly, Yazoo was the winner for the best sound beneath the decently reduced crackles and pops. But I thought the Definitive set was a good choice for those who would rather not have to deal with the surface noise. I put the Definitive set on when I'm in such a mood.
The Patton clip from Youtube sounds like it might be artificially enhanced a bit, which might indicate it's from the Pristine Classsical collection. http://www.pristineclassical.com/LargeWorks/Jazz/PABL006.php (Such enhancements don't bother me as much as they bother others. I just see them as a different perspective on the music that supplements other CDs.) I did not include the Pristine Classical version in my comparison.
I wonder if the 75th Anniversary set is just a copy of something already in curculation (e.g., the Document collections).
« Last Edit: April 04, 2011, 11:13:02 AM by misterjones »
thanks for the insight. it's a strange thing listening to music and i'm sure it's been discussed a lot here, but i think i might be caught in the middle of sometimes surface noise sometimes clarity too, so it's good to have you point that out.
I got the Robert Johnson Pristine-cd's when they were released in Nov '07. The only RJ-collection I ever listen to. Really enjoy the Patton Revenant-box, but the Pristine-edition is what I listen to. And to anyone new to Pristine Records, I strongly recommend http://www.pristineclassical.com/LargeWorks/Jazz/PABB01.php
Any YT-clips from the 75-Charlie Patton dvd? My wish for 2011 would be a Bob Brozman-dvd w Charlie Patton-songs. I'm quite surprised that an entrepreneur like Bob, doesn't cash in on his Patton-skills and insights.
My apologies if this is a little off topic, but is the Revenant set worth it with the included John Fahey book on Patton? How worthwhile is the Fahey book?
I find that I enjoy the Pristine classical recordings, also.
My wish for 2011 would be a Bob Brozman-dvd w Charlie Patton-songs. I'm quite surprised that an entrepreneur like Bob, doesn't cash in on his Patton-skills and insights.
you are not alone in that thought, it has been suggested before elsewhere, and i'm positive he read those requests on another forum.. it is indeed a mystery to some of us! maybe the subject is just too sacred to him??? its not like he is averse to making/ and appearing in dvds is it!
My apologies if this is a little off topic, but is the Revenant set worth it with the included John Fahey book on Patton? How worthwhile is the Fahey book?
The Fahey book was good for its time. But when it was written there were still undiscovered Patton records out there, so there are holes in Fahey's discussion of Patton's music. The book has largely been rendered obsolete by the other notes to the set: David Evans' long biographical essay and shorter articles, lyric transcriptions, melodic motifs, etc. by other authors. In my opinion, these notes are essential, while the Fahey book is a nice throw-in.
. . . thanks for the insight. it's a strange thing listening to music and i'm sure it's been discussed a lot here, but i think i might be caught in the middle of sometimes surface noise sometimes clarity too, so it's good to have you point that out.
I'm not saying anything new or profound here, but blues CDs seem to fall into three basic categories: (1) minimal noise reduction + vibrant sound (e.g., Yazoo); (2) lots of noise reduction + flat/muted sound (e.g., Sony Legacy); and (3) somewhere in between (e.g., the Definitive set I mentioned). I fully understand where those who prefer (2) or (3) are coming from, especially those starting out listening to old recordings. Yazoos used to drive me crazy. Now I prefer them. Classical and jazz have the same issues.
Worst of all are recordings treated with CEDAR which end up flat, lifeless and compressed.
That was certainly the case 20 years ago. But I've been listening to some Archeophone releases, such as Real Ragtime, that were CEDARed more recently, and they sound pretty darned good (for old acoustic recordings). I'm sure the technology has advanced, and I'm also sure that whoever is doing the mastering can adjust just how much filtering is done. The Archeophone releases have changed my mind about CEDAR and software noise reduction in general, and I now think it can be used with good results.
I'm thinkin of buying the Revenant set but it appears to be sold out at all stores. But still available at the Revenant site. Anybody knows more on this?
Worst of all are recordings treated with CEDAR which end up flat, lifeless and compressed.
That was certainly the case 20 years ago. But I've been listening to some Archeophone releases, such as Real Ragtime, that were CEDARed more recently, and they sound pretty darned good (for old acoustic recordings). I'm sure the technology has advanced, and I'm also sure that whoever is doing the mastering can adjust just how much filtering is done. The Archeophone releases have changed my mind about CEDAR and software noise reduction in general, and I now think it can be used with good results.
I was going to mention that in my last post. I don't know the current state of CEDAR and those who use it, but some of the early Roots N Blues issues using it were dreadful (such as "The Definitive Blind Willie McTell"). NoNoise always struck me as a bit better. Milestone's Blind Lemon Jefferson used NoNoise, and it isn't dreadful (though the noise reduction is too much for me). It's a good pick for those who want the noise fully squeezed out of their lemon. I'm not aware of anyone who has fully applied noise reduction to Patton.
I'm thinkin of buying the Revenant set but it appears to be sold out at all stores. But still available at the Revenant site. Anybody knows more on this?
You might contact Revenant directly via the link on their home page.
Hi all, I've heard that the various versions of Charlie Patton's recordings that have been marketed commercially, in addition to having sound qualities of different types and being mastered using different processes, contain some excellent music. All best, Johnm
Hi all, I've heard that the various versions of Charlie Patton's recordings that have been marketed commercially, in addition to having sound qualities of different types and being mastered using different processes, contain some excellent music. All best, Johnm
Details, details...
Reminds me of something akin to what Yogi Berra once said...
I'm thinkin of buying the Revenant set but it appears to be sold out at all stores. But still available at the Revenant site. Anybody knows more on this?
You might contact Revenant directly via the link on their home page.
Well, at least you tried. From what I've heard over the years (mostly via the Yahoo Fahey group), Revenant is in disarray. Occasionally a detail or two would surface, but nothing that shed any light on the real state of affairs.
I took a gamble and just ordered the Patton Box from Revenant records. To my suprise I got an e-mail back the next day stating that my order was accepted and was on it's way to my residence. I got it today in perfect condition. I must say the hype about the Box justified. It's simply extraordinary in every way. The enormous details are almost bizarre.
So Revenant still has a few copies for a reasonable price (150). Prices at Amazon are much higher right now.
Nothing on the Yazoo site that I could see, but it looks like it's a re-issue of the Yazoo set--perhaps not by Yazoo, but by a company that focuses on vinyl re-issues.
I previously looked for indications of the source material for these (and other similar records) and found none. If vinyl re-issues are sourced from CDs, I don't see the point.